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White as <strong>the</strong> dropping <strong>of</strong> snow.<br />
They ain’t got God in <strong>the</strong>ir heart.<br />
To hell <strong>the</strong>y sho’ must go. 30<br />
The song is more than simply a Christian hymn mixed in with some<br />
criticisms <strong>of</strong> white people. It is a longing for home, which if we listen to<br />
many songs in <strong>the</strong> Black gospel tradition, <strong>the</strong> singers aren’t just referring to<br />
returning to heaven. They are also imagining a return to <strong>the</strong> home <strong>of</strong> <strong>the</strong>ir<br />
ancestors, as Aretha Franklin suggests in “Going Down Slow,” recorded<br />
during her Atlantic Records days. Hamer’s mo<strong>the</strong>r refers to “land on <strong>the</strong><br />
shore.” What exactly did she mean? It was not simply heaven. It was an<br />
imaginary notion <strong>of</strong> returning home, to exist as Black people—to be free<br />
and sovereign, away from white people. The depths <strong>of</strong> anti-Black racism in<br />
<strong>the</strong> US, coupled with <strong>the</strong> capitalist system’s exploitation, tells us all we<br />
need to know about how much whiteness has negatively impacted Black<br />
folks, including Hamer. In this regard, it is no wonder that Hamer became<br />
so politicized at an early age. She desired to know why she could not<br />
simply be, and also wanted more for herself, family, and community.<br />
Politicized from an early age, she ascended as a key figure in <strong>the</strong> civil<br />
rights movement after being fired for trying to register to vote. She turned<br />
that experience into working with <strong>the</strong> young Black and white students from<br />
<strong>the</strong> North who wanted to help Black people get <strong>the</strong> right to vote. More than<br />
being a matter <strong>of</strong> simply getting <strong>the</strong> vote, <strong>the</strong>ir actions were a direct<br />
challenge to white supremacist rule in <strong>the</strong> South. In this way, <strong>the</strong>y were<br />
doing a radical act—one that got many people murdered.<br />
Fannie Lou Hamer is considered a foundational figure in understanding<br />
participatory democracy in <strong>the</strong> US South during <strong>the</strong> 1960s. Participatory<br />
democracy is different from representative democracy, which is what we<br />
have in <strong>the</strong> US. In <strong>the</strong>ory, it is <strong>the</strong> idea that everyone can participate in <strong>the</strong><br />
democratic functions <strong>of</strong> society, and on this basis, everyone is equal. It is<br />
expressed in a term <strong>the</strong>y used to say in <strong>the</strong> 1960s: “people power.” While<br />
<strong>the</strong> A<strong>the</strong>nians and Romans implemented participatory democracy in some<br />
capacity (<strong>the</strong>y excluded women and slaves), Black activists like Hamer<br />
tried to use it as a means for Black people to rid <strong>the</strong>mselves <strong>of</strong> white terror<br />
and exclusion from basic rights such as voting. She understood everyday<br />
people, how to organize and work with <strong>the</strong>m, and helped train and educate<br />
Nor<strong>the</strong>rn whites and Blacks who came down to help get Black people