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The Facts on File Dictionary of Allusions - Green Valley High School

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Dioscorea<br />

130<br />

Dioscorea (dioskoreeb) A genus <strong>of</strong> plants bel<strong>on</strong>ging<br />

to the yam family. It was named in h<strong>on</strong>or <strong>of</strong> the<br />

Greek physician Dioscorides Pedanius (c. a.d. 40–<br />

c. 90), who studied a wide variety <strong>of</strong> plants in<br />

order to gather informati<strong>on</strong> about their medicinal<br />

properties while serving as a surge<strong>on</strong> in the Roman<br />

army. He was later recognized as <strong>on</strong>e <strong>of</strong> the fathers<br />

<strong>of</strong> modern botany. <str<strong>on</strong>g>The</str<strong>on</strong>g>re are probably many more<br />

secrets to learn about Dioscorea.<br />

Dioscuri See castor and pollux.<br />

Dirty Harry A maverick policeman, or some<strong>on</strong>e<br />

else who employs heavy- handed or ethically dubious<br />

tactics to achieve his or her aims. <str<strong>on</strong>g>The</str<strong>on</strong>g> 1971<br />

fi lm Dirty Harry introduced the ep<strong>on</strong>ymous Harry<br />

Callaghan, a self- willed San Francisco police<br />

inspector (played by Clint Eastwood) who thought<br />

nothing <strong>of</strong> breaking the rules in order to outwit<br />

criminals who might otherwise escape legal retributi<strong>on</strong>.<br />

He c<strong>on</strong>tinued to break the rules in a series<br />

<strong>of</strong> sequels. We d<strong>on</strong>’t approve <strong>of</strong> Dirty Harry tactics in<br />

this company. See also go ahead, make my day.<br />

disciple A follower or pupil <strong>of</strong> a religious teacher<br />

or other leader. <str<strong>on</strong>g>The</str<strong>on</strong>g> word is most familiar from its<br />

applicati<strong>on</strong> in the Bible to the 12 apostles and to<br />

followers <strong>of</strong> Christ more generally. “. . . the doctrine<br />

it c<strong>on</strong>tain’d was by degrees universally<br />

adopted by the phi los o phers <strong>of</strong> Eu rope, in preference<br />

to that <strong>of</strong> the abbé; so that he lived to see<br />

himself the last <strong>of</strong> his sect, except M<strong>on</strong>sieur B—,<br />

<strong>of</strong> Paris, his élève and immediate disciple” (Benjamin<br />

Franklin, Autobiography, 1793).<br />

discord, apple <strong>of</strong> See apple <strong>of</strong> discord.<br />

dismal science Ec<strong>on</strong>omics. It was Thomas Carlyle<br />

(1795–1881) who gave ec<strong>on</strong>omics this label,<br />

which has haunted it ever since, in his 1849 essay<br />

“On the Nigger Questi<strong>on</strong>”: “<str<strong>on</strong>g>The</str<strong>on</strong>g> social science—<br />

not a ‘gay science,’ but a rueful—which fi nds the<br />

secret <strong>of</strong> this Universe in ‘supply and demand’ . . .<br />

what we might call, by way <strong>of</strong> eminence, the dismal<br />

science.” In coining the label, he may have<br />

been infl uenced by c<strong>on</strong>temporary ec<strong>on</strong>omists who<br />

held the gloomy view that populati<strong>on</strong> growth<br />

would outstrip food producti<strong>on</strong>. If we are to believe<br />

the purveyors <strong>of</strong> the dismal science, we are heading for<br />

another period <strong>of</strong> recessi<strong>on</strong>.<br />

Disneyfi cati<strong>on</strong> (diznifi kayshbn) <str<strong>on</strong>g>The</str<strong>on</strong>g> trivializati<strong>on</strong><br />

<strong>of</strong> historical fact or real places, people, etc., in<br />

order to maximize their commercial appeal. U.S.<br />

fi lmmaker Walt Disney (1901–66) made his reputati<strong>on</strong><br />

with brilliant but <strong>of</strong>ten sentimentalized<br />

carto<strong>on</strong>s and live- acti<strong>on</strong> fi lms in which the less<br />

pleasant or c<strong>on</strong>troversial aspects <strong>of</strong> nature or<br />

human existence were either ignored or made more<br />

palatable and unchallenging. <str<strong>on</strong>g>The</str<strong>on</strong>g> same approach<br />

typifi ed the various Disney resorts that his corporati<strong>on</strong><br />

later built. Many critics have found fault with<br />

the tendency <strong>of</strong> many commercial organizati<strong>on</strong>s<br />

to indulge in similar “Disneyfi cati<strong>on</strong>” <strong>of</strong> historical<br />

truth and the realities <strong>of</strong> life. As a scholar, I deplore<br />

the Disneyfi cati<strong>on</strong> <strong>of</strong> the slave issue in early American<br />

history.<br />

Disneyland (dizneeland) An unreal, fantasy<br />

world. <str<strong>on</strong>g>The</str<strong>on</strong>g> original Disneyland was a hugely pop ular<br />

amusement park opened by U.S. fi lmmaker<br />

Walt Disney (1901–66) in Anaheim, California, in<br />

1955. Featuring many <strong>of</strong> the fi cti<strong>on</strong>al characters<br />

made famous in the Disney fi lms, Disneyland presented<br />

a view <strong>of</strong> the world far removed from daily<br />

reality. Its success over the de cades has spawned<br />

many other similar parks all over the world. A<br />

pers<strong>on</strong> “living in Disneyland” is some<strong>on</strong>e who fails

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