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The Facts on File Dictionary of Allusions - Green Valley High School

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light a candle, and put it under a bushel, but <strong>on</strong> a<br />

candlestick; and it giveth light unto all that are in<br />

the house” (Matthew 5:14–15). A bushel is a unit<br />

<strong>of</strong> mea sure ment traditi<strong>on</strong>ally gauged by using a<br />

wooden or earthenware c<strong>on</strong>tainer, thus, to be<br />

under a bushel signifi ed being hidden from view.<br />

“Now did the Reverend Samuel Pentecost, whose<br />

light had hitherto been hidden under a bushel,<br />

prove at last that he could do something by proving<br />

that he could eat” (Wilkie Collins, Armadale,<br />

1866).<br />

Hier<strong>on</strong>ymus Bosch (hbr<strong>on</strong>bmbs bosh) Of a bizarre,<br />

nightmarish character. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the extraordinary<br />

paintings <strong>of</strong> Dutch artist Hier<strong>on</strong>ymus<br />

Bosch (c. 1453–1516), whose works <strong>of</strong>ten<br />

depicted the torments <strong>of</strong> damned souls in hell.<br />

Even today his grotesque visi<strong>on</strong>s <strong>of</strong> weird animals<br />

and dem<strong>on</strong>s provoke fascinati<strong>on</strong> and ast<strong>on</strong>ishment.<br />

Each night he descended into a dreamworld that seemed<br />

to have been designed by Hier<strong>on</strong>ymus Bosch.<br />

higher than Gilderoy’s kite (gildbroi) Punished<br />

more severely than any<strong>on</strong>e else. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a<br />

Scottish highwayman called Gilderoy, who was<br />

said to have been hanged higher than other criminals<br />

to refl ect the seriousness <strong>of</strong> his crimes. “She<br />

squandered milli<strong>on</strong>s <strong>of</strong> francs <strong>on</strong> a navy which she<br />

did not need, and the fi rst time she took her new<br />

toy into acti<strong>on</strong> she got it knocked higher than<br />

Gilderoy’s kite—to use the language <strong>of</strong> the Pilgrims”<br />

(Mark Twain, Innocents Abroad, 1869).<br />

<strong>High</strong> No<strong>on</strong> A climactic test or c<strong>on</strong>fr<strong>on</strong>tati<strong>on</strong>.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the 1952 Western movie <strong>of</strong> the<br />

same title, in which a small- town marshal played<br />

by Gary Cooper ventures out to fi ght a deadly gun<br />

battle with four outlaws arriving <strong>on</strong> the no<strong>on</strong><br />

train. <str<strong>on</strong>g>The</str<strong>on</strong>g> fi lm in its turn was based <strong>on</strong> the short<br />

story “<str<strong>on</strong>g>The</str<strong>on</strong>g> Tin Star” (1947) by John W. Cunningham.<br />

“<str<strong>on</strong>g>The</str<strong>on</strong>g> aucti<strong>on</strong> ring <strong>of</strong> Ayr cattle market <strong>on</strong><br />

14th December, 1911, was arranged for the ‘high<br />

no<strong>on</strong>’ <strong>of</strong> the dispute” (Andrew Boyle, Ayrshire Heritage,<br />

1990). Somewhat c<strong>on</strong>fusingly, drawing <strong>on</strong><br />

the image <strong>of</strong> the sun being at its zenith at no<strong>on</strong> and<br />

entirely ignoring the subtext provided by the classic<br />

fi lm, the phrase may also be used to describe a<br />

time when things are at their most fl ourishing:<br />

“For all that, the Thatcher high no<strong>on</strong> seemed to<br />

show the balance between state power and individual<br />

self- expressi<strong>on</strong>, in some key episodes, tilting<br />

against the individual or the dissenting<br />

minority” (Kenneth Morgan, <str<strong>on</strong>g>The</str<strong>on</strong>g> People’s Peace,<br />

1990).<br />

hind <strong>of</strong> Arcadia See labors <strong>of</strong> hercules.<br />

hip and thigh, smite them See smite them hip<br />

and thigh.<br />

hippie A pers<strong>on</strong> who favors a relaxed, tolerant,<br />

and peace- loving attitude to life in preference to<br />

the hardheaded realities <strong>of</strong> the world around him<br />

or her. <str<strong>on</strong>g>The</str<strong>on</strong>g> original hippies emerged during the<br />

late 1960s, when a whole generati<strong>on</strong> identifi ed<br />

itself with antiestablishment ideas and indulged<br />

freely in rock music, drugs, and colorful fashi<strong>on</strong>s.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> word itself probably had its roots in the slang<br />

“hip,” meaning “fashi<strong>on</strong>able.” <str<strong>on</strong>g>The</str<strong>on</strong>g> term, <strong>of</strong>ten in<br />

the derogatory phrase l<strong>on</strong>g- haired hippie, has<br />

since been applied more widely to any<strong>on</strong>e who is<br />

suspected <strong>of</strong> a dreamy, idealistic view <strong>of</strong> life or <strong>of</strong><br />

espousing in some way the ideals <strong>of</strong> the hippie era.<br />

“Perdita, however, was deeply embarrassed to see<br />

her mother arriving in unsuitably colourful clothes<br />

and dripping wet hair, like a superannuated hippie”<br />

(Jilly Cooper, Polo, 1991). See also fl ower child;<br />

woodstock.<br />

hippie<br />

221

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