The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
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end <strong>of</strong> the beginning<br />
148<br />
God preserve. That would have been an exaggerati<strong>on</strong>.<br />
. . . However, the end is not yet. We were<br />
talking about the beginning’ ” ( Joseph C<strong>on</strong>rad, <str<strong>on</strong>g>The</str<strong>on</strong>g><br />
Arrow <strong>of</strong> Gold, 1919).<br />
end <strong>of</strong> the beginning An event that signals the<br />
start <strong>of</strong> slow progress toward the eventual completi<strong>on</strong><br />
<strong>of</strong> something, though that may still be a very<br />
l<strong>on</strong>g way <strong>of</strong>f. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a speech delivered<br />
by Winst<strong>on</strong> Churchill <strong>on</strong> November 10, 1942,<br />
greeting news <strong>of</strong> the Allied victory against Nazi<br />
Germany at El Alamein: “This is not the end. It is<br />
not even the beginning <strong>of</strong> the end. But it is, perhaps,<br />
the end <strong>of</strong> the beginning.” Churchill may have<br />
had in mind a speech delivered nearly 150 years<br />
earlier by the French statesman Talleyrand, in<br />
which he greeted the news that Napole<strong>on</strong> had been<br />
defeated in battle with the words “It is the beginning<br />
<strong>of</strong> the end.” Well, we might have a l<strong>on</strong>g way to go,<br />
but I think we can call this the end <strong>of</strong> the beginning.<br />
end <strong>of</strong> the rainbow A distant, almost unreachable<br />
paradise where all the problems <strong>of</strong> life are<br />
fi nally solved. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the traditi<strong>on</strong>al<br />
belief that a pot <strong>of</strong> gold lies buried at the point<br />
where a rainbow touches the earth, if <strong>on</strong>ly the<br />
viewer can get to it before the rainbow moves <strong>on</strong>.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> noti<strong>on</strong> was substantially expanded in the 1939<br />
fi lm <str<strong>on</strong>g>The</str<strong>on</strong>g> Wizard <strong>of</strong> Oz, which located the magical<br />
land <strong>of</strong> Oz “somewhere over the rainbow.” She<br />
dreams that some day she will reach the end <strong>of</strong> the rainbow<br />
and she will be able to leave behind her troubled<br />
past. See also wizard <strong>of</strong> oz.<br />
Endor, Witch <strong>of</strong> See witch <strong>of</strong> endor.<br />
Endymi<strong>on</strong> (endimeebn) <str<strong>on</strong>g>The</str<strong>on</strong>g> archetype <strong>of</strong> a<br />
beautiful young man. In Greek mythology, Endymi<strong>on</strong><br />
was a handsome young shepherd who<br />
attracted the attenti<strong>on</strong> <strong>of</strong> the mo<strong>on</strong> goddess Selene<br />
while sleeping <strong>on</strong> Mount Latmus. Having fallen<br />
passi<strong>on</strong>ately in love with Endymi<strong>on</strong>, Selene begged<br />
Zeus to grant the youth a wish. Wishing to remain<br />
perpetually youthful, Endymi<strong>on</strong> asked for the gift<br />
<strong>of</strong> eternal sleep. Selene was thus able to embrace<br />
him each night without him knowing. Today his<br />
name is most familiar from the celebrated poem<br />
Endymi<strong>on</strong> (1818) by John Keats. Washed and restored,<br />
he looked like some young Endymi<strong>on</strong>, so it was doubly<br />
unfortunate when he turned out to have the table manners<br />
<strong>of</strong> a satyr.<br />
enemy <strong>of</strong> the people A pers<strong>on</strong> whose anarchic or<br />
reformist views place him or her outside pop u lar<br />
society and thus vulnerable to <strong>of</strong>fi cial persecuti<strong>on</strong>.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to Henrik Ibsen’s 1882 play An<br />
Enemy <strong>of</strong> the People, which c<strong>on</strong>cerns the efforts <strong>of</strong> a<br />
local doctor to close a pr<strong>of</strong>i t- making municipal<br />
bath because <strong>of</strong> the risk it poses to public health.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> threat <strong>of</strong> fi nancial collapse unites pop u lar<br />
opini<strong>on</strong> against the doctor, who fi nds himself<br />
rejected by the rest <strong>of</strong> society. “<str<strong>on</strong>g>The</str<strong>on</strong>g>re was no <strong>on</strong>e<br />
to understand; no <strong>on</strong>e he could take into the c<strong>on</strong>fi<br />
dence <strong>of</strong> Decoud’s fate, <strong>of</strong> his own, into the<br />
secret <strong>of</strong> the silver. That doctor was an enemy <strong>of</strong><br />
the people—a tempter . . .” ( Joseph C<strong>on</strong>rad, Nostromo,<br />
1904).<br />
enforcer See murder, inc.<br />
En gland expects It is a matter <strong>of</strong> h<strong>on</strong>or to perform<br />
the duty that presents itself. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is<br />
to the signal that Admiral nels<strong>on</strong> had hoisted<br />
from his fl agship HMS Victory at the start <strong>of</strong> the<br />
Battle <strong>of</strong> Trafalgar <strong>on</strong> October 21, 1805: “En gland<br />
expects that every man will do his duty.” In fact,<br />
Nels<strong>on</strong>’s original message had c<strong>on</strong>tained the word<br />
“c<strong>on</strong>fi des,” but this was changed to “expects” as the