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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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Braggadocio<br />

62<br />

way in which a certain stratum <strong>of</strong> middle- class<br />

America <strong>of</strong> the period liked to see itself. Goodlooking,<br />

clean- living, and always smiling for the cameras,<br />

they were marketed as pop’s equivalent <strong>of</strong> the Brady<br />

Bunch.<br />

Braggadocio (bragbdosheeo) Boastfulness, or a<br />

pers<strong>on</strong> who boasts a lot. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to Edmund<br />

Spenser’s <str<strong>on</strong>g>The</str<strong>on</strong>g> Faerie Queene (1590, 1596), the characters<br />

<strong>of</strong> which include the boastful Braggadocchio<br />

(a name arrived at through the combinati<strong>on</strong><br />

<strong>of</strong> “braggart” and the suffi x - occhio, meaning “big”).<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> word “brag” referred originally to the discordant<br />

braying <strong>of</strong> a trumpet. Spenser is thought to<br />

have based the character <strong>on</strong> a real pers<strong>on</strong>, the<br />

French nobleman the duc d’Alenç<strong>on</strong>. “It might<br />

amuse him to rub salt into her wound, to display<br />

that notches- <strong>on</strong>- the- bedhead braggadocio shared<br />

by so many <strong>of</strong> his fellows” (Stella Shepherd, Black<br />

Justice, 1988).<br />

brand <strong>of</strong> Cain See mark <strong>of</strong> cain.<br />

brave men before Agamemn<strong>on</strong>, there were (agbmemn<strong>on</strong>)<br />

No pers<strong>on</strong>, place, or era has a m<strong>on</strong>opoly<br />

<strong>on</strong> achievement or glory. <str<strong>on</strong>g>The</str<strong>on</strong>g> saying is a quotati<strong>on</strong><br />

from the Odes <strong>of</strong> the Roman poet Horace (65–8<br />

b.c.), whose original Latin versi<strong>on</strong> ran “Vixere fortes<br />

ante Agamemn<strong>on</strong>a.” In Greek mythology, Agamemn<strong>on</strong><br />

was the king <strong>of</strong> Mycenae who led the Greeks<br />

during the Trojan War. <str<strong>on</strong>g>The</str<strong>on</strong>g> current nati<strong>on</strong>al squad are<br />

being hailed as the best ever to represent the country, but<br />

there were brave men before Agamemn<strong>on</strong>.<br />

brave new world A greatly changed new situati<strong>on</strong><br />

or prospect. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase is a quotati<strong>on</strong> from<br />

William Shakespeare’s play <str<strong>on</strong>g>The</str<strong>on</strong>g> Tempest (1611), in<br />

which miranda exclaims, <strong>on</strong> laying eyes <strong>on</strong> other<br />

human beings for the fi rst time: “O, w<strong>on</strong>der! /<br />

How many goodly creatures are there here! / How<br />

beauteous mankind is! O brave new world, / That<br />

has such people in’t!” <str<strong>on</strong>g>The</str<strong>on</strong>g> negative overt<strong>on</strong>es<br />

c<strong>on</strong>nected with the phrase date from the publicati<strong>on</strong><br />

in 1932 <strong>of</strong> the Aldous Huxley novel Brave New<br />

World, in which the author depicts a nightmarish<br />

future. “Our lives in this brave new world will be<br />

tough, my friends” (Gareth Roberts, <str<strong>on</strong>g>The</str<strong>on</strong>g> <strong>High</strong>est<br />

Science, 1993).<br />

Bray, Vicar <strong>of</strong> See vicar <strong>of</strong> bray.<br />

bread al<strong>on</strong>e, by See man cannot live by bread<br />

al<strong>on</strong>e.<br />

bread and circuses Food and entertainment as<br />

means to keep the masses c<strong>on</strong>tent. <str<strong>on</strong>g>The</str<strong>on</strong>g> cynical<br />

noti<strong>on</strong> that a populace provided with plenty <strong>of</strong> free<br />

food and entertainment (panem et circenses) would<br />

never rise up in revolt was familiar to the ancient<br />

Romans, as evidenced by the writing <strong>of</strong> the satirist<br />

Juvenal (a.d. c. 55/60–127): “People l<strong>on</strong>g eagerly<br />

for two things . . . bread and circuses.” Successive<br />

emperors sp<strong>on</strong>sored spectacles in the circuses <strong>of</strong><br />

Rome in the belief that these superfi cial palliatives<br />

would preserve them from the anger <strong>of</strong> the mob<br />

over more serious issues. TV dinners and M<strong>on</strong>day<br />

night football, it has been cynically suggested by observers,<br />

are the bread and circuses with which the masses are kept<br />

in their place in modern society.<br />

bread cast up<strong>on</strong> the waters See cast thy bread<br />

up<strong>on</strong> the waters.<br />

bread <strong>of</strong> affl icti<strong>on</strong> Suffering or trouble. This<br />

meta phor is biblical in origin, appearing in 1 Kings<br />

22:27 and in 2 Chr<strong>on</strong>icles 18:26: “Feed him with<br />

bread <strong>of</strong> affl icti<strong>on</strong> and with water <strong>of</strong> affl icti<strong>on</strong>.”<br />

“When I refl ect, Brother Toby, up<strong>on</strong> Man; and take

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