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The Facts on File Dictionary of Allusions - Green Valley High School

The Facts on File Dictionary of Allusions - Green Valley High School

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heart <strong>of</strong> darkness<br />

214<br />

causing the pers<strong>on</strong> to realize the wr<strong>on</strong>gdoing and<br />

experience pangs <strong>of</strong> remorse. <str<strong>on</strong>g>The</str<strong>on</strong>g> expressi<strong>on</strong><br />

appears in the Bible in Proverbs 25:22 in the form:<br />

“If thine enemy be hungry, give him bread to eat;<br />

and if be thirsty, give him water to drink: For thou<br />

shalt heap coals <strong>of</strong> fi re up<strong>on</strong> his head, and the<br />

LORD shall reward thee.” <str<strong>on</strong>g>The</str<strong>on</strong>g> same illustrati<strong>on</strong> is<br />

referred to in Romans 12:20: “. . . for in so doing<br />

thou shalt heap coals <strong>of</strong> fi re <strong>on</strong> his head. Be not<br />

overcome <strong>of</strong> evil, but overcome evil with good.”<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>se generous compliments were almost more than she<br />

could bear, each new expressi<strong>on</strong> <strong>of</strong> admirati<strong>on</strong> heaping<br />

further coals <strong>of</strong> fi re up<strong>on</strong> her head.<br />

heart <strong>of</strong> darkness <str<strong>on</strong>g>The</str<strong>on</strong>g> remotest depths <strong>of</strong> something,<br />

typically a place <strong>of</strong> death, horror, and<br />

depravity. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the short novel Heart<br />

<strong>of</strong> Darkness (1902) by Joseph C<strong>on</strong>rad (1857–<br />

1924), which c<strong>on</strong>cerns a nightmarish journey<br />

made into the deepest jungles <strong>of</strong> the C<strong>on</strong>go by a<br />

man named Marlow in a bid to rescue a mysterious<br />

ailing ivory trader known as Mr. Kurtz, whom<br />

he eventually locates surrounded by horror and<br />

violence. <str<strong>on</strong>g>The</str<strong>on</strong>g> novel later provided the basis for the<br />

1979 fi lm Apocalypse Now. I have looked into the heart<br />

<strong>of</strong> darkness that is the c<strong>on</strong>temporary medical establishment,<br />

and I do not like what I found there. See also<br />

horror, the horror!, the.<br />

hearts and fl owers Sentimentality. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong><br />

is to a heart- jerking tune <strong>of</strong> the same title written<br />

by Mary C. Brine in 1891, which was subsequently<br />

much used by pianists as an accompaniment for<br />

silent movies <strong>of</strong> the early 20th century. She loved<br />

the show, but her husband hated it and said it was all<br />

hearts and fl owers.<br />

Heathcliff (heethklif ) Archetype <strong>of</strong> a brooding,<br />

passi<strong>on</strong>ate romantic hero. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the<br />

fi cti<strong>on</strong>al Heathcliff in Emily Br<strong>on</strong>të’s novel<br />

wuthering heights (1847), an unruly orphan<br />

whose obsessive love for the haughty Cathy Earnshaw<br />

ends in tragedy for all c<strong>on</strong>cerned. In modern<br />

usage, comparis<strong>on</strong>s to the fi cti<strong>on</strong>al Heathcliff and<br />

his unrealistic romantic ambiti<strong>on</strong>s are <strong>of</strong>ten disparaging<br />

in t<strong>on</strong>e. <str<strong>on</strong>g>The</str<strong>on</strong>g>y may, however, also be<br />

prompt ed by no more than a fancied physical resemblance<br />

to Emily Br<strong>on</strong>të’s dark-complexi<strong>on</strong>ed,<br />

wild- haired hero. He stood <strong>on</strong> the edge <strong>of</strong> the cliff and<br />

yelled his defi ance like some demented Heathcliff.<br />

Heath Robins<strong>on</strong> (heeth robinsbn) Cobbled<br />

together in a makeshift, unnecessarily complicated<br />

fashi<strong>on</strong>. <str<strong>on</strong>g>The</str<strong>on</strong>g> reference is to the British carto<strong>on</strong>ist<br />

William Heath Robins<strong>on</strong> (1872–1944) who was<br />

well known for his humorous pictures <strong>of</strong> absurd,<br />

intricate machines designed to carry out the simplest<br />

<strong>of</strong> tasks. “Ir<strong>on</strong>ically this Heath Robins<strong>on</strong><br />

make- do also ended up c<strong>on</strong>tributing to the Dalek<br />

myth” (J. Bentham, Doctor Who: <str<strong>on</strong>g>The</str<strong>on</strong>g> Early Years,<br />

1986).<br />

heaven <str<strong>on</strong>g>The</str<strong>on</strong>g> Christian paradise; any ideal place<br />

or situati<strong>on</strong>. <str<strong>on</strong>g>The</str<strong>on</strong>g> biblical heaven is depicted as the<br />

thr<strong>on</strong>e <strong>of</strong> God, accompanied by hosts <strong>of</strong> angels (as<br />

in Isaiah 6:1 and Revelati<strong>on</strong> 4:1–11). <str<strong>on</strong>g>The</str<strong>on</strong>g> term is<br />

also used more widely to refer to the sky above or<br />

to the night sky with its stars and planets. “<str<strong>on</strong>g>The</str<strong>on</strong>g><br />

Brahmin legends assert that this city is built <strong>on</strong> the<br />

site <strong>of</strong> the ancient Casi, which, like Mahomet’s<br />

tomb, was <strong>on</strong>ce suspended between heaven and<br />

earth” (Jules Verne, Around the World in Eighty<br />

Days, 1873).<br />

heaven’s gate A place or situati<strong>on</strong> in which a<br />

pers<strong>on</strong> faces the possibility <strong>of</strong> imminent death.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> phrase alludes to the story <strong>of</strong> Jacob, who <strong>on</strong><br />

waking from his dream about a ladder ascending

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