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The Facts on File Dictionary of Allusions - Green Valley High School

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in the shade / Or with the tangles <strong>of</strong> Neaera’s<br />

hair?” ( John Milt<strong>on</strong>, Lycidas, 1637).<br />

amaz<strong>on</strong> (ambz<strong>on</strong>) A large, robust, or aggressive<br />

woman. <str<strong>on</strong>g>The</str<strong>on</strong>g> Amaz<strong>on</strong>s were, according to Greek<br />

mythology, a race <strong>of</strong> warrior women who inhabited<br />

Scythia, <strong>on</strong> the shores <strong>of</strong> the Black Sea. <str<strong>on</strong>g>The</str<strong>on</strong>g>y<br />

were called Amaz<strong>on</strong>s (meaning “without breast”)<br />

because <strong>of</strong> their practice <strong>of</strong> removing the right<br />

breasts in order to facilitate the drawing <strong>of</strong> a bow.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>y <strong>on</strong>ly c<strong>on</strong>sorted with men for the purpose <strong>of</strong><br />

procreati<strong>on</strong>. Led by their queen, Hippolyta, they<br />

were renowned for their fi erceness in battle. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

Amaz<strong>on</strong> River in South America is said to have<br />

been so called by the Spanish explorer Francisco<br />

de Orellana, who reported seeing female warriors<br />

in the regi<strong>on</strong> in 1541. In 1997 the discovery in<br />

southern Rus sia <strong>of</strong> ancient graves <strong>of</strong> what appeared<br />

to be female warriors suggested a possible source<br />

<strong>of</strong> the legend <strong>of</strong> the Amaz<strong>on</strong>s. In modern usage,<br />

any<strong>on</strong>e with a clean- shaven face may be said to<br />

have an Amaz<strong>on</strong>ian chin. I didn’t <strong>of</strong>fer to break<br />

down the door, since if the door needed breaking down<br />

this amaz<strong>on</strong> looked quite capable <strong>of</strong> doing the job<br />

herself.<br />

ambrosia (ambrozhb) A delicious or sweetsmelling<br />

food. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to Greek mythology<br />

and the belief that the gods <strong>on</strong> Olympus fed <strong>on</strong><br />

such food, which gave them immortality. “We<br />

feasted that eve ning as <strong>on</strong> nectar and ambrosia”<br />

(Charlotte Br<strong>on</strong>të, Jane Eyre, 1847). See also<br />

nectar.<br />

Amelia Earhart (bmeeleeb erhahrt) <str<strong>on</strong>g>The</str<strong>on</strong>g> archetype<br />

<strong>of</strong> an adventurous female aviator. Amelia Earhart<br />

(1897–1937) was a U.S. pi lot who, in 1932,<br />

became the fi rst woman to fl y solo across the Atlantic.<br />

She is presumed to have died with her naviga-<br />

America’s Sweetheart<br />

tor after her aircraft went missing over the Pacifi c<br />

during a round- the- world fl ight in 1937. Her<br />

grandmother was an intrepid pi lot who earned a modest<br />

reputati<strong>on</strong> as a sec<strong>on</strong>d Amelia Earhart without ever fl ying<br />

outside her home c<strong>on</strong>tinent.<br />

American Dream <str<strong>on</strong>g>The</str<strong>on</strong>g> noti<strong>on</strong> that the United<br />

States is a land <strong>of</strong> freedom and opportunity for all<br />

people, <strong>of</strong> what ever color, gender, religi<strong>on</strong>, or<br />

class. More cynical observers, however, tend to<br />

associate the phrase with the disappointment <strong>of</strong><br />

naive optimism about what the United States really<br />

has to <strong>of</strong>fer. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase appears to have been in use<br />

since at least the early years <strong>of</strong> the 20th century,<br />

when hundreds <strong>of</strong> thousands <strong>of</strong> immigrants<br />

fl ocked to the United States from all over the<br />

world in search <strong>of</strong> better lives. His fi rst impressi<strong>on</strong> <strong>of</strong><br />

downtown Detroit sat uneasily with the image in his<br />

head <strong>of</strong> the American Dream.<br />

American Gothic That aspect <strong>of</strong> the American<br />

provincial character that is stiff, c<strong>on</strong>servative, and<br />

narrow- minded. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a famous painting<br />

<strong>of</strong> the same title painted by Grant Wood<br />

(1891–1942) in 1930, which depicts a stern- faced<br />

pitchfork- wielding farmer and his wife before<br />

their immaculate, white- painted home. Today, the<br />

painting is celebrated as a satirical comment <strong>on</strong><br />

American provincial life, although Wood himself<br />

protested that he was simply portraying the values<br />

<strong>of</strong> the rural communities <strong>of</strong> Iowa in which he grew<br />

up. <str<strong>on</strong>g>The</str<strong>on</strong>g> family represented to him all that was stifl ing<br />

and hateful in American Gothic.<br />

America’s Sweetheart An overly sweet girl. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

title was originally bestowed <strong>on</strong> silent- movie star<br />

Mary Pickford (1892–1979), who was famed<br />

throughout the world for her winning per formances<br />

in the role <strong>of</strong> the pure, vulnerable young<br />

15

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