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The Facts on File Dictionary of Allusions - Green Valley High School

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tales collected by the German folklorists and writers<br />

Jacob Grimm (1785–1863) and Wilhelm<br />

Grimm (1786–1859), known as the Brothers<br />

Grimm. First published in 1812–15, the stories<br />

became the staple fare <strong>of</strong> nurseries throughout<br />

the Western world, despite the <strong>of</strong>ten terrifying<br />

witches, beasts, and giants depicted in them. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

sight that met her eyes as she opened the door was like<br />

something out <strong>of</strong> Grimm’s Fairy Tales.<br />

Grim Reaper Death. Since medieval times, death<br />

has been pers<strong>on</strong>ifi ed as a terrifying skeletal fi gure<br />

in a black hooded cloak, carry ing a scythe with<br />

which to “reap” men’s lives. “Unfortunately, their<br />

penchant for the inventi<strong>on</strong> <strong>of</strong> bizarre new ways to<br />

tempt the grim reaper has fi ltered down to us, the<br />

lower orders, and we now follow their example”<br />

(Muriel Gray, <str<strong>on</strong>g>The</str<strong>on</strong>g> First Fifty, 1991).<br />

grin like a Cheshire Cat See cheshire cat.<br />

Griselda (grizeldb) <str<strong>on</strong>g>The</str<strong>on</strong>g> ideal <strong>of</strong> a patient,<br />

uncomplaining wife. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the heroine<br />

called Griselda (or Patient Griselda) who<br />

features in the fi nal tale <strong>of</strong> the Decamer<strong>on</strong> (1351–<br />

53) by the Italian writer Giovanni Boccaccio<br />

(1313–75) and also in “<str<strong>on</strong>g>The</str<strong>on</strong>g> Clerk’s Tale” from <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

Canterbury Tales (c. 1387) by the En glish poet Ge<strong>of</strong>frey<br />

Chaucer (c. 1343–1400). Griselda is depicted<br />

as the wife <strong>of</strong> a rich nobleman, who tests her faithfulness<br />

to him by pretending that he has killed<br />

their children and is preparing to marry another<br />

woman: she patiently remains true to her vows<br />

and is ultimately rewarded when her husband<br />

admits his decepti<strong>on</strong>. If he thinks he has married a<br />

Griselda who will put up with his infi delities, he will<br />

so<strong>on</strong> discover that he is sorely mistaken.<br />

Groucho Marx See marx brothers.<br />

groundhog day <str<strong>on</strong>g>The</str<strong>on</strong>g> sensati<strong>on</strong> <strong>of</strong> having to live<br />

through the same events over and over again. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

allusi<strong>on</strong> is to the 1993 movie Groundhog Day, which<br />

stars Bill Murray as a tele vi si<strong>on</strong> weather presenter<br />

who fi nds himself having to relive the same day<br />

seemingly endlessly. <str<strong>on</strong>g>The</str<strong>on</strong>g> day in questi<strong>on</strong> is February<br />

2, known as Groundhog Day, when according<br />

to traditi<strong>on</strong> the groundhog emerges from its winter<br />

burrow to test whether spring has arrived: if<br />

the creature returns to its burrow this is read as a<br />

sign that winter will c<strong>on</strong>tinue for another six<br />

weeks. It was like groundhog day, with the same food<br />

and the same people and the same c<strong>on</strong>versati<strong>on</strong>s being<br />

repeated every lunchtime.<br />

groves <strong>of</strong> academe (akbdeem, akbdeem) Academic<br />

circles in general or a college, university,<br />

or other place <strong>of</strong> study or research. Academe<br />

was the name <strong>of</strong> a public garden (with a grove)<br />

in Athens, in which the Greek phi los o pher Plato<br />

gave less<strong>on</strong>s. <str<strong>on</strong>g>The</str<strong>on</strong>g> garden itself had formerly been<br />

owned by a citizen <strong>of</strong> the city called Academus.<br />

It seemed unlikely that the inspector, a diam<strong>on</strong>d <strong>of</strong> the<br />

roughest kind, would be familiar with the rules <strong>of</strong><br />

etiquette that governed this par tic u lar grove <strong>of</strong><br />

academe.<br />

Grub Street Writing that is inferior in style and<br />

c<strong>on</strong>tent. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a former L<strong>on</strong>d<strong>on</strong> street<br />

that in the 18th century was home to numerous<br />

impoverished “hack” writers seeking to make a<br />

precarious living from writing any kind <strong>of</strong> work<br />

that might sell a few copies. <str<strong>on</strong>g>The</str<strong>on</strong>g> expressi<strong>on</strong> was<br />

used in this sense by the lexicographer Samuel<br />

Johns<strong>on</strong> in his famous Dicti<strong>on</strong>ary <strong>of</strong> the En glish Language<br />

(1747–55) and by the writer George Gissing<br />

in the title <strong>of</strong> his novel New Grub Street (1891).<br />

“But, oh, dear me! oh, Osiris, Termagaunt, and<br />

Zeus! to think there are at least a dozen other<br />

Grub Street<br />

205

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