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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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Dean, James<br />

122<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>venot (1633–67). It is also known by the name<br />

apples <strong>of</strong> Sodom. “Like to the apples <strong>on</strong> the Dead<br />

Sea shore, / It is all ashes to the taste” (Lord Byr<strong>on</strong>,<br />

Childe Harold, 1817).<br />

Dean, James See james dean.<br />

Dear John letter A letter from a lover ending a<br />

relati<strong>on</strong>ship. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase dates from World War II,<br />

when many men serving in the armed forces overseas<br />

received such letters from their sweethearts<br />

at home after the latter tired <strong>of</strong> their l<strong>on</strong>g separati<strong>on</strong>.<br />

In modern usage, the term may also be<br />

applied to similar letters <strong>of</strong> rejecti<strong>on</strong> from other<br />

parties, such as employers. He had just received a<br />

Dear John letter from head <strong>of</strong>fi ce, informing him that<br />

his ser vices were no l<strong>on</strong>ger required.<br />

death by a thousand cuts A painful and prol<strong>on</strong>ged<br />

pro cess <strong>of</strong> destructi<strong>on</strong> or humiliati<strong>on</strong>. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

allusi<strong>on</strong> is to a traditi<strong>on</strong>al method <strong>of</strong> executi<strong>on</strong><br />

developed originally in ancient China, which<br />

involved the victim being slowly cut to pieces by<br />

“a thousand knives.” This gradual reducti<strong>on</strong> <strong>of</strong> public<br />

ser vices is simply death by a thousand cuts.<br />

death is nothing at all Death is an insignifi cant<br />

event, which is not to be feared. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase is a<br />

quotati<strong>on</strong> from a piece <strong>of</strong> writing by Henry Scott<br />

Holland (1847–1918), which is <strong>of</strong>ten recited at<br />

funerals: “Death is nothing at all. I have <strong>on</strong>ly<br />

slipped away into the next room. I am I and you<br />

are you. What ever we were to each other, that we<br />

are still. Call me by my old familiar name, speak to<br />

me in the easy way which you always used . . .”<br />

Scott Holland was a can<strong>on</strong> <strong>of</strong> St. Paul’s Cathedral<br />

in L<strong>on</strong>d<strong>on</strong> and the author <strong>of</strong> various serm<strong>on</strong>s and<br />

other writings. It has been suggested that he fi rst<br />

wrote these lines to be recited after his own death.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>y keep telling me that death is nothing at all, but<br />

people still look both ways when they cross the road.<br />

Death, where is thy sting? Death is nothing to<br />

fear. <str<strong>on</strong>g>The</str<strong>on</strong>g> expressi<strong>on</strong> comes from 1 Corinthians<br />

15:55, which questi<strong>on</strong>s the signifi cance <strong>of</strong> mortal<br />

death when compared with everlasting life in<br />

heaven: “O death, where is thy sting? O grave,<br />

where is thy victory?” In modern usage, the phrase<br />

is best known for its inclusi<strong>on</strong> in funeral ser vices.<br />

He died with a smile <strong>on</strong> his face, as if to say, “Death,<br />

where is thy sting?”<br />

death’s door, at At the point <strong>of</strong> death; very ill.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> phrase derives from Miles Coverdale’s translati<strong>on</strong><br />

<strong>of</strong> Psalm 107:18, as found in the Book <strong>of</strong><br />

Comm<strong>on</strong> Prayer: “<str<strong>on</strong>g>The</str<strong>on</strong>g>ir soul abhorred all manner <strong>of</strong><br />

meat: and they were even hard at death’s door.”<br />

“He had had more than <strong>on</strong>e attack <strong>of</strong> delirium tremens<br />

after his father’s death, and had almost been<br />

at death’s door” (Anth<strong>on</strong>y Trollope, Doctor Thorne,<br />

1858).<br />

Deborah (debrb) A courageous woman, especially<br />

<strong>on</strong>e noted for her virtue or devoti<strong>on</strong> to God.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> original Deborah was a biblical prophet and<br />

judge who urged Barak to lead an army against the<br />

invading Canaanites, spurring him <strong>on</strong> to victory at<br />

the Kish<strong>on</strong> River, a triumph she celebrated in a<br />

memorable victory ode dubbed the “S<strong>on</strong>g <strong>of</strong> Deborah”<br />

(Judges 5:1–31). “Stay, stay thy hands! Thou<br />

art an Amaz<strong>on</strong> / And fi ghtest with the sword <strong>of</strong> Deborah”<br />

(William Shakespeare, Henry VI, Part 1, 1589).<br />

deep calleth unto deep A meta phor evoking a<br />

pr<strong>of</strong>ound spiritual or philosophical understanding<br />

between two individuals, parties, etc. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase<br />

comes from Psalm 42:7, which interprets waterfalls<br />

or cataracts as representing the soul’s restless

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