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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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mark <strong>of</strong> Cain (kayn) A brand or other distinguishing<br />

mark that bears witness to some past<br />

crime or misdeed. According to the biblical account<br />

<strong>of</strong> Abel’s murder at the hands <strong>of</strong> his brother Cain,<br />

Cain was branded by God with a special mark so<br />

that those who met him would refrain from killing<br />

him out <strong>of</strong> vengeance: “And the LORD set a mark<br />

up<strong>on</strong> Cain, lest any fi nding him should kill him”<br />

(Genesis 4:15). Traditi<strong>on</strong> has it that the mark took<br />

the form <strong>of</strong> a bloodstained brand <strong>on</strong> Cain’s brow.<br />

In modern usage a mark <strong>of</strong> Cain, or curse <strong>of</strong> Cain,<br />

is generally understood to be a mark <strong>of</strong> punishment<br />

rather than protecti<strong>on</strong>. “<str<strong>on</strong>g>The</str<strong>on</strong>g> commitment is<br />

total and to opt out <strong>of</strong> the system is a mark <strong>of</strong> Cain”<br />

(Guardian, July 19, 1991). See also cain and abel.<br />

mark <strong>of</strong> the beast A physical mark or something<br />

else that indicates a pers<strong>on</strong>’s associati<strong>on</strong> with evil. In<br />

the book <strong>of</strong> Revelati<strong>on</strong> (13:16–17, 16:2, and 19:20)<br />

an angel punishes those who bear the mark <strong>of</strong> the<br />

beast, a brand <strong>on</strong> the right hand or forehead signifying<br />

those who, at the behest <strong>of</strong> a creature risen up<br />

from the earth, worship a seven- headed beast from<br />

the sea. Those who criticize a pers<strong>on</strong> or activity as<br />

evil are said to set the mark <strong>of</strong> the beast <strong>on</strong> the<br />

object <strong>of</strong> their c<strong>on</strong>demnati<strong>on</strong>. In the Royal Navy the<br />

lapel fl ashes <strong>of</strong> midshipmen are traditi<strong>on</strong>ally nicknamed<br />

marks <strong>of</strong> the beast. “Each <strong>of</strong> these creatures,<br />

despite its human form, its rag <strong>of</strong> clothing, and the<br />

rough humanity <strong>of</strong> its bodily form, had woven into<br />

it—into its movements, into the expressi<strong>on</strong> <strong>of</strong> its<br />

countenance, into its whole presence—some now<br />

irresistible suggesti<strong>on</strong> <strong>of</strong> a hog, a swinish taint, the<br />

unmistakable mark <strong>of</strong> the beast” (H. G. Wells, <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

Island <strong>of</strong> Doctor Moreau, 1896).<br />

Marlboro man (mahrlbbro) Archetype <strong>of</strong> a<br />

rugged, masculine cowboy. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a<br />

l<strong>on</strong>g- running advertising campaign for Marlboro<br />

cigarettes, which was launched in 1954. <str<strong>on</strong>g>The</str<strong>on</strong>g> campaign<br />

featured the stirring image <strong>of</strong> a cowboy c<strong>on</strong>tentedly<br />

smoking a Marlboro cigarette as he<br />

surveyed an expansive Wild West landscape. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

campaign was apparently c<strong>on</strong>ceived to pop u lar ize<br />

fi lter cigarettes, which until then had been c<strong>on</strong>sidered<br />

feminine. It was hugely successful and over<br />

the years many actors and male models appeared<br />

in the role <strong>of</strong> the Marlboro man; two <strong>of</strong> them, it<br />

must be added, later died <strong>of</strong> lung cancer. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

quintessential wild country in which the Marlboro<br />

man supposedly thrived was dubbed Marlboro<br />

country, though the cigarettes themselves were<br />

actually named after Great Marlborough Street in<br />

the West End <strong>of</strong> L<strong>on</strong>d<strong>on</strong>, where the manufacturers<br />

<strong>of</strong> the cigarettes were originally based. <str<strong>on</strong>g>The</str<strong>on</strong>g> guide<br />

clearly thought <strong>of</strong> himself as a Marlboro man, with his<br />

white stets<strong>on</strong> and faded blue jeans.<br />

Marlene Dietrich (mahrlaynb deetrik) Archetypal<br />

femme fatale. <str<strong>on</strong>g>The</str<strong>on</strong>g> German- born movie actress<br />

and singer Marlene Dietrich (Magdalena v<strong>on</strong> Losch;<br />

1901–92) sprang to fame in <str<strong>on</strong>g>The</str<strong>on</strong>g> Blue Angel (1930)<br />

and acquired ic<strong>on</strong>ic status as a vampish sex symbol<br />

whose husky voice came to be widely imitated by<br />

admirers and impers<strong>on</strong>ators. In his high heels, fi shnet<br />

stockings, and top hat he looked like a nightmarish<br />

versi<strong>on</strong> <strong>of</strong> Marlene Dietrich.<br />

Marley’s ghost See scrooge.<br />

Marlowe, Philip See philip marlowe.<br />

Marner, Silas See silas marner.<br />

Marple, Miss See miss marple.<br />

Marquess <strong>of</strong> Queensberry rules<br />

Marquess <strong>of</strong> Queensberry rules See queensberry<br />

rules.<br />

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