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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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sinated” (Stuart Cosgrove, Hampden Babyl<strong>on</strong>, 1991).<br />

See also year zero.<br />

Kilroy was here (kilroi) Ubiquitous graffi ti slogan.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> origins <strong>of</strong> this familiar graffi ti tag are<br />

unclear, although there are suggesti<strong>on</strong>s that the<br />

original Kilroy was a shipyard inspector at Quincy,<br />

Massachusetts, who chalked up these words <strong>on</strong><br />

pieces <strong>of</strong> material he had inspected. What ever the<br />

origin, the phrase became well known during<br />

World War II, when it was scrawled <strong>on</strong> walls all<br />

over the world by U.S. troops, especially members<br />

<strong>of</strong> Air Transport Command. No <strong>on</strong>e should<br />

expect great cultural awareness from this “Kilroy was<br />

here” generati<strong>on</strong>, whose chief artistic expressi<strong>on</strong> seems to<br />

be defacing rolling stock with garish tags.<br />

kindness <strong>of</strong> strangers, the See blanche<br />

dubois.<br />

King, the <str<strong>on</strong>g>The</str<strong>on</strong>g> nickname by which U.S. pop star<br />

Elvis Presley (1935–77) became universally known.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> nickname, otherwise rendered as the King <strong>of</strong><br />

Rock ’n’ Roll, refl ects Presley’s preeminence<br />

am<strong>on</strong>g the pop stars <strong>of</strong> his generati<strong>on</strong>. Another<br />

nickname, Elvis the Pelvis, refl ects the sexual<br />

allure <strong>of</strong> his stage per for mances. He had a large collecti<strong>on</strong><br />

<strong>of</strong> singles by the King and other giants <strong>of</strong> the<br />

early rock ’n’ roll era. See also graceland.<br />

King Arthur <str<strong>on</strong>g>The</str<strong>on</strong>g> ideal <strong>of</strong> a chivalric ruler. A<br />

lengthy cycle <strong>of</strong> legends describes the adventures<br />

<strong>of</strong> King Arthur and his knights, from his pulling<br />

the sword from the st<strong>on</strong>e (thereby proving his<br />

claim to the thr<strong>on</strong>e <strong>of</strong> En gland), through the formati<strong>on</strong><br />

<strong>of</strong> the round table and the search for the<br />

holy grail, to his betrayal by Queen Guinevere<br />

and Sir Lancelot and eventual death. Historically,<br />

the legends are hazily placed somewhere between<br />

the departure <strong>of</strong> the Romans from Britain and the<br />

Sax<strong>on</strong> invasi<strong>on</strong>. <str<strong>on</strong>g>The</str<strong>on</strong>g> stories are widely familiar,<br />

and the term Arthurian is immediately understood<br />

to represent such knightly qualities as courage,<br />

loyalty, h<strong>on</strong>or, and Christian fi delity. Like some<br />

modern King Arthur, he believed implicitly in the righteousness<br />

<strong>of</strong> his presidential court. See also aval<strong>on</strong>;<br />

camelot; excalibur; merlin.<br />

King Canute (kbnoot) A pers<strong>on</strong> who makes fanciful<br />

claims far bey<strong>on</strong>d his or her real infl uence or<br />

importance. <str<strong>on</strong>g>The</str<strong>on</strong>g> historical King Canute (d. 1035)<br />

was the Danish- born king <strong>of</strong> En gland who, in<br />

order to dem<strong>on</strong>strate to his fl attering courtiers<br />

the limits <strong>of</strong> his earthly powers, led his court to<br />

the seashore and there ordered the incoming tide<br />

to retreat. Perversely, despite the intent behind<br />

the gesture, Canute’s name is today usually<br />

invoked as an illustrati<strong>on</strong> <strong>of</strong> overweening ambiti<strong>on</strong>,<br />

not humility. “Having proved myself incapable<br />

<strong>of</strong> holding back an irresistible force, I now<br />

know exactly how Canute felt” (Lee Wilkins<strong>on</strong>, Joy<br />

Bringer, 1992).<br />

King K<strong>on</strong>g A pers<strong>on</strong> or thing <strong>of</strong> large, even m<strong>on</strong>strous<br />

proporti<strong>on</strong>s. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the classic<br />

1933 movie King K<strong>on</strong>g, since remade several times,<br />

in which King K<strong>on</strong>g is a terrifying giant gorilla<br />

who is brought low by his weakness for a pretty<br />

human woman, played in 1933 by Fay Wray, in<br />

1976 by Jessica Lange, and in 2005 by Naomi<br />

Watts. “So there they stood, fi ve feet apart: the<br />

m<strong>on</strong>strous stranger and the pure- beef hooligan,<br />

both ready for battle and roaring their jungle challenges<br />

into the night air like Godzilla and King<br />

K<strong>on</strong>g” (Helen Forrester, <str<strong>on</strong>g>The</str<strong>on</strong>g> Latchkey Kid, 1990).<br />

King Lear (leer) Archetype <strong>of</strong> a foolish and<br />

tragic old man, especially <strong>on</strong>e who becomes<br />

King Lear<br />

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