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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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solve the riddle What creature goes <strong>on</strong> four legs<br />

in the morning, two legs at no<strong>on</strong>, and three in the<br />

eve ning? Those who got the answer wr<strong>on</strong>g suffered<br />

instant death, but if some<strong>on</strong>e answered correctly,<br />

the Sphinx’s power would be destroyed.<br />

Oedipus correctly identifi ed the answer as “man,”<br />

because he crawls as a child, walks as an adult, and<br />

proceeds with the aid <strong>of</strong> a staff in old age. Oedipus<br />

thus saved the city and w<strong>on</strong> the hand <strong>of</strong> Queen<br />

Jocasta, at the time ignorant <strong>of</strong> the fact that she<br />

was his mother (see oedipus complex). “<str<strong>on</strong>g>The</str<strong>on</strong>g><br />

Interviewer had attempted the riddle <strong>of</strong> the<br />

Sphinx, and had failed to get the fi rst hint <strong>of</strong> its<br />

soluti<strong>on</strong>” (Oliver Wendell Holmes, A Moral Antipathy,<br />

1885).<br />

riddle wrapped in a mystery inside an enigma An<br />

impenetrable mystery. This is a quotati<strong>on</strong> from a<br />

speech by British statesman Winst<strong>on</strong> Churchill<br />

(1874–1965) broadcast <strong>on</strong> October 1, 1939, referring<br />

specifi cally to the unknowable nature <strong>of</strong> Russian<br />

policy in the early stages <strong>of</strong> World War II.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> term has c<strong>on</strong>tinued to be applied to Rus sia<br />

ever since, although it has also been used in many<br />

other c<strong>on</strong>texts. Why your father ever married your<br />

mother remains a riddle wrapped in a mystery inside an<br />

enigma.<br />

ride <strong>of</strong>f into the sunset To leave the scene; to<br />

depart. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to Western movies <strong>of</strong> the<br />

1930s and 1940s, which not infrequently ended<br />

with just such an image <strong>of</strong> the hero riding away<br />

into a glorious sunset. <str<strong>on</strong>g>The</str<strong>on</strong>g> news is that the old man<br />

has ridden <strong>of</strong>f into the sunset for the last time.<br />

ride shotgun To act as guard over something as is<br />

being taken from <strong>on</strong>e place to another. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong><br />

is to the days when people and valuables being<br />

carried in stagecoaches were protected from any<br />

threat by an armed guard, who typically occupied<br />

the seat next to the coachman. In modern usage,<br />

the term is sometimes applied to any pers<strong>on</strong> who<br />

sits next to the driver <strong>of</strong> a vehicle. <str<strong>on</strong>g>The</str<strong>on</strong>g> army has<br />

provided men to ride shotgun with UN c<strong>on</strong>voys bringing<br />

humanitarian aid to the refugee camps <strong>on</strong> the border.<br />

right hand <strong>of</strong>fend thee See if thy right eye<br />

<strong>of</strong>fend thee.<br />

right stuff, the Courage; reliability; toughness.<br />

This was originally army slang, dating from at least<br />

the 1930s and possibly ultimately <strong>of</strong> 19th- century<br />

origin, but it became more widely familiar after it<br />

appeared as the title <strong>of</strong> a 1979 book by U.S. writer<br />

Tom Wolfe (b. 1931) about the fi rst U.S. astr<strong>on</strong>auts.<br />

“If you all get <strong>on</strong> well and are prepared to<br />

make the same sacrifi ces to succeed, you might<br />

just be ‘the right stuff’ ” (Nort<strong>on</strong> York, <str<strong>on</strong>g>The</str<strong>on</strong>g> Rock<br />

<strong>File</strong>, 1991).<br />

Riley, life <strong>of</strong> See life <strong>of</strong> riley.<br />

Ripper See jack the ripper.<br />

Rip Van Winkle<br />

Rip Van Winkle (winkbl) Archetype <strong>of</strong> a pers<strong>on</strong><br />

who is evidently completely out <strong>of</strong> touch with the<br />

surrounding world or c<strong>on</strong>temporary events. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

allusi<strong>on</strong> is to a story by U.S. writer Washingt<strong>on</strong><br />

Irving (1783–1859), fi rst published in <str<strong>on</strong>g>The</str<strong>on</strong>g> Sketch<br />

Book (1819–20). Irving’s Rip Van Winkle is the<br />

henpecked husband <strong>of</strong> a nagging wife, who goes<br />

to sleep for 20 years after sharing a drink with<br />

gnomes in the Catskill Mountains. When he wakes<br />

up, having slept right through the death <strong>of</strong> his wife<br />

and the fi ghting <strong>of</strong> the American Revoluti<strong>on</strong>, he is<br />

ast<strong>on</strong>ished to find the world greatly changed.<br />

“In 1958 Harold Macmillan called him Rip Van<br />

Winkle, because he talked about the ‘C<strong>on</strong>cert <strong>of</strong><br />

401

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