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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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end <strong>of</strong> the beginning<br />

148<br />

God preserve. That would have been an exaggerati<strong>on</strong>.<br />

. . . However, the end is not yet. We were<br />

talking about the beginning’ ” ( Joseph C<strong>on</strong>rad, <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

Arrow <strong>of</strong> Gold, 1919).<br />

end <strong>of</strong> the beginning An event that signals the<br />

start <strong>of</strong> slow progress toward the eventual completi<strong>on</strong><br />

<strong>of</strong> something, though that may still be a very<br />

l<strong>on</strong>g way <strong>of</strong>f. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a speech delivered<br />

by Winst<strong>on</strong> Churchill <strong>on</strong> November 10, 1942,<br />

greeting news <strong>of</strong> the Allied victory against Nazi<br />

Germany at El Alamein: “This is not the end. It is<br />

not even the beginning <strong>of</strong> the end. But it is, perhaps,<br />

the end <strong>of</strong> the beginning.” Churchill may have<br />

had in mind a speech delivered nearly 150 years<br />

earlier by the French statesman Talleyrand, in<br />

which he greeted the news that Napole<strong>on</strong> had been<br />

defeated in battle with the words “It is the beginning<br />

<strong>of</strong> the end.” Well, we might have a l<strong>on</strong>g way to go,<br />

but I think we can call this the end <strong>of</strong> the beginning.<br />

end <strong>of</strong> the rainbow A distant, almost unreachable<br />

paradise where all the problems <strong>of</strong> life are<br />

fi nally solved. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the traditi<strong>on</strong>al<br />

belief that a pot <strong>of</strong> gold lies buried at the point<br />

where a rainbow touches the earth, if <strong>on</strong>ly the<br />

viewer can get to it before the rainbow moves <strong>on</strong>.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> noti<strong>on</strong> was substantially expanded in the 1939<br />

fi lm <str<strong>on</strong>g>The</str<strong>on</strong>g> Wizard <strong>of</strong> Oz, which located the magical<br />

land <strong>of</strong> Oz “somewhere over the rainbow.” She<br />

dreams that some day she will reach the end <strong>of</strong> the rainbow<br />

and she will be able to leave behind her troubled<br />

past. See also wizard <strong>of</strong> oz.<br />

Endor, Witch <strong>of</strong> See witch <strong>of</strong> endor.<br />

Endymi<strong>on</strong> (endimeebn) <str<strong>on</strong>g>The</str<strong>on</strong>g> archetype <strong>of</strong> a<br />

beautiful young man. In Greek mythology, Endymi<strong>on</strong><br />

was a handsome young shepherd who<br />

attracted the attenti<strong>on</strong> <strong>of</strong> the mo<strong>on</strong> goddess Selene<br />

while sleeping <strong>on</strong> Mount Latmus. Having fallen<br />

passi<strong>on</strong>ately in love with Endymi<strong>on</strong>, Selene begged<br />

Zeus to grant the youth a wish. Wishing to remain<br />

perpetually youthful, Endymi<strong>on</strong> asked for the gift<br />

<strong>of</strong> eternal sleep. Selene was thus able to embrace<br />

him each night without him knowing. Today his<br />

name is most familiar from the celebrated poem<br />

Endymi<strong>on</strong> (1818) by John Keats. Washed and restored,<br />

he looked like some young Endymi<strong>on</strong>, so it was doubly<br />

unfortunate when he turned out to have the table manners<br />

<strong>of</strong> a satyr.<br />

enemy <strong>of</strong> the people A pers<strong>on</strong> whose anarchic or<br />

reformist views place him or her outside pop u lar<br />

society and thus vulnerable to <strong>of</strong>fi cial persecuti<strong>on</strong>.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to Henrik Ibsen’s 1882 play An<br />

Enemy <strong>of</strong> the People, which c<strong>on</strong>cerns the efforts <strong>of</strong> a<br />

local doctor to close a pr<strong>of</strong>i t- making municipal<br />

bath because <strong>of</strong> the risk it poses to public health.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> threat <strong>of</strong> fi nancial collapse unites pop u lar<br />

opini<strong>on</strong> against the doctor, who fi nds himself<br />

rejected by the rest <strong>of</strong> society. “<str<strong>on</strong>g>The</str<strong>on</strong>g>re was no <strong>on</strong>e<br />

to understand; no <strong>on</strong>e he could take into the c<strong>on</strong>fi<br />

dence <strong>of</strong> Decoud’s fate, <strong>of</strong> his own, into the<br />

secret <strong>of</strong> the silver. That doctor was an enemy <strong>of</strong><br />

the people—a tempter . . .” ( Joseph C<strong>on</strong>rad, Nostromo,<br />

1904).<br />

enforcer See murder, inc.<br />

En gland expects It is a matter <strong>of</strong> h<strong>on</strong>or to perform<br />

the duty that presents itself. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is<br />

to the signal that Admiral nels<strong>on</strong> had hoisted<br />

from his fl agship HMS Victory at the start <strong>of</strong> the<br />

Battle <strong>of</strong> Trafalgar <strong>on</strong> October 21, 1805: “En gland<br />

expects that every man will do his duty.” In fact,<br />

Nels<strong>on</strong>’s original message had c<strong>on</strong>tained the word<br />

“c<strong>on</strong>fi des,” but this was changed to “expects” as the

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