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The Facts on File Dictionary of Allusions - Green Valley High School

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presidential campaign <strong>of</strong> 1840, between William<br />

Henry Harris<strong>on</strong> and Martin Van Buren. One <strong>of</strong><br />

the features <strong>of</strong> the ultimately successful campaign<br />

to get Harris<strong>on</strong> elected was the rolling <strong>of</strong> huge<br />

balls made <strong>of</strong> paper and buckskin and decorated<br />

with campaigning slogans substantial distances<br />

through cities and the countryside (for example,<br />

from Cleveland, Ohio, to Lexingt<strong>on</strong>, Kentucky,<br />

and from Kentucky to Baltimore, Mary land). Supporters<br />

propelling the balls <strong>on</strong>ward were encouraged<br />

to “keep the ball rolling—<strong>on</strong> to Washingt<strong>on</strong>!” I<br />

know we’re all tired but we need to keep the ball rolling.<br />

keep up with the J<strong>on</strong>eses (j<strong>on</strong>zbz) To keep level<br />

in status with <strong>on</strong>e’s neighbors. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a<br />

comic strip called “Keeping up with the J<strong>on</strong>eses—<br />

by Pop” drawn by Arthur R. Momand for the New<br />

York Globe between 1913 and 1941, and allegedly<br />

inspired by the artist’s own efforts to maintain his<br />

social standing with his real- life neighbors in an<br />

affl uent New York suburb. “<str<strong>on</strong>g>The</str<strong>on</strong>g> adverts scold us<br />

and cajole us and wheedle us and fawn us to keep<br />

up with the J<strong>on</strong>eses” (Stewart Lam<strong>on</strong>t, In Good<br />

Faith, 1989).<br />

Kelly, Ned See ned kelly.<br />

Kemo Sabe See l<strong>on</strong>e ranger.<br />

Ken See barbie.<br />

Kenobi, Obi- Wan See obi- wan kenobi.<br />

Kent, Clark See superman.<br />

Ketch, Jack See jack ketch.<br />

Keynesian (keenzeebn, kaynzeebn) Of or relating<br />

to the theories <strong>of</strong> British ec<strong>on</strong>omist John<br />

Keyst<strong>on</strong>e Cops<br />

Maynard Keynes (1883–1946). Central to these<br />

was the idea that governments need to maintain<br />

c<strong>on</strong>trol <strong>of</strong> m<strong>on</strong>etary policy in order to c<strong>on</strong>trol the<br />

ec<strong>on</strong>omy. He also argued in favor <strong>of</strong> higher government<br />

spending to counter mass unemployment,<br />

a stance that was opposed by supporters <strong>of</strong><br />

a free market. “Local government was a crucial<br />

element <strong>of</strong> the social- demo cratic or Keynesian<br />

welfare state so laboriously c<strong>on</strong>structed after the<br />

war” (James Anders<strong>on</strong> and Allan Cochrane, eds.,<br />

Politics in Transiti<strong>on</strong>, 1989).<br />

keys <strong>of</strong> the kingdom <str<strong>on</strong>g>The</str<strong>on</strong>g> keys to heaven or more<br />

generally any means <strong>of</strong> access to authority or privilege.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> phrase appears in Matthew 16:18–19,<br />

where Christ addresses Peter: “And I say also unto<br />

thee, That thou art Peter, and up<strong>on</strong> this rock I will<br />

build my church; and the gates <strong>of</strong> hell shall not<br />

prevail against it. And I will give unto thee the<br />

keys <strong>of</strong> the kingdom <strong>of</strong> heaven: and whatsoever<br />

thou shalt bind <strong>on</strong> earth shall be bound in heaven:<br />

and whatsoever thou shalt loose <strong>on</strong> earth shall be<br />

loosed in heaven.” <str<strong>on</strong>g>The</str<strong>on</strong>g> symbol <strong>of</strong> crossed keys subsequently<br />

became an emblem <strong>of</strong> the papacy, and<br />

Peter is comm<strong>on</strong>ly depicted as the doorkeeper <strong>of</strong><br />

heaven. Winning a seat in the Senate seemed to him like<br />

being given the keys <strong>of</strong> the kingdom, but reality turned<br />

out to be very different.<br />

Keyst<strong>on</strong>e Cops (keest<strong>on</strong>) A comically incompetent<br />

outfi t <strong>of</strong> some kind, especially people in<br />

authority. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the Keyst<strong>on</strong>e Comedies<br />

made in the silent movie era by Mack Sennett<br />

(1880–1960), the fi rst <strong>of</strong> which appeared in 1913.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> Keyst<strong>on</strong>e Cops themselves were a group <strong>of</strong><br />

hilariously inept policemen in ill- fi tting uniforms<br />

played by a talented cast <strong>of</strong> stunt performers who<br />

at <strong>on</strong>e point included Charlie Chaplin (see chaplinesque).<br />

<strong>High</strong>lights <strong>of</strong> the Keyst<strong>on</strong>e Comedies<br />

261

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