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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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invita Minerva<br />

240<br />

discovers how to make himself invisible (though<br />

his clothes and his footprints remain visible). In<br />

modern use, the phrase is <strong>of</strong>ten applied to underprivileged<br />

individuals or groups within society<br />

whose presence is <strong>of</strong>ten ignored (hence the title <strong>of</strong><br />

Ralph Ellis<strong>on</strong>’s 1952 book Invisible Man, <strong>on</strong> the<br />

subject <strong>of</strong> racial oppressi<strong>on</strong> and identity). If the<br />

children didn’t turn the tele vi si<strong>on</strong> <strong>on</strong>, maybe it was the<br />

Invisible Man.<br />

invita Minerva (inveetb minervb, inweetah minerwah)<br />

Uninspired, lackluster. Meaning in Latin<br />

“against the will <strong>of</strong> Minerva,” the phrase, which<br />

fi rst appeared in Ars Poetica by Horace (65–8 b.c.),<br />

has generally been reserved for literary or artistic<br />

works that do not meet expectati<strong>on</strong>s. Minerva was<br />

the goddess <strong>of</strong> wisdom and patr<strong>on</strong>ess <strong>of</strong> the arts<br />

and trades in Roman mythology, thus to proceed<br />

without her support doomed any artistic enterprise<br />

to failure. C<strong>on</strong>temporaries were inclined to view<br />

her fi nal book <strong>of</strong> poetry as misjudged and invita<br />

Minerva.<br />

in word and deed See word and deed, in.<br />

Io (io) Archetype <strong>of</strong> a pers<strong>on</strong> who changes his<br />

or her shape or appearance. In Roman mythology<br />

Io was identifi ed as a priestess <strong>of</strong> Juno who attracted<br />

the attenti<strong>on</strong>s <strong>of</strong> Jupiter. In order to prevent any<br />

liais<strong>on</strong> Juno transformed Io into a heifer, and in<br />

this form she wandered far and wide over the<br />

earth until fi nally restored to human form in<br />

Egypt. Like some bewitched Io, <strong>on</strong>ce in costume, she<br />

instinctively assumed all the characteristics <strong>of</strong> the creature<br />

she portrayed.<br />

I<strong>on</strong>ic (i<strong>on</strong>ik) Bel<strong>on</strong>ging to an order <strong>of</strong> architecture<br />

typifi ed by capitals decorated with volutes.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> order was named after I<strong>on</strong>ia, an ancient regi<strong>on</strong><br />

<strong>of</strong> west central Asia Minor that was col<strong>on</strong>ized by<br />

the Greeks around 1100 b.c. and where the style<br />

was fi rst developed. “<str<strong>on</strong>g>The</str<strong>on</strong>g> State Bank, stucco masking<br />

wood. <str<strong>on</strong>g>The</str<strong>on</strong>g> Farmers’ Nati<strong>on</strong>al Bank. An I<strong>on</strong>ic<br />

temple <strong>of</strong> marble. Pure, exquisite, solitary” (Sinclair<br />

Lewis, Main Street, 1920). See also corinthian;<br />

doric; tuscan.<br />

I <strong>on</strong>ly am escaped I am the sole survivor. This<br />

expressi<strong>on</strong> is biblical in origin, coming from Job<br />

1:15, in which Job’s faith is tested by God by a<br />

series <strong>of</strong> catastrophes, news <strong>of</strong> which is brought to<br />

him by a series <strong>of</strong> single survivors who end their<br />

reports with more or less the same words. Herman<br />

Melville incorporates the line as the opening<br />

refrain in the epilogue <strong>of</strong> his novel Moby- Dick<br />

(1851), in which the reader learns that the narrator,<br />

Ishmael, was the <strong>on</strong>ly survivor <strong>of</strong> the sinking<br />

<strong>of</strong> the ship Pequod.<br />

I <strong>on</strong>ly am left I am the <strong>on</strong>ly <strong>on</strong>e remaining. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

expressi<strong>on</strong> is biblical in origin: It refl ects Elijah’s<br />

self- pity after he fl ees to Horeb when Jezebel<br />

threatens his life following his success in defeating<br />

the prophets <strong>of</strong> Baal <strong>on</strong> Mount Carmel: “And he<br />

said, I have been very jealous for the LORD God<br />

<strong>of</strong> hosts: because the children <strong>of</strong> Israel have forsaken<br />

thy covenant, thrown down thine altars, and<br />

slain thy prophets with the sword; and I, even I<br />

<strong>on</strong>ly, am left; and they seek my life, to take it away”<br />

(1 Kings 19:14). In c<strong>on</strong>temporary usage the expressi<strong>on</strong><br />

<strong>on</strong>ly I am left is sometimes used. “Only I am<br />

left,” murmured the administrative assistant after all her<br />

colleagues had left early that afterno<strong>on</strong>.<br />

Irene (ireen, ireenee) Pers<strong>on</strong>ifi cati<strong>on</strong> <strong>of</strong> peace<br />

and rec<strong>on</strong>ciliati<strong>on</strong>. In Greek mythology, Irene was<br />

the goddess <strong>of</strong> peace and prosperity. She is c<strong>on</strong>venti<strong>on</strong>ally<br />

depicted carry ing plutus (representing

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