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The Facts on File Dictionary of Allusions - Green Valley High School

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not worth a b<strong>on</strong>e, the dog must be bad indeed that is<br />

340<br />

careers end, Adjudicator: not with a bang, but<br />

with a whimper” ( J. Mortimore and A. Lane,<br />

Lucifer Rising, 1993).<br />

not worth a b<strong>on</strong>e, the dog must be bad indeed that<br />

is See laborer is worthy <strong>of</strong> his hire, the.<br />

now is the winter <strong>of</strong> our disc<strong>on</strong>tent Now things<br />

are at their worst. This is the first line <strong>of</strong> William<br />

Shakespeare’s play Richard III (c. 1592),<br />

spoken by the malevolent future king as he<br />

c<strong>on</strong>templates the l<strong>on</strong>g-awaited chance to claim<br />

the thr<strong>on</strong>e <strong>of</strong> England for himself: “Now is the<br />

winter <strong>of</strong> our disc<strong>on</strong>tent / Made glorious summer<br />

by this sun <strong>of</strong> York; / And all the clouds that<br />

lowered up<strong>on</strong> our house / In the deep bosom <strong>of</strong><br />

the ocean buried.” With the closure <strong>of</strong> the last theater<br />

staging challenging drama in town, it would seem<br />

that for serious actors this really is the winter <strong>of</strong> our<br />

disc<strong>on</strong>tent.<br />

number <strong>of</strong> the beast <str<strong>on</strong>g>The</str<strong>on</strong>g> dev il’s number; 666.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> mystical reputati<strong>on</strong> <strong>of</strong> the number depends<br />

<strong>on</strong> its appearance in Revelati<strong>on</strong> 13:18: “Let him<br />

that hath understanding count the number <strong>of</strong> the<br />

beast: for it is the number <strong>of</strong> a man; and his number<br />

is Six hundred threescore and six.” Various<br />

explanati<strong>on</strong>s have been put forward for the origins<br />

<strong>of</strong> the number, most <strong>of</strong> them based <strong>on</strong> the<br />

numerical values given to the letters <strong>of</strong> certain<br />

names, such as that <strong>of</strong> the wicked Roman emperor<br />

Nero, am<strong>on</strong>g others. Over the centuries the number<br />

has been associated with many other fi gures<br />

accused by their enemies <strong>of</strong> being the Antichrist,<br />

including Martin Luther, Napole<strong>on</strong> B<strong>on</strong>aparte,<br />

and Kaiser Wilhelm II. He noticed that his new teleph<strong>on</strong>e<br />

number ended with the number <strong>of</strong> the beast, but<br />

he quickly shrugged <strong>of</strong>f the momentary unease that<br />

welled up in his mind.<br />

Nunc Dimittis (nunk dimitis) A canticle granting<br />

permissi<strong>on</strong> to leave, especially to depart this<br />

life. <str<strong>on</strong>g>The</str<strong>on</strong>g> words appear in the opening line <strong>of</strong> the<br />

prayer <strong>of</strong> Sime<strong>on</strong>, which is sung in evens<strong>on</strong>g in the<br />

Anglican Church: “Nunc dimittis servum tuum<br />

Domine” (“Lord, now lettest thou thy servant<br />

depart in peace”), taken from Luke 2:29–35. By<br />

extensi<strong>on</strong>, if people are said to receive their Nunc<br />

Dimittis they are understood to have permissi<strong>on</strong><br />

to depart; if they sing their Nunc Dimittis they<br />

are understood to be happy to be going. “I shall<br />

fi nish my artist’s life with your face; but I shall<br />

want a bit <strong>of</strong> those shoulders, too . . . If they<br />

aren’t divine I will eat my hat. Yes, I will do your<br />

head and then—nunc dimittis” (Joseph C<strong>on</strong>rad,<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> Arrow <strong>of</strong> Gold, 1919).<br />

Nuremberg defense (nyoorbmberg) A defendant’s<br />

plea that in committing a crime he or she<br />

was <strong>on</strong>ly “following orders.” Such defenses were<br />

presented at several <strong>of</strong> the notorious trials <strong>of</strong> leading<br />

German Nazis at Nuremberg following the<br />

close <strong>of</strong> World War II. <str<strong>on</strong>g>The</str<strong>on</strong>g>se excuses were largely<br />

ignored by the courts, reinforcing the principle<br />

that simply obeying some<strong>on</strong>e else’s orders does<br />

not render a pers<strong>on</strong> blameless for any crime he or<br />

she commits. <str<strong>on</strong>g>The</str<strong>on</strong>g> youth’s resort to the Nuremberg<br />

defense, that he was <strong>on</strong>ly doing what he had been told to<br />

do, cut little ice with the judges.<br />

Nureyev (nyoorayef ) A brilliantly talented male<br />

ballet dancer. <str<strong>on</strong>g>The</str<strong>on</strong>g> Rus sian ballet dancer and<br />

choreographer Rudolph Nureyev (1939–93) was<br />

hugely admired for his per for mances in the great<br />

ballet roles, both with Rus sian companies and<br />

after defecting to the West in 1961, earning him<br />

a reputati<strong>on</strong> as the greatest male dancer since<br />

nijinsky. He is so young it is far too so<strong>on</strong> to say<br />

whether he is destined to be the next Nureyev.

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