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The Facts on File Dictionary of Allusions - Green Valley High School

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original sin<br />

350<br />

original sin A state <strong>of</strong> sin c<strong>on</strong>sidered to be the<br />

innate c<strong>on</strong>diti<strong>on</strong> <strong>of</strong> the whole human race since<br />

the fall <strong>of</strong> Adam. In modern usage the phrase is<br />

sometimes used more loosely and may refer to a<br />

range <strong>of</strong> either fundamental or relatively trivial<br />

failings. “ ‘Some people are naturally good, you<br />

know, and others are not. I’m <strong>on</strong>e <strong>of</strong> the others.<br />

Mrs. Lynde says I’m full <strong>of</strong> original sin.’ ” (Lucy<br />

Maud M<strong>on</strong>tgomery, Anne <strong>of</strong> <strong>Green</strong> Gables, 1908).<br />

Ori<strong>on</strong> (bri<strong>on</strong>) A c<strong>on</strong>stellati<strong>on</strong> <strong>of</strong> stars near Canis<br />

Major. Supposedly resembling the fi gure <strong>of</strong> a giant<br />

with a belt <strong>of</strong> three stars representing a sword, a<br />

li<strong>on</strong>’s skin, and a club, it takes its name from that<br />

<strong>of</strong> a Boeotian giant who was renowned as a hunter<br />

and according to Greek legend was raised to the<br />

stars after his death (in some accounts, slain by the<br />

goddess Artemis). <str<strong>on</strong>g>The</str<strong>on</strong>g> alcohol had g<strong>on</strong>e straight to<br />

her head, and she had to lie down in the grass, gazing up<br />

with bewilderment at distant Ori<strong>on</strong>.<br />

Orphan Annie See little orphan annie.<br />

Orpheus (orfeebs) An archetype <strong>of</strong> a master<br />

musician. Orpheus, the s<strong>on</strong> <strong>of</strong> Apollo and Calliope,<br />

was a Thracian lyre player who was instructed<br />

in music by the Muses and became so fi ne a musician<br />

he could enchant wild beasts and even rocks<br />

and trees with his playing. He sailed with the<br />

Arg<strong>on</strong>auts but faced his sternest test when he<br />

attempted to retrieve his wife, Eurydice, from<br />

the underworld after she died from a snakebite.<br />

Having played his lyre to Hades, it was agreed that<br />

he could have Eurydice providing he did not look<br />

back to see her as they returned to the world<br />

above. Unfortunately Orpheus could not resist the<br />

temptati<strong>on</strong> to see if this wife was following him,<br />

and Eurydice was promptly returned to the<br />

underworld. Grief at this loss left Orpheus embit-<br />

tered toward other women, and ultimately he met<br />

his own end when he was torn to pieces by the<br />

women <strong>of</strong> Thrace in a Bacchanalian frenzy after he<br />

<strong>of</strong>fended them. His skill as a musician is still<br />

remembered, and the adjective orphean denotes<br />

anything melodious or enchanting. After the c<strong>on</strong>cert<br />

the critics hailed him as a veritable Orpheus.<br />

Orwellian (orweleebn) Of or relating to the<br />

works <strong>of</strong> British novelist George Orwell (1903–<br />

50) or reminiscent <strong>of</strong> the nightmarish future he<br />

depicted in such novels as animal farm (1945)<br />

and Nineteen Eighty- Four (1949). Originally named<br />

Eric Blair, the author called himself Orwell after<br />

the River Orwell in Suffolk, where he lived at <strong>on</strong>e<br />

time. “<str<strong>on</strong>g>The</str<strong>on</strong>g> cult <strong>of</strong> sport sometimes seems to take<br />

<strong>on</strong> the quality <strong>of</strong> an Orwellian nightmare” (Richard<br />

Holt, Sport and the British, 1989). See also big<br />

brother; doublethink; newspeak; room 101;<br />

thought police.<br />

ostracism <str<strong>on</strong>g>The</str<strong>on</strong>g> practice <strong>of</strong> deliberately excluding<br />

some<strong>on</strong>e from a par tic u lar group, society, etc.,<br />

after he or she has committed a perceived <strong>of</strong>fense<br />

<strong>of</strong> some kind. <str<strong>on</strong>g>The</str<strong>on</strong>g> word has its origins in the customs<br />

<strong>of</strong> the ancient Greeks. In order to protect<br />

their demo cratic system from tyrants it was possible<br />

<strong>on</strong>ce a year for Greek citizens to name the<br />

<strong>on</strong>e pers<strong>on</strong> they wished to see exiled from Athens<br />

for being too powerful or ambitious. <str<strong>on</strong>g>The</str<strong>on</strong>g> “ballots”<br />

were written <strong>on</strong> shards <strong>of</strong> broken pottery (in<br />

Greek, ostrak<strong>on</strong>) and then counted. <str<strong>on</strong>g>The</str<strong>on</strong>g> pers<strong>on</strong><br />

with the most votes was obliged to go into exile<br />

for at least 10 years. <str<strong>on</strong>g>The</str<strong>on</strong>g> custom fell into disuse<br />

after 417 b.c., when two mistrusted politicians,<br />

Alcibiades and Nicias, combined to avoid being<br />

ostracized and instead secured the ostracism <strong>of</strong><br />

their harshest critic, Hyperbolus. Pers<strong>on</strong>s thus<br />

exiled were not c<strong>on</strong>sidered disgraced, but the

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