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The Facts on File Dictionary of Allusions - Green Valley High School

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c’est la guerre<br />

86<br />

operati<strong>on</strong> given the limited knowledge <strong>of</strong> medical<br />

practiti<strong>on</strong>ers <strong>of</strong> the day, and the word, instead,<br />

may come simply from caesus, past participle <strong>of</strong><br />

the Latin caedere (meaning “to cut”). <str<strong>on</strong>g>The</str<strong>on</strong>g> cesarean<br />

secti<strong>on</strong> left a l<strong>on</strong>g vivid scar that did not fade with<br />

time.<br />

c’est la guerre (say la gair) Such things must be<br />

expected in these par tic u lar circumstances. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

allusi<strong>on</strong> is to World War I, when the phrase<br />

(meaning “it is the war” or “that’s war”) was<br />

widely quoted am<strong>on</strong>g members <strong>of</strong> the French<br />

military and civilian establishments, who were<br />

increasingly inclined to blame any misfortune<br />

up<strong>on</strong> the war. It was similarly used by British<br />

soldiers fi ghting in France during World War I,<br />

and later during World War II, and has since been<br />

employed throughout the En glish- speaking world<br />

as an excuse for (or as a general expressi<strong>on</strong> <strong>of</strong><br />

resignati<strong>on</strong> in the face <strong>of</strong>) any setback or disappointment<br />

caused by prevailing circumstances.<br />

“C’est la guerre,” he said with a shrug <strong>of</strong> the shoulders.<br />

“You must expect prices to rise when supplies are so<br />

scarce.”<br />

c’est magnifi que, mais ce n’est pas la guerre (say<br />

manifeek may sb nay pa la gair) It is a grand but<br />

futile or misdirected gesture. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase (meaning<br />

“it is magnifi cent, but it is not war”) was fi rst<br />

uttered by the French general Pierre Bosquet in<br />

reference to the dashing but disastrous charge<br />

<strong>of</strong> the light brigade at the Battle <strong>of</strong> Balaclava<br />

<strong>on</strong> October 25, 1854. “Another leading pacifi st,<br />

Cyril Joad, put the same point more succinctly:<br />

‘Ce n’est pas magnifi que, mais ce n’est pas la<br />

guerre’ ” ( James Hint<strong>on</strong>, Protests and Visi<strong>on</strong>s,<br />

1989).<br />

cestus See aphrodite.<br />

chain reacti<strong>on</strong> A series <strong>of</strong> changes set in moti<strong>on</strong><br />

by a single event. <str<strong>on</strong>g>The</str<strong>on</strong>g> term was fi rst used to<br />

describe chemical or nuclear reacti<strong>on</strong>s around the<br />

1930s, but since the 1970s has come to be applied<br />

in a much wider range <strong>of</strong> c<strong>on</strong>texts. This move led to<br />

a chain reacti<strong>on</strong> that resulted in hundreds <strong>of</strong> employees<br />

changing their job descripti<strong>on</strong>s.<br />

Chamber <strong>of</strong> Horrors A place full <strong>of</strong> horror or<br />

unpleasantness, or what is found there. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong><br />

is to the Chamber <strong>of</strong> Horrors, the most pop ular<br />

part <strong>of</strong> the Madame Tussaud’s waxworks<br />

exhibiti<strong>on</strong> in L<strong>on</strong>d<strong>on</strong>, where wax fi gures <strong>of</strong> notorious<br />

murderers, torturers, etc., are displayed.<br />

“About a week after he had taken the stable, a<br />

Land Rover swept round the drive at high speed<br />

and disgorged its chamber <strong>of</strong> horrors—his family”<br />

(Jean Bow, Jane’s Journey, 1991).<br />

Chan, Charlie See charlie chan.<br />

Chandleresque (chandlbresk) In a manner reminiscent<br />

<strong>of</strong> the detective thriller novels <strong>of</strong> Raym<strong>on</strong>d<br />

Chandler (1888–1959). Chandler’s stories,<br />

many <strong>of</strong> which were subsequently made into<br />

successful Hollywood movies, have a dark,<br />

brooding atmosphere and even the heroes are<br />

cynical about the corrupt and violent world they<br />

inhabit. Stylistically, the term suggests a bleak,<br />

realistic t<strong>on</strong>e interspersed with unexpectedly<br />

lyrical and even poetic images and turns <strong>of</strong><br />

phrase, <strong>of</strong>ten inspired by the argot <strong>of</strong> the street.<br />

He hailed from a Chandleresque background <strong>of</strong> slum<br />

tenements and sinister back alleys. See also philip<br />

marlowe.<br />

Chaney, L<strong>on</strong> See l<strong>on</strong> chaney.<br />

Chang and Eng See siamese twins.

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