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The Facts on File Dictionary of Allusions - Green Valley High School

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Christopher Columbus (1451–1506), a native <strong>of</strong><br />

Genoa, is generally identifi ed as the discoverer <strong>of</strong><br />

the American c<strong>on</strong>tinent (although the Vikings may<br />

have got there centuries earlier), setting foot <strong>on</strong><br />

the Bahamas in 1492 in the course <strong>of</strong> a voyage paid<br />

for by Ferdinand and Isabella <strong>of</strong> Spain. NASA has<br />

assumed the mantle <strong>of</strong> the modern world’s Columbus.<br />

come, let us reas<strong>on</strong> together An appeal to some<strong>on</strong>e<br />

to come to terms, especially some<strong>on</strong>e who<br />

might otherwise be c<strong>on</strong>sidered bey<strong>on</strong>d salvati<strong>on</strong>.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> phrase is a quotati<strong>on</strong> from Isaiah 1:18: “Come<br />

now, and let us reas<strong>on</strong> together, saith the LORD:<br />

though your sins be as scarlet, they shall be as<br />

white as snow; though they be red like crims<strong>on</strong>,<br />

they shall be as wool.” Management has made friendly<br />

overtures to the uni<strong>on</strong>, clearly believing that a “come, let<br />

us reas<strong>on</strong> together” approach will do them more good in<br />

the l<strong>on</strong>g run than being belligerent.<br />

comédie humaine (komaydee yoomen) <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

human c<strong>on</strong>diti<strong>on</strong>. Employed in its original French<br />

form (meaning “human comedy”), the expressi<strong>on</strong><br />

was applied by the French novelist H<strong>on</strong>oré de Balzac<br />

(1799–1850) to his epic series <strong>of</strong> 90 novels,<br />

which encompassed the whole breadth <strong>of</strong> human<br />

society as he perceived it in the fi rst half <strong>of</strong> the<br />

19th century. Scenes like this are shocking and unexpected,<br />

but such is the extraordinary and unpredictable<br />

nature <strong>of</strong> the comédie humaine.<br />

come in from the cold To return from a state <strong>of</strong><br />

exile, isolati<strong>on</strong>, or peril far from safety. <str<strong>on</strong>g>The</str<strong>on</strong>g><br />

expressi<strong>on</strong> has been especially associated with<br />

the world <strong>of</strong> espi<strong>on</strong>age since the publicati<strong>on</strong> <strong>of</strong> the<br />

cold war spy thriller <str<strong>on</strong>g>The</str<strong>on</strong>g> Spy Who Came in from<br />

the Cold by John Le Carré in 1963, which related<br />

the events surrounding the return <strong>of</strong> a British agent<br />

from East Germany. “Said his friend- cum- mentor,<br />

Irving Layt<strong>on</strong>, in looking back over the period, ‘I<br />

had a very sharp feeling in the early fi fties that<br />

poetry in Canada had come in from the cold and<br />

was starting to gain momentum’ ” (Loranne S.<br />

Dorman and Clive L. Rawlins, Le<strong>on</strong>ard Cohen:<br />

Prophet <strong>of</strong> the Heart, 1990).<br />

comforter, Job’s See job’s comforter.<br />

C<strong>on</strong>an the Barbarian<br />

comin’ in <strong>on</strong> a wing and a prayer Narrowly succeeding<br />

in making it back to safety. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is<br />

to a s<strong>on</strong>g written by Harold Adams<strong>on</strong> and Jimmy<br />

McHugh in 1943, during World War II, about a<br />

pi lot struggling to land a badly damaged plane:<br />

“Tho’ there’s <strong>on</strong>e motor g<strong>on</strong>e, we can still carry<br />

<strong>on</strong> / Comin’ in <strong>on</strong> a wing and a pray’r.” With their<br />

best player injured, the team is comin’ in <strong>on</strong> a wing and<br />

a prayer.<br />

Comstockery (komstokbree) Censorship <strong>of</strong> literature<br />

and the arts. <str<strong>on</strong>g>The</str<strong>on</strong>g> word was inspired by the<br />

campaigning efforts <strong>of</strong> Anth<strong>on</strong>y Comstock (1844–<br />

1915) to oppose obscenity in the arts and in the<br />

wider community in his role as secretary <strong>of</strong> the<br />

New York Society for the Suppressi<strong>on</strong> <strong>of</strong> Vice, a<br />

positi<strong>on</strong> he occupied for 42 years. Am<strong>on</strong>g his targets<br />

in the literary world were the works <strong>of</strong><br />

George Bernard Shaw, who resp<strong>on</strong>ded in 1905 by<br />

coining the word “Comstockery.” This proposed new<br />

law against the distributi<strong>on</strong> <strong>of</strong> mildly pornographic<br />

advertising smacks <strong>of</strong> Comstockery.<br />

C<strong>on</strong>an the Barbarian (k<strong>on</strong>bn) Archetype <strong>of</strong> a<br />

muscle- bound, unsophisticated warrior- hero <strong>of</strong><br />

limited intelligence. He made his fi rst appearance<br />

in the 1930s in short stories written by Robert E.<br />

Howard for Weird Tales magazine and later became<br />

a pop u lar comic- strip hero. He was brought to the<br />

big screen in the movies C<strong>on</strong>an the Barbarian (1982)<br />

101

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