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The Facts on File Dictionary of Allusions - Green Valley High School

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another—Tit for tat; an eye for an eye; a tooth for<br />

a tooth; blood for blood; mea sure for mea sure;<br />

love for love” (Ralph Waldo Emers<strong>on</strong>, “Compensati<strong>on</strong>,”<br />

1841).<br />

meat that ye know not <strong>of</strong> A private source <strong>of</strong><br />

solace, sustenance, or other support, especially <strong>of</strong><br />

a spiritual nature. <str<strong>on</strong>g>The</str<strong>on</strong>g> expressi<strong>on</strong> comes from John<br />

4:32 in which the disciples entreat Christ to eat<br />

something but receive the reply that “I have meat<br />

to eat that ye know not <strong>of</strong>.” When asked how he<br />

supported himself, the wizard cryptically replied to his<br />

followers, “I have meat you know not <strong>of</strong>.”<br />

mecca (mekb) An ultimate goal or ambiti<strong>on</strong>, a<br />

place that attracts many visitors or tourists. <str<strong>on</strong>g>The</str<strong>on</strong>g> term<br />

comes from Mecca, a city in modern Saudi Arabia<br />

that has special signifi cance in Islamic lore as the<br />

birthplace <strong>of</strong> muhammad and as a result is the destinati<strong>on</strong><br />

for Muslims taking the hajj, or pilgrimage<br />

that all the faithful are supposed to take at least <strong>on</strong>ce<br />

in their lifetime. “East Graft<strong>on</strong> was the ancient habitat<br />

<strong>of</strong> the race, and Penhallow Grange, where ‘old’<br />

John Penhallow lived, was a Mecca to them” (Lucy<br />

Maud M<strong>on</strong>tgomery, Chr<strong>on</strong>icles <strong>of</strong> Av<strong>on</strong>lea, 1912).<br />

Medea (medeeb) A vengeful, jealous, and cruel<br />

woman, especially <strong>on</strong>e believed to be a sorceress.<br />

In Greek legend Medea was the daughter <strong>of</strong> the<br />

king <strong>of</strong> Colchis, an enchantress who helped her<br />

lover Jas<strong>on</strong> and the Arg<strong>on</strong>auts in their quest for<br />

the golden fl eece. <str<strong>on</strong>g>The</str<strong>on</strong>g> victims <strong>of</strong> her cruelty<br />

included her own brother Absyrtus (whom she cut<br />

into pieces to delay pursuit by her father), Jas<strong>on</strong>’s<br />

uncle Pelias, and ultimately the princess Glauce<br />

and her father King Cre<strong>on</strong> <strong>of</strong> Corinth after Jas<strong>on</strong><br />

decided to aband<strong>on</strong> Medea and marry Glauce. She<br />

also killed the children she had borne Jas<strong>on</strong> and,<br />

after seeking shelter at the court <strong>of</strong> King Aegeus,<br />

sought to pois<strong>on</strong> the king’s s<strong>on</strong> <str<strong>on</strong>g>The</str<strong>on</strong>g>seus. When this<br />

plot failed she fl ed to Colchis. <str<strong>on</strong>g>The</str<strong>on</strong>g> rest <strong>of</strong> the family<br />

were jaundiced in their opini<strong>on</strong> <strong>of</strong> the old lady, generally<br />

agreeing she had behaved like a Medea over her husband’s<br />

relatively innocuous lapse.<br />

Medes and Persians, law <strong>of</strong> the See law <strong>of</strong> the<br />

medes and persians.<br />

Medici (medeechee) Patr<strong>on</strong>s <strong>of</strong> culture and the<br />

arts. <str<strong>on</strong>g>The</str<strong>on</strong>g> Medici family, notably Cosimo de’ Medici<br />

(1389–1464), towered over the Italian re naissance<br />

<strong>of</strong> the 14th and 15th centuries, using their<br />

great wealth to foster the talents <strong>of</strong> such luminaries<br />

as Botticelli, le<strong>on</strong>ardo da vinci, and michelangelo.<br />

Toward the end <strong>of</strong> the 19th century several<br />

prominent East Coast families vied to become the Medicis<br />

<strong>of</strong> their day.<br />

medium is the message, the Sometimes the<br />

means by which communicati<strong>on</strong> is made is more<br />

signifi cant than the message itself. This is a quotati<strong>on</strong><br />

from Understanding Media (1964) by the Canadian<br />

phi los o pher Marshall McLuhan (1911–80),<br />

in which the author argues that the changing pace<br />

<strong>of</strong> technology represented by computers and other<br />

electr<strong>on</strong>ic media is a dominant infl uence up<strong>on</strong><br />

modern life, outweighing anything actually communicated<br />

using such media. “<str<strong>on</strong>g>The</str<strong>on</strong>g> medium is the<br />

message because the message, the culture and ideology<br />

<strong>of</strong> c<strong>on</strong>sumerism, has engulfed the medium”<br />

(Leslie Sklair, Sociology <strong>of</strong> the Global System, 1991).<br />

medusa (medoosb) Alternative name for a jellyfi<br />

sh. <str<strong>on</strong>g>The</str<strong>on</strong>g> creature received its name through a<br />

fancied resemblance between its tentacles and the<br />

snake hair <strong>of</strong> the fearsome Medusa, <strong>on</strong>e <strong>of</strong> the<br />

gorg<strong>on</strong>s. According to legend, she acquired<br />

her loathsome appearance as punishment for<br />

medusa<br />

309

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