The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
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Daniel Bo<strong>on</strong>e (bo<strong>on</strong>) Archetype <strong>of</strong> a pi<strong>on</strong>eer<br />
fr<strong>on</strong>tiersman. Daniel Bo<strong>on</strong>e (1734–1820) resp<strong>on</strong>ded<br />
to the lure <strong>of</strong> the wilderness at an early age<br />
and spent his life helping to open up the unexplored<br />
regi<strong>on</strong>s <strong>of</strong> Kentucky and Missouri. He also<br />
served in the U.S. militia and defended the many<br />
settlements he had helped to found against attack<br />
by Native American tribes. Her father emerged from<br />
the store wearing a Daniel Bo<strong>on</strong>e hat and leather jacket.<br />
Daniel come to judgment, a (danybl) A pers<strong>on</strong><br />
who reaches a wise c<strong>on</strong>clusi<strong>on</strong> about something<br />
that has left others bewildered, especially <strong>on</strong>e who<br />
displays wisdom bey<strong>on</strong>d his or her years. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong><br />
is to the biblical Daniel, as described in Daniel<br />
5 (where he explained the meaning <strong>of</strong> the writing<br />
<strong>on</strong> the wall). <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase in its modern form<br />
comes from William Shakespeare’s <str<strong>on</strong>g>The</str<strong>on</strong>g> Merchant <strong>of</strong><br />
Venice (c. 1596), in which Shylock hails Portia with<br />
the following words: “A Daniel come to judgment!<br />
yea a Daniel!/O wise young judge, how I do h<strong>on</strong>our<br />
thee!” In a story related in the apocryphal<br />
book <strong>of</strong> Susanna the youthful Daniel successfully<br />
defends Susanna against the accusati<strong>on</strong> <strong>of</strong> being<br />
found committing adultery in the shade <strong>of</strong> a tree<br />
by asking her two accusers what kind <strong>of</strong> tree it<br />
was. <str<strong>on</strong>g>The</str<strong>on</strong>g> two men give different answers and<br />
Susanna’s innocence is proved. By much the same<br />
token any judge who earns respect for his great<br />
wisdom might be referred to simply as a Daniel.<br />
It was in this moment <strong>of</strong> crisis that this young prodigy<br />
really proved himself a Daniel come to judgment.<br />
Daniel in the li<strong>on</strong>s’ den (danybl) A pers<strong>on</strong> who is<br />
in a positi<strong>on</strong> <strong>of</strong> great danger. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase alludes to<br />
the biblical story <strong>of</strong> Daniel in which the Hebrew<br />
prophet is accused <strong>of</strong> defying the rulers <strong>of</strong> Babyl<strong>on</strong><br />
and is thrown into a cage full <strong>of</strong> hungry li<strong>on</strong>s:<br />
“<str<strong>on</strong>g>The</str<strong>on</strong>g>n the king commanded, and they brought<br />
Dante and Beatrice<br />
Daniel, and cast him into the den <strong>of</strong> li<strong>on</strong>s” (Daniel<br />
6:16). Daniel’s courage and faith is rewarded when<br />
God saves his life by sealing the li<strong>on</strong>s’ mouths so<br />
they cannot eat him. By the same token, a den <strong>of</strong><br />
li<strong>on</strong>s signifi es any situati<strong>on</strong> in which a pers<strong>on</strong> fi nds<br />
himself or herself surrounded by others who mean<br />
the pers<strong>on</strong> harm. Finding himself suddenly surrounded<br />
by rogues and bandits <strong>of</strong> all descripti<strong>on</strong>, the journalist<br />
quickly appreciated that he was like Daniel in the<br />
li<strong>on</strong>s’ den.<br />
danse macabre (dahns mbkahbrb) A series <strong>of</strong><br />
events seemingly moving inexorably toward<br />
destructi<strong>on</strong> and death. <str<strong>on</strong>g>The</str<strong>on</strong>g> danse macabre (or<br />
dance <strong>of</strong> death) was a well- known motif <strong>of</strong> medieval<br />
art, typically depicting a skeletal fi gure <strong>of</strong><br />
Death leading a string <strong>of</strong> mortals away to the<br />
grave. <str<strong>on</strong>g>The</str<strong>on</strong>g> motif became widespread throughout<br />
Eu rope with the erupti<strong>on</strong> <strong>of</strong> the Black Death in<br />
the middle <strong>of</strong> the 14th century. <str<strong>on</strong>g>The</str<strong>on</strong>g> countries <strong>of</strong> the<br />
Middle East seem to be engaged in a danse macabre that<br />
can <strong>on</strong>ly end in bloodshed.<br />
Dante and Beatrice (dantay, d<strong>on</strong>tay; beebtris) An<br />
idealized, unfulfi lled, plat<strong>on</strong>ic romance. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong><br />
is to the Italian writer Dante Alighieri (1265–<br />
1321) and Beatrice Portinari (1266–90), the<br />
beautiful young girl with whom the writer fell<br />
hopelessly in love <strong>on</strong> fi rst seeing her in 1274, when<br />
both were still children. Dante’s love for Beatrice<br />
remained pure and unblemished, although he had<br />
little chance to express it and she went <strong>on</strong> to<br />
marry an Italian nobleman and died in her twenties.<br />
She remained for Dante an unattainable ideal<br />
and the subject <strong>of</strong> some <strong>of</strong> his greatest poetry. “But<br />
Will wanted to talk with Dorothea al<strong>on</strong>e, and was<br />
impatient <strong>of</strong> slow circumstance. However slight<br />
the terrestrial intercourse between Dante and<br />
Beatrice or Petrarch and Laura, time changes the<br />
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