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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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Cassandra<br />

82<br />

Cassandra (kbsandrb) A prophet <strong>of</strong> doom, specifi<br />

cally <strong>on</strong>e whose prophecies are ignored but<br />

who is later proved correct. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to Cassandra,<br />

the daughter <strong>of</strong> King Priam <strong>of</strong> Troy, who<br />

was granted prophetic powers by Apollo but later<br />

fated never to be believed as punishment for her<br />

having refused his advances. C<strong>on</strong>sequently, when<br />

she foretold the fall <strong>of</strong> Troy no <strong>on</strong>e heeded her<br />

warnings. After the fall <strong>of</strong> Troy, Cassandra was<br />

taken by Agamemn<strong>on</strong> to Greece, where she prophesied<br />

Agamemn<strong>on</strong>’s death but was again ignored.<br />

Ultimately, she and Agamemn<strong>on</strong> were murdered<br />

by Clytemnestra. “But Cassandra was not believed,<br />

and even the wisdom <strong>of</strong> <str<strong>on</strong>g>The</str<strong>on</strong>g> Jupiter sometimes falls<br />

<strong>on</strong> deaf ears” (Anth<strong>on</strong>y Trollope, Barchester Towers,<br />

1857).<br />

Cassidy, Butch See butch cassidy and the sundance<br />

kid.<br />

Cassidy, Hopal<strong>on</strong>g See hopal<strong>on</strong>g cassidy.<br />

Castalian spring (kastayleebn) A source <strong>of</strong> inspirati<strong>on</strong>.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a sacred spring <strong>on</strong> Mount<br />

Parnassus that was believed by the ancient Greeks<br />

to bestow the gift <strong>of</strong> poetry up<strong>on</strong> any<strong>on</strong>e who<br />

drank from its waters. “<str<strong>on</strong>g>The</str<strong>on</strong>g> Aeneid, you know,<br />

begins just as he says an epic ought not to begin;<br />

and the Aeneid is the greatest Latin epic. In the<br />

next place the use <strong>of</strong> Modesty is to keep a man<br />

from writing an epic poem at all but, if he will<br />

have that impudence, why then he had better have<br />

the courage to plunge into the Castalian stream,<br />

like Virgil and Lucan, not crawl in funking and<br />

holding <strong>on</strong> by the Muse’s apr<strong>on</strong>- string” (Charles<br />

Reade, Hard Cash, 1863). See also parnassian.<br />

casting couch <str<strong>on</strong>g>The</str<strong>on</strong>g> exchange <strong>of</strong> sexual favors for<br />

employment opportunities or other benefi ts. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

phrase is <strong>of</strong> theatrical or cinematic origin, referring<br />

to the (largely mythical) couch up<strong>on</strong> which<br />

aspiring young actresses were supposedly encouraged<br />

to dem<strong>on</strong>strate their talents to directors casting<br />

plays or fi lms. “She described the Hollywood<br />

<strong>of</strong> the late 1940s as ‘an overcrowded brothel’ but<br />

was no stranger to the casting couch herself ”<br />

(Robin Smith, <str<strong>on</strong>g>The</str<strong>on</strong>g> Encyclopaedia <strong>of</strong> Sexual Trivia,<br />

1990).<br />

cast in <strong>on</strong>e’s teeth To insult; to revile; to throw a<br />

repro<strong>of</strong> at some<strong>on</strong>e. <str<strong>on</strong>g>The</str<strong>on</strong>g> idiom comes from Matthew<br />

27:44: “<str<strong>on</strong>g>The</str<strong>on</strong>g> thieves also, which were crucifi<br />

ed with him, cast the same in his teeth.” “All his<br />

faults observed, / Set in a notebook, learn’d and<br />

c<strong>on</strong>n’d by rote, / To cast in my teeth” (William<br />

Shakespeare, Julius Caesar, 1599).<br />

cast into Dante’s Inferno See dante’s inferno.<br />

cast into outer darkness See outer darkness.<br />

cast m<strong>on</strong>ey changers out <strong>of</strong> the temple To criticize<br />

or take acti<strong>on</strong> against inappropriate commercialism.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the biblical episode in<br />

which Christ ejected the m<strong>on</strong>ey changers from the<br />

Temple, which had become a place <strong>of</strong> business, as<br />

related at Matthew 21:12–13: “And Jesus went<br />

into the temple <strong>of</strong> God, and cast out all them that<br />

sold and bought in the temple, and overthrew the<br />

tables <strong>of</strong> the m<strong>on</strong>eychangers, and the seats <strong>of</strong> them<br />

that sold doves, and said unto them, It is written,<br />

My house shall be called the house <strong>of</strong> prayer; but ye<br />

have made it a den <strong>of</strong> thieves.” <str<strong>on</strong>g>The</str<strong>on</strong>g> m<strong>on</strong>ey changers<br />

had originally been allowed into the Temple to<br />

facilitate the selling <strong>of</strong> doves for ritual sacrifi ces<br />

and the payment <strong>of</strong> Temple taxes by exchanging<br />

Roman currency for Hebrew coinage. <str<strong>on</strong>g>The</str<strong>on</strong>g> accountants<br />

rule Hollywood, and there is little likelihood that

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