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The Facts on File Dictionary of Allusions - Green Valley High School

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hard hat<br />

212<br />

(1964), the title <strong>of</strong> which supposedly originated as<br />

a remark made by drummer Ringo Starr after a<br />

particularly demanding fi lming sessi<strong>on</strong>. According<br />

to some authorities, Starr was quoting from the<br />

Lenn<strong>on</strong>–McCartney s<strong>on</strong>g <strong>of</strong> the same title, which<br />

had presumably already been written by the relatively<br />

late point in fi lming at which Starr delivered<br />

the line, or else from a poem by John Lenn<strong>on</strong>. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

ultimate origin may, however, lie in a sentence<br />

from a short story called “Sad Michael,” which had<br />

been published in John Lenn<strong>on</strong>’s In His Own<br />

Write in March 1964: “He’d had a hard day’s night<br />

that day, for Michael was a Cocky Watchtower.”<br />

With the amount <strong>of</strong> work we have to clear it looks like<br />

it’s going to be a hard day’s night.<br />

hard hat A pers<strong>on</strong> with c<strong>on</strong>servative or reacti<strong>on</strong>ary<br />

views. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the protective helmets<br />

worn by c<strong>on</strong>structi<strong>on</strong> workers and other<br />

people working in hazardous envir<strong>on</strong>ments. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

phrase is <strong>of</strong> U.S. origin, and was inspired by the<br />

c<strong>on</strong>servative attitudes that became associated with<br />

U.S. c<strong>on</strong>structi<strong>on</strong> workers in the 1960s. We d<strong>on</strong>’t<br />

think the hard hats in C<strong>on</strong>gress will agree to support this<br />

mea sure.<br />

Hardy, Andy See andy hardy.<br />

Hardy, Oliver See laurel and hardy.<br />

hare and the tortoise A patient, methodical<br />

approach may succeed better than a more hurried<br />

<strong>on</strong>e. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the fable <strong>of</strong> the hare and the<br />

tortoise attributed to the Greek writer aesop<br />

(c. 620–560 b.c.). <str<strong>on</strong>g>The</str<strong>on</strong>g> tale relates how the hare lost<br />

a running race to the much slower tortoise because<br />

he was so c<strong>on</strong>fi dent <strong>of</strong> victory that he decided to<br />

take a short rest before completing the course.<br />

When it comes to investment policies it is <strong>of</strong>ten a case <strong>of</strong><br />

the hare and the tortoise as the more glamorous opti<strong>on</strong>s<br />

<strong>of</strong>ten underperform compared to less exciting choices.<br />

Hari, Mata See mata hari.<br />

hari- kari See hara- kiri.<br />

harmless as doves See wise as serpents and<br />

harmless as doves.<br />

Harm<strong>on</strong>ia’s necklace (hahrm<strong>on</strong>eebz) A possessi<strong>on</strong><br />

that brings bad luck to its own er. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong><br />

is to the necklace that King Cadmus gave to his<br />

bride, Harm<strong>on</strong>ia, the daughter <strong>of</strong> Ares and Aphrodite.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> necklace, which had been given to Cadmus<br />

by Hephaestus (Aphrodite’s former husband),<br />

brought evil to all who owned it. After suffering<br />

many misfortunes Cadmus and Harm<strong>on</strong>ia were<br />

changed into serpents by the gods, all <strong>of</strong> whom<br />

had attended the wedding. Like Harm<strong>on</strong>ia’s necklace<br />

the property seemed to work like a curse <strong>on</strong> all who had<br />

possessi<strong>on</strong> <strong>of</strong> it.<br />

Harpag<strong>on</strong> (hahrpbg<strong>on</strong>) A miser. Harpag<strong>on</strong> is the<br />

name <strong>of</strong> the central character, a penny- pinching<br />

misanthrope, in the classic comedy L’Avare (“<str<strong>on</strong>g>The</str<strong>on</strong>g><br />

Miser”) by the French writer Molière (Jean-<br />

Baptiste Poquelin; 1622–73). When c<strong>on</strong>fr<strong>on</strong>ted<br />

with having to choose between his lover and his<br />

m<strong>on</strong>ey, he chooses the m<strong>on</strong>ey. He was so mean with<br />

his m<strong>on</strong>ey that his friends took to calling him Harpag<strong>on</strong><br />

behind his back. See also scrooge.<br />

harpy (hahrpee) A predatory, grasping, shrewish<br />

woman. In Greek mythology, Harpies (meaning<br />

“snatchers” or “robbers”) were loathsome m<strong>on</strong>sters<br />

with the bodies <strong>of</strong> birds, the heads <strong>of</strong> women,<br />

and the claws <strong>of</strong> vultures. Variously given as <strong>on</strong>e,<br />

two, or three in number, they were sometimes

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