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The Facts on File Dictionary of Allusions - Green Valley High School

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Roy Rogers<br />

408<br />

Rick himself ) shot the Nazi <strong>of</strong>fi cer Major Strasser.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> phrase is also used in more general c<strong>on</strong>texts,<br />

with “the usual suspects” referring to things (or<br />

people) that are always found in a par tic u lar situati<strong>on</strong>,<br />

items that are always menti<strong>on</strong>ed when a partic<br />

u lar subject comes up, and so <strong>on</strong>. “Excise duties<br />

are taxes <strong>on</strong> specifi c home- produced or imported<br />

goods, with ‘cigarettes, booze and petrol’ being<br />

the usual suspects to be rounded up <strong>on</strong> each Budget<br />

day” (Philip J<strong>on</strong>es and John Cullis, Public Finance<br />

and Public Choice, 1992).<br />

Roy Rogers Archetype <strong>of</strong> a wholesome cowboy<br />

hero. Roy Rogers (1912–98) was an actor and<br />

country- and- western singer who starred in a<br />

series <strong>of</strong> films and in his own tele vi si<strong>on</strong> Western<br />

series, <str<strong>on</strong>g>The</str<strong>on</strong>g> Roy Rogers Show (1955–57). Aided by<br />

Dale Evans and mounted <strong>on</strong> a palomino horse<br />

called Trigger, he maintained law and order in<br />

between singing s<strong>on</strong>gs about the Old West. He<br />

looked like Roy Rogers in his check shirt and big<br />

white hat.<br />

Rubenesque (roobbnesk) Describing a woman<br />

who is curvaceous, voluptuous, or generously<br />

fl eshed. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is the somewhat corpulent<br />

women who featured in substantial numbers in<br />

the paintings <strong>of</strong> the Flemish artist Peter Paul<br />

Rubens (1577–1640). <str<strong>on</strong>g>The</str<strong>on</strong>g> fi rst woman he was introduced<br />

to at the party was a Rubenesque matriarch with<br />

bright red hair.<br />

Rubic<strong>on</strong> See cross the rubic<strong>on</strong>.<br />

ruby slippers See wicked witch <strong>of</strong> the west.<br />

Rudolph Nureyev See nureyev.<br />

Rudolph Valentino See valentino.<br />

rule, golden See golden rule.<br />

rule with a rod <strong>of</strong> ir<strong>on</strong> To rule harshly; to exercise<br />

authority with severity. <str<strong>on</strong>g>The</str<strong>on</strong>g> expressi<strong>on</strong><br />

comes from the Bible, occurring in Revelati<strong>on</strong><br />

2:27, 12:5, and 19:15 and in Psalm 2:9. “Emmeline<br />

took after her father; she was big and dark and<br />

homely, and she was the most domineering creature<br />

that ever stepped <strong>on</strong> shoe leather. She simply<br />

ruled poor Prissy with a rod <strong>of</strong> ir<strong>on</strong>” (Lucy Maud<br />

M<strong>on</strong>tgomery, Chr<strong>on</strong>icles <strong>of</strong> Av<strong>on</strong>lea, 1912).<br />

Rumpelstiltskin (rumpblstiltskin) A pers<strong>on</strong> who<br />

easily fl ies into a temper, especially <strong>on</strong>e <strong>of</strong> relatively<br />

small stature. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a story collected<br />

in grimm’s fairy tales about a malevolent<br />

gnome who challenges a princess to guess his<br />

name in order to save her fi rstborn child from<br />

him. When she successfully fi nds out what his<br />

name is, the little man fl ies into a rage and stamps<br />

his foot through the fl oor; when he tries to pull it<br />

free he <strong>on</strong>ly succeeds in tearing himself apart. No<br />

<strong>on</strong>e liked the boss, a vindictive little man whose nickname<br />

was Rumpelstiltskin.<br />

run the gauntlet To risk or undergo a demanding<br />

ordeal or trial. In this phrase the word “gauntlet”<br />

comes from the Swedish gatlopp, meaning “passageway,”<br />

and relates to a punishment comm<strong>on</strong>ly<br />

infl icted up<strong>on</strong> soldiers and sailors at the time <strong>of</strong><br />

the Thirty Years’ War (1618–48). It involved guilty<br />

men being forced to run between two fi les <strong>of</strong> men<br />

who beat them with rope ends. “However, such<br />

trust is not shown towards relatives and friends<br />

who assist suffering people in this way: they must<br />

run the gauntlet <strong>of</strong> a legal pro cess which accords<br />

no formal recogniti<strong>on</strong> to the circumstances under<br />

which they killed” (Andrew Ashworth, Principles <strong>of</strong><br />

Criminal Law, 1991).

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