The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
The Facts on File Dictionary of Allusions - Green Valley High School
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oom to swing a cat<br />
406<br />
a Room 101 at L<strong>on</strong>d<strong>on</strong>’s Broadcasting House as an<br />
employee <strong>of</strong> the BBC, hence his choice <strong>of</strong> the number<br />
for his own infamous room. Bearing in mind the<br />
team’s dismal run <strong>of</strong> results so far this seas<strong>on</strong>, their stadium<br />
has become a Room 101 for their fans. See also big<br />
brother.<br />
room to swing a cat Adequate space. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong><br />
is to nautical jarg<strong>on</strong> and the use <strong>of</strong> the cat o’ nine<br />
tails (a whip with nine lashes) to punish sailors who<br />
were guilty <strong>of</strong> breaking naval rules. Space between<br />
decks <strong>on</strong> sailing ships was obviously restricted, and<br />
a certain amount <strong>of</strong> room was needed to administer<br />
the punishment effectively. <str<strong>on</strong>g>The</str<strong>on</strong>g> phrase is comm<strong>on</strong>ly<br />
used in the negative to describe a cramped<br />
space, as in “no room to swing a cat.” <str<strong>on</strong>g>The</str<strong>on</strong>g>y called it a<br />
spare bedroom but there wasn’t room to swing a cat.<br />
root <strong>of</strong> all evil See m<strong>on</strong>ey is the root <strong>of</strong> all<br />
evil.<br />
Rosa Parks (rozb) A committed campaigner<br />
against racism. Rosa Parks (1913–2005) was a<br />
black woman who, <strong>on</strong> December 1, 1956, in M<strong>on</strong>tgomery,<br />
Alabama, defi ed the state’s race laws by<br />
refusing to vacate the seat she had taken in the<br />
white- <strong>on</strong>ly secti<strong>on</strong> <strong>of</strong> a bus, thus triggering the<br />
M<strong>on</strong>tgomery bus boycott and rallying oppositi<strong>on</strong><br />
to racial segregati<strong>on</strong>. For her act <strong>of</strong> defi ance, Rosa<br />
Parks came to be c<strong>on</strong>sidered the mother <strong>of</strong> the<br />
modern civil rights movement. <str<strong>on</strong>g>The</str<strong>on</strong>g> old woman<br />
looked set to become South Africa’s Rosa Parks.<br />
Roscius (roshbs) An outstanding actor. This<br />
epithet alludes to Quintus Roscius Gallus (c. 126–<br />
62 b.c.), who was a celebrated comic actor <strong>on</strong> the<br />
Roman stage and a friend <strong>of</strong> Cicero. Likewise, the<br />
adjective Roscian describes a theatrical per formance<br />
<strong>of</strong> great skill. Am<strong>on</strong>g later performers<br />
compared with Roscius were Shakespeare’s c<strong>on</strong>temporary<br />
Richard Burbage (c. 1567–1619), who<br />
was described as “another Roscius”; Thomas Bettert<strong>on</strong><br />
(1635–1710), who was known as the “British<br />
Roscius”; and William Betty (1791–1874),<br />
who was called the “Young Roscius.” “<str<strong>on</strong>g>The</str<strong>on</strong>g> celebrated<br />
provincial amateur <strong>of</strong> Roscian renown”<br />
(Charles Dickens, Great Expectati<strong>on</strong>s, 1860).<br />
Rosebud Something that serves to remind a pers<strong>on</strong><br />
vividly <strong>of</strong> their youth, or <strong>of</strong> their unrealized<br />
dreams. <str<strong>on</strong>g>The</str<strong>on</strong>g> allusi<strong>on</strong> is to the classic 1941 movie<br />
citizen kane, in which “Rosebud” is the mysterious<br />
fi nal utterance <strong>of</strong> the dying tyco<strong>on</strong>, played by<br />
Ors<strong>on</strong> Welles. Every<strong>on</strong>e w<strong>on</strong>ders what it could<br />
have meant, and it is <strong>on</strong>ly the fi nal shot <strong>of</strong> a child’s<br />
sled labeled “Rosebud” that reveals that the dead<br />
man was thinking back to his early childhood. This<br />
child’s toy was his Rosebud, the key to a thousand distant<br />
happy memories.<br />
rose <strong>of</strong> Shar<strong>on</strong> (sharbn) An unidentifi ed fl ower<br />
whose beauty is variously taken to represent love<br />
or loveliness, especially as a descripti<strong>on</strong> <strong>of</strong> Jesus<br />
Christ. <str<strong>on</strong>g>The</str<strong>on</strong>g> image <strong>of</strong> the rose <strong>of</strong> Shar<strong>on</strong> occurs in<br />
the biblical S<strong>on</strong>g <strong>of</strong> Solom<strong>on</strong> 2:1–2, in which it is<br />
put into the mouth <strong>of</strong> the bride: “I am the rose <strong>of</strong><br />
Shar<strong>on</strong>, and the lily <strong>of</strong> the valleys.” <str<strong>on</strong>g>The</str<strong>on</strong>g> fl ower in<br />
questi<strong>on</strong> has been tentatively identifi ed as the<br />
autumn crocus, asphodel, or narcissus, which fl ourished<br />
<strong>on</strong> the plain <strong>of</strong> Shar<strong>on</strong>, a fertile area <strong>on</strong> the<br />
coast <strong>of</strong> ancient Palestine. “ ‘<str<strong>on</strong>g>The</str<strong>on</strong>g> Rose <strong>of</strong> Shar<strong>on</strong> and<br />
the Lily <strong>of</strong> the <strong>Valley</strong>,’—answered the Prior, in a<br />
sort <strong>of</strong> snuffl ing t<strong>on</strong>e; ‘but your Grace must<br />
remember she is still but a Jewess’ ” (Sir Walter<br />
Scott, Ivanhoe, 1819).<br />
Rosetta st<strong>on</strong>e (rozetb) <str<strong>on</strong>g>The</str<strong>on</strong>g> key to unraveling a<br />
code or mystery <strong>of</strong> some kind. <str<strong>on</strong>g>The</str<strong>on</strong>g> Rosetta St<strong>on</strong>e