The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
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a martyr’s end gladly. He did not want to make<br />
a <str<strong>on</strong>g>The</str<strong>on</strong>g>rmopylae, not be Horatius at any bridge,<br />
nor be the Dutch boy with his fi nger in that<br />
dyke” (Ernest Hemingway, For Whom the Bell Tolls,<br />
1941).<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g>rsites (thersiteez) Archetype <strong>of</strong> an impudent,<br />
foul- t<strong>on</strong>gued critic, especially <strong>on</strong>e who criticizes<br />
every<strong>on</strong>e and everything. <str<strong>on</strong>g>The</str<strong>on</strong>g>rsites was a troublemaking<br />
deformed Greek warrior who was killed<br />
by a blow from Achilles during the Trojan War<br />
after daring to mock him for Achilles’ grief over<br />
the death <strong>of</strong> his friend Penthesilea. “And fi rst, it<br />
may be said, there is a pelting kind <strong>of</strong> thersitical<br />
satire, as black as the very ink ’tis wrote with . . .”<br />
(Laurence Sterne, Tristram Shandy, 1759).<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g>seus (theeseebs) Archetype <strong>of</strong> a mythological<br />
hero and adventurer. <str<strong>on</strong>g>The</str<strong>on</strong>g>seus was the s<strong>on</strong> <strong>of</strong><br />
Aegeus, the king <strong>of</strong> Athens, and the central fi gure<br />
in a series <strong>of</strong> legendary encounters. <str<strong>on</strong>g>The</str<strong>on</strong>g>se episodes<br />
included the slaying <strong>of</strong> the Minotaur, the<br />
c<strong>on</strong>quest <strong>of</strong> the Amaz<strong>on</strong>s, taking part in the Calyd<strong>on</strong>ian<br />
hunt, and seeking the Golden Fleece. ‘ “I<br />
will tell you what, Mistress Mary—it will be<br />
rather harder work to learn surveying and drawing<br />
plans than it would have been to write serm<strong>on</strong>s,’<br />
he had said, wishing her to appreciate<br />
what he went through for her sake; ‘and as to<br />
Hercules and <str<strong>on</strong>g>The</str<strong>on</strong>g>seus, they were nothing to me.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g>y had sport, and never learned to write a<br />
bookkeeping hand’ ” (George Eliot, Middlemarch,<br />
1871–72).<br />
thespian (thespeebn) An actor. <str<strong>on</strong>g>The</str<strong>on</strong>g> word was<br />
originally coined in tribute to the Greek poet <str<strong>on</strong>g>The</str<strong>on</strong>g>spis,<br />
who is traditi<strong>on</strong>ally credited with having been<br />
the found er <strong>of</strong> Greek tragic drama in the late sixth<br />
century b.c. With great success <str<strong>on</strong>g>The</str<strong>on</strong>g>spis introduced<br />
they also serve<br />
the actor in the guise <strong>of</strong> a fi gure from history or<br />
legend as an alternative to the c<strong>on</strong>venti<strong>on</strong> <strong>of</strong> the<br />
chorus narrating the acti<strong>on</strong>. As an adjective thespian<br />
is applied to anything <strong>of</strong> or relating to the theater as<br />
a whole. “Vergil Gunch thundered, ‘When we manage<br />
to grab this celebrated <str<strong>on</strong>g>The</str<strong>on</strong>g>spian <strong>of</strong>f his lovely<br />
aggregati<strong>on</strong> <strong>of</strong> beautiful actresses—and I got to<br />
admit I butted right into his dressing- room and<br />
told him how the Boosters appreciated the highclass<br />
artistic per for mance he’s giving us.’ ” (Sinclair<br />
Lewis, Babbitt, 1922).<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g>stylis (thestilis) A rustic maiden. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong><br />
is to the young female slave called <str<strong>on</strong>g>The</str<strong>on</strong>g>stylis<br />
who appears in the Idylls <strong>of</strong> the Greek pastoral<br />
poet <str<strong>on</strong>g>The</str<strong>on</strong>g>ocritus (c. 310–250 b.c.). He was immediately<br />
captivated by this <str<strong>on</strong>g>The</str<strong>on</strong>g>stylis and her beautiful voice<br />
and within a m<strong>on</strong>th had written a dozen magnifi cent<br />
poems in her h<strong>on</strong>or.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g>tis’s hair st<strong>on</strong>e (theetis) Rock crystal c<strong>on</strong>taining<br />
hairlike fi laments. It is also called Venus’s<br />
hair st<strong>on</strong>e. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to <str<strong>on</strong>g>The</str<strong>on</strong>g>tis, the leader <strong>of</strong><br />
the sea nymphs known as the nereids in Greek<br />
mythology and remembered as the mother <strong>of</strong><br />
Achilles. Instead <strong>of</strong> leaving, the little girl reached into<br />
her bag and handed him a crystal lump <strong>of</strong> the type some<br />
people call <str<strong>on</strong>g>The</str<strong>on</strong>g>tis’s hair st<strong>on</strong>e.<br />
they also serve <str<strong>on</strong>g>The</str<strong>on</strong>g> c<strong>on</strong>tributi<strong>on</strong> <strong>of</strong> people<br />
behind the scenes is also valuable, though not<br />
always acknowledged. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to a quotati<strong>on</strong><br />
from the poem “On His Blindness” by the<br />
En glish poet John Milt<strong>on</strong> (1608–74): “<str<strong>on</strong>g>The</str<strong>on</strong>g>y also<br />
serve who <strong>on</strong>ly stand and wait.” It is variously<br />
encountered both in its full form and in the abbreviated<br />
“they also serve.” It may not be the most glamorous<br />
<strong>of</strong> occupati<strong>on</strong>s, but they also serve who <strong>on</strong>ly stand<br />
and wait.<br />
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