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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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emembered as <strong>on</strong>e <strong>of</strong> the most decisive dates in<br />

world history. In fact, D-day was initially set for<br />

June 5, but had to be postp<strong>on</strong>ed for 24 hours due<br />

to adverse weather c<strong>on</strong>diti<strong>on</strong>s. <str<strong>on</strong>g>The</str<strong>on</strong>g> D in D-day<br />

was an abbreviati<strong>on</strong> <strong>of</strong> “Day.” Next M<strong>on</strong>day is D-Day<br />

for Wall Street. See also l<strong>on</strong>gest day.<br />

dead . . . and never called me mother! An expressi<strong>on</strong><br />

<strong>of</strong> mock dismay, as typifi ed by melodramatic<br />

19th- century drama and fi cti<strong>on</strong>. Though associated<br />

particularly with the hugely pop u lar sentimental<br />

novel east lynne (1861) by Mrs. Henry<br />

Wood, the line does not actually appear in the<br />

original book, but was added in a successful 1874<br />

stage adaptati<strong>on</strong> <strong>of</strong> the novel. <str<strong>on</strong>g>The</str<strong>on</strong>g> line occurs in a<br />

scene during which a mother grieves over her<br />

young s<strong>on</strong>, who has died unaware <strong>of</strong> his mother’s<br />

true identity. It was <strong>on</strong>e <strong>of</strong> those “dead . . . and never<br />

called me mother!” per for mances that would never c<strong>on</strong>vince<br />

any modern audience.<br />

dead bury their dead, let the See let the dead<br />

bury the dead.<br />

dead- end kids Youths who seem doomed to a<br />

disappointing future by virtue <strong>of</strong> their unpromising,<br />

impoverished backgrounds. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to<br />

a group <strong>of</strong> U.S. child actors called the Dead End<br />

Kids, who appeared in the role <strong>of</strong> street hooligans<br />

in a series <strong>of</strong> fi lms during the 1930s, am<strong>on</strong>g them<br />

Angels with Dirty Faces (1938). He was a dead- end kid<br />

in his youth but grew up to become <strong>on</strong>e <strong>of</strong> the most infl uential<br />

men in the city.<br />

dead li<strong>on</strong> See living dog is better than a<br />

dead li<strong>on</strong>, a.<br />

dead man’s hand A stroke <strong>of</strong> bad luck, or an<br />

unlucky omen. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the hand <strong>of</strong> cards<br />

Dead Sea fruit<br />

that Sheriff Wild Bill Hickok was holding when<br />

he was shot in the back in a Deadwood salo<strong>on</strong> <strong>on</strong><br />

August 2, 1876 (supposedly black aces and black<br />

eights or, according to another traditi<strong>on</strong>, two jacks<br />

and two eights). Ever since then a similar combinati<strong>on</strong><br />

<strong>of</strong> cards has been called a “dead man’s hand.”<br />

He froze when he saw that he had been dealt the fabled<br />

dead man’s hand.<br />

dead man walking A pers<strong>on</strong> who is c<strong>on</strong>sidered as<br />

good as dead. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase, which became more<br />

widely known through the 1995 fi lm Dead Man<br />

Walking, was traditi<strong>on</strong>ally called out by pris<strong>on</strong><br />

guards escorting c<strong>on</strong>demned pris<strong>on</strong>ers from death<br />

row to the executi<strong>on</strong> chamber in U.S. pris<strong>on</strong>s. In<br />

modern usage, the phrase is sometimes applied to<br />

<strong>of</strong>fi cials who are c<strong>on</strong>sidered to be clinging to <strong>of</strong>fi ce<br />

l<strong>on</strong>g after their resignati<strong>on</strong> or dismissal has become<br />

inevitable. Since that defeat the leader <strong>of</strong> the party has<br />

been a dead man walking.<br />

dead parrot Something that is totally defunct.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the celebrated “dead parrot<br />

sketch” fi rst performed <strong>on</strong> British tele vi si<strong>on</strong> in the<br />

1970s by the m<strong>on</strong>ty pyth<strong>on</strong> comedy team, in<br />

which a disgruntled customer attempts to return a<br />

dead parrot to a pet store <strong>on</strong>ly to be met with the<br />

store own er’s blank refusal to admit that the bird<br />

is actually dead. This policy is a dead parrot as far as<br />

the rest <strong>of</strong> the government is c<strong>on</strong>cerned. See also sick as<br />

a parrot.<br />

Dead Sea fruit A bitter disappointment or disillusi<strong>on</strong>.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is biblical in origin, referring<br />

to the fruit trees grown <strong>on</strong> the shores <strong>of</strong> the Dead<br />

Sea by the morally degenerate Sodomites. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

fruit <strong>of</strong> these trees was said to be beautiful to look<br />

at but bitter to the taste and “within full <strong>of</strong> ashes,”<br />

in the words <strong>of</strong> the French traveler Jean de<br />

121

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