The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
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al<strong>on</strong>gside Homer’s Iliad, including the medieval<br />
Romance <strong>of</strong> the Rose (13th century), which came to<br />
be dubbed the French Iliad, and the Nibelungenlied<br />
(early 13th century), sometimes called the German<br />
Iliad. <str<strong>on</strong>g>The</str<strong>on</strong>g> series <strong>of</strong> disasters suffered by both<br />
sides during the war gave rise to the phrase an<br />
Iliad <strong>of</strong> woes to describe any series <strong>of</strong> setbacks or<br />
misfortunes. This third fi lm brings this Iliad <strong>of</strong> modern<br />
warfare and trilogy <strong>of</strong> Vietnam movies to a tragic and<br />
dispiriting close.<br />
I’ll be back See terminator, the.<br />
I’m alright, Jack I d<strong>on</strong>’t care about anything<br />
else, as l<strong>on</strong>g as my interests are secure. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase<br />
has its origins in a traditi<strong>on</strong>al saying <strong>of</strong> unknown<br />
age, possibly ultimately <strong>of</strong> nautical origin (“Jack”<br />
being a nickname for a Royal Navy sailor). Today it<br />
is <strong>of</strong>ten associated with a 1959 fi lm <strong>of</strong> the same<br />
title starring Peter Sellers as a militant shop steward<br />
who leads the staff <strong>of</strong> a factory in a strike<br />
against the management. This callous and selfi sh<br />
behavior is yet another example <strong>of</strong> the “I’m alright Jack”<br />
attitude that prevails in modern society. See also god’s<br />
in his heaven, all’s right with the world.<br />
I’m going to make him an <strong>of</strong>fer he can’t refuse<br />
See <strong>of</strong>fer you can’t refuse, an.<br />
immaculate c<strong>on</strong>cepti<strong>on</strong> Something that comes<br />
about in an unc<strong>on</strong>venti<strong>on</strong>al or apparently inexplicable<br />
manner. <str<strong>on</strong>g>The</str<strong>on</strong>g> reference is to the c<strong>on</strong>cepti<strong>on</strong><br />
<strong>of</strong> the Virgin Mary as defi ned in the dogma (“Ineffabilis<br />
Deus” <strong>of</strong> Pope Pius IX, December 8, 1854):<br />
“from the fi rst moment <strong>of</strong> her c<strong>on</strong>cepti<strong>on</strong> the<br />
Blessed Virgin Mary was, by the singular grace and<br />
privilege <strong>of</strong> Almighty God, and in view <strong>of</strong> the<br />
merits <strong>of</strong> Jesus Christ, Saviour <strong>of</strong> mankind, kept<br />
free from all stain <strong>of</strong> original sin.” Biblical allusi<strong>on</strong>s<br />
Incredible Hulk<br />
to this doctrine are held to be Genesis 3:15 and<br />
Luke 1:28, but this teaching is rejected by Protestants.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> term is sometimes employed in modern<br />
usage in a somewhat sarcastic t<strong>on</strong>e. People tend to<br />
forget that such structures have been designed in detail<br />
by teams <strong>of</strong> engineers, preferring to believe they came<br />
about through some pro cess <strong>of</strong> immaculate c<strong>on</strong>cepti<strong>on</strong>.<br />
impressi<strong>on</strong>ist Involving a fl eeting impressi<strong>on</strong><br />
<strong>of</strong> a reality or mood. <str<strong>on</strong>g>The</str<strong>on</strong>g> term alludes to the<br />
impressi<strong>on</strong>ist movement that caused a sensati<strong>on</strong><br />
in the art world in the sec<strong>on</strong>d half <strong>of</strong> the 19th<br />
century. Champi<strong>on</strong>ed by such artists as Claude<br />
M<strong>on</strong>et (1840–1926), Auguste Renoir (1841–<br />
1919), and Edgar Degas (1834–1917), impressi<strong>on</strong>ism<br />
depended up<strong>on</strong> capturing the essence <strong>of</strong><br />
something without painting the actual details <strong>of</strong> it,<br />
typically through the handling <strong>of</strong> color and light.<br />
In modern parlance, the term impressi<strong>on</strong>ist, or<br />
impressi<strong>on</strong>istic, may be applied in a much wider<br />
range <strong>of</strong> c<strong>on</strong>texts. “<str<strong>on</strong>g>The</str<strong>on</strong>g> backs <strong>of</strong> the other shops<br />
were an impressi<strong>on</strong>istic picture <strong>of</strong> dirty grays,<br />
drained browns, writhing heaps <strong>of</strong> refuse” (Sinclair<br />
Lewis, Main Street, 1920).<br />
in all <strong>on</strong>e’s glory In all <strong>on</strong>e’s beauty; having a<br />
beautiful appearance. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase comes from<br />
Matthew 6:29, which celebrates the beauty <strong>of</strong> the<br />
lilies <strong>of</strong> the fi eld: “And yet I say unto you, That<br />
even Solom<strong>on</strong> in all his glory was not arrayed like<br />
<strong>on</strong>e <strong>of</strong> these.” In modern usage the phrase may<br />
sometimes appear in lac<strong>on</strong>ic references to a pers<strong>on</strong><br />
who is entirely naked. <str<strong>on</strong>g>The</str<strong>on</strong>g> girls squealed as the<br />
man emerged grinning from the pool in all his glory.<br />
Incredible Hulk A pers<strong>on</strong> with a large, imposing,<br />
and <strong>of</strong>ten ungainly physique. <str<strong>on</strong>g>The</str<strong>on</strong>g> original Incredible<br />
Hulk was the huge green creature into which the<br />
scientist Dr. David Bruce Banner was transformed<br />
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