09.06.2022 Views

An Afro-Indigenous History of the United States

by Kyle T. Mays

by Kyle T. Mays

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White people are fragile. Their ego, built on <strong>the</strong> foundations <strong>of</strong> white<br />

supremacy, which allows <strong>the</strong>m to automatically claim a type <strong>of</strong> personal<br />

innocence divorced from history and structures, can’t even handle being<br />

called racist. The roots <strong>of</strong> antiblackness and anti-<strong>Indigenous</strong> sentiments<br />

predate <strong>the</strong> establishment <strong>of</strong> what would become <strong>the</strong> <strong>United</strong> <strong>States</strong>.<br />

However, <strong>the</strong>y were codified in some <strong>of</strong> <strong>the</strong> sacrosanct documents <strong>of</strong> <strong>the</strong><br />

US, including <strong>the</strong> Federalist Papers.<br />

In addition to covering <strong>the</strong> early political <strong>the</strong>ory <strong>of</strong> US democracy, <strong>the</strong><br />

Federalist Papers also tell us a great deal about how <strong>the</strong> founding fa<strong>the</strong>rs<br />

viewed <strong>the</strong>ir own political <strong>the</strong>ory and sovereignty, in direct relationship and<br />

contrast to <strong>Indigenous</strong> peoples. The Federalist Papers are eighty-five<br />

essays written by Alexander Hamilton, John Jay, and James Madison.<br />

Speaking <strong>of</strong> Hamilton, are we done celebrating some slave owners rapping<br />

on Broadway? I appreciate <strong>the</strong> artistic genius <strong>of</strong> <strong>the</strong> Lin-Manuel Miranda<br />

show Hamilton, but as with any artistic form, once it’s in <strong>the</strong> public sphere,<br />

it can easily be celebrated outside <strong>of</strong> <strong>the</strong> author’s intent. Maybe Miranda did<br />

not intend <strong>the</strong> play to be a liberal, uncritical view <strong>of</strong> history, but that is one<br />

consequence <strong>of</strong> being so widely celebrated. Also, Hamilton was a slave<br />

owner. As an alternative to Hamilton, I would highly recommend <strong>the</strong><br />

Ishmael Reed play The Haunting <strong>of</strong> Lin-Manuel Miranda, directed by<br />

Rome Neal. 7<br />

Written to help ratify <strong>the</strong> Constitution, <strong>the</strong> Federalist Papers can be<br />

found on <strong>the</strong> US Congress website, which makes it easy to perform a<br />

targeted text search. Searching for <strong>the</strong> word “Indian” reveals that it was<br />

used thirteen times in <strong>the</strong> Federalist Papers. Hamilton uses <strong>the</strong> term<br />

“savage” only once, in Federalist No. 24, titled, “The Powers Necessary to<br />

<strong>the</strong> Common Defense Fur<strong>the</strong>r Considered.” The words “Indian” and<br />

“savage” are used in <strong>the</strong> contexts <strong>of</strong> defense and issues <strong>of</strong> sovereignty. As<br />

Hamilton notes, gaining land and maintaining a military to protect that land<br />

was essential for <strong>the</strong> developing nation’s security against possible<br />

<strong>Indigenous</strong> attacks. Although concerned with Britain and Spain, he notes,<br />

“<strong>the</strong> savage tribes on our Western frontier ought to be regarded as our<br />

natural enemies, <strong>the</strong>ir natural allies, because <strong>the</strong>y have <strong>the</strong> most to fear from<br />

us, and most to hope from <strong>the</strong>m.” 8<br />

The use <strong>of</strong> <strong>the</strong> terms “Indian” and “savage” in <strong>the</strong> Federalist Papers<br />

demonstrates two things. First, it represents <strong>the</strong> necessity to create a<br />

political o<strong>the</strong>r to feed into <strong>the</strong> need for dispossession. Second, it reveals that

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