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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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est verse in the Bible—or in any literature’ ” (Lucy<br />

Maud M<strong>on</strong>tgomery, Anne’s House <strong>of</strong> Dreams, 1917).<br />

Tuck, Friar See friar tuck.<br />

Tuesday <str<strong>on</strong>g>The</str<strong>on</strong>g> third day <strong>of</strong> the week. It is named<br />

after Tiw (tyr), the Anglo- Sax<strong>on</strong> god <strong>of</strong> war and<br />

the sky. Shrove Tuesday is the day before Lent begins, <strong>on</strong><br />

Ash Wednesday.<br />

turn the other cheek To accept a pers<strong>on</strong>al insult<br />

or injury passively and without retaliating. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

expressi<strong>on</strong> is biblical in origin, being quoted by<br />

Christ in the course <strong>of</strong> his Serm<strong>on</strong> <strong>on</strong> the Mount,<br />

as related in Matthew 5:38–39: “Ye have heard<br />

that it hath been said, An eye for an eye, and a<br />

tooth for a tooth: But I say unto you, That ye resist<br />

not evil: but whosoever shall smite thee <strong>on</strong> thy<br />

right cheek, turn to him the other also.” “It is well,<br />

I think, that violent <strong>of</strong>fences, when committed,<br />

should be met by instant rebuke. To turn the other<br />

cheek instantly to the smiter can hardly be suitable<br />

in these days, when the hands <strong>of</strong> so many are raised<br />

to strike” (Anth<strong>on</strong>y Trollope, <str<strong>on</strong>g>The</str<strong>on</strong>g> Last Chr<strong>on</strong>icle <strong>of</strong><br />

Barset, 1867). See also eye for an eye.<br />

Tuscan Bel<strong>on</strong>ging to a relatively plain and unornamented<br />

order <strong>of</strong> classical architecture derived<br />

from the doric style. <str<strong>on</strong>g>The</str<strong>on</strong>g> architects chose a grand<br />

but somewhat restrained Tuscan style for the portico <strong>of</strong><br />

the bank’s new headquarters in the center <strong>of</strong> the city. See<br />

also corinthian; i<strong>on</strong>ic.<br />

Tweed, “Boss” See tammany hall.<br />

Tweedledum and Tweedledee A pair <strong>of</strong> individuals<br />

or things that are so similar they are virtually<br />

indistinguishable. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to two characters<br />

who appear in the children’s fantasy through<br />

the looking- glass (1865) by Lewis Carroll.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>y are depicted as two very fat twin brothers<br />

with identical mannerisms and appearance and the<br />

habit <strong>of</strong> each repeating everything the other says.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> names were in existence before Carroll, however,<br />

and were applied as early as 1715 to the rival<br />

composers Giovanni B<strong>on</strong><strong>on</strong>cini and George Frideric<br />

Handel, as immortalized in a poem by the c<strong>on</strong>temporary<br />

writer John Byrom: “Some say, that<br />

Signor B<strong>on</strong><strong>on</strong>cini / Compar’d to Handel’s a mere<br />

ninny; / Others aver, to him, that Handel / Is<br />

scarcely fi t to hold a candle. / Strange! That such<br />

high dispute should be / ’Twixt Tweedledum and<br />

Tweedledee.” “<str<strong>on</strong>g>The</str<strong>on</strong>g> umpires c<strong>on</strong>ferred, then, like<br />

Tweedledum and Tweedledee in their striped shirts,<br />

cantered over to the third man in the stands, who’d<br />

been gazing at Mrs. Sherwood at the time and<br />

missed the incident altogether, and who now waved<br />

his down- turned palms back and forth to indicate<br />

no foul” ( Jilly Cooper, Polo, 1991).<br />

twilight <strong>of</strong> the gods See götterdämmerung.<br />

twilight z<strong>on</strong>e<br />

twilight z<strong>on</strong>e A mysterious area between reality<br />

and fantasy, in which all manner <strong>of</strong> weird things<br />

might occur. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the cult U.S. sciencefi<br />

cti<strong>on</strong> tele vi si<strong>on</strong> series <str<strong>on</strong>g>The</str<strong>on</strong>g> Twilight Z<strong>on</strong>e (1959–<br />

63), which featured such bizarre phenomena as<br />

time warps and machines capable <strong>of</strong> in de pen dent<br />

thought and began with the words: “<str<strong>on</strong>g>The</str<strong>on</strong>g>re is a fi fth<br />

dimensi<strong>on</strong> bey<strong>on</strong>d that which is known to men. It<br />

is a dimensi<strong>on</strong> as vast as space and as timeless as<br />

infi nity. It is the middle ground between light and<br />

shadow, between science and superstiti<strong>on</strong>, and it<br />

lies between the pit <strong>of</strong> man’s fears and the summit<br />

<strong>of</strong> his knowledge. This is the dimensi<strong>on</strong> <strong>of</strong> imaginati<strong>on</strong>.<br />

It is an area we call <str<strong>on</strong>g>The</str<strong>on</strong>g> Twilight Z<strong>on</strong>e.”<br />

Things were turning out so unexpectedly it was a bit like<br />

being in the twilight z<strong>on</strong>e.<br />

477

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