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“Indian,” and some Native people on <strong>the</strong> rez do, <strong>Indigenous</strong> artists,<br />
intellectuals, and millennials and Generation Zers are less likely to use it. In<br />
this way, <strong>the</strong> use <strong>of</strong> <strong>the</strong> term “NdN” is a reclaiming <strong>of</strong> sorts, semantically<br />
inverting <strong>the</strong> meaning <strong>of</strong> a term to something that <strong>Indigenous</strong> millennials<br />
and Generation Zers identify with. So, my non-NdN peers, outside <strong>of</strong> a<br />
context in which <strong>the</strong>y are quoting something, don’t get used to using it<br />
without expecting some form <strong>of</strong> critique.<br />
Before defining NdN popular culture, I want to define popular culture.<br />
Popular culture is <strong>the</strong> culture created by marginalized groups. They make<br />
meaning <strong>of</strong> and produce ideas about <strong>the</strong>ir everyday lives through popular<br />
cultural mediums such as music, visual art, and o<strong>the</strong>r forms <strong>of</strong> artistic,<br />
humanist expression. Although everyday people produce popular culture, it<br />
is not divorced from <strong>the</strong> larger structures <strong>of</strong> oppression and systems <strong>of</strong><br />
power that subjugate <strong>the</strong>m. 9 Popular culture for <strong>Indigenous</strong> people is<br />
produced within settler capitalist society. Therefore, whatever <strong>the</strong>y produce<br />
has to be understood in that real-world context. Native people produce<br />
popular culture out <strong>of</strong> <strong>the</strong>ir experience and relationship to <strong>the</strong> larger white<br />
settler population, and within a society that values Black popular culture for<br />
consumption but not Black lives.<br />
So, what is NdN popular culture? It is <strong>the</strong> use and remix <strong>of</strong> <strong>Indigenous</strong><br />
cultures and languages, <strong>of</strong>ten blending with o<strong>the</strong>r cultures, especially Black<br />
American culture and language, and making it one’s own. These remixes<br />
show up in <strong>the</strong> form <strong>of</strong> <strong>Indigenous</strong> aes<strong>the</strong>tics and art, writing, social media<br />
and memes, and o<strong>the</strong>r cultural expressions that attempt to challenge,<br />
critique, and disrupt settler ideas <strong>of</strong> how <strong>Indigenous</strong> peoples are supposed<br />
to act, think, and be in <strong>the</strong> world.<br />
NdN popular culture is not <strong>the</strong> idea that some have in <strong>the</strong>ir head as to<br />
how <strong>Indigenous</strong> people are supposed to be in <strong>the</strong> white imagination. It<br />
consists <strong>of</strong> <strong>Indigenous</strong> people asserting <strong>the</strong>ir presence in <strong>the</strong> world in<br />
recognizable and subtle ways. NdN popular culture is similarly not just a<br />
response to whiteness. Michael Eric Dyson’s thoughts on Black culture<br />
reflect a phenomenon parallel to NdN popular culture. As Dyson notes in<br />
his book Reflecting Black,<br />
Black culture is not simply formed in <strong>the</strong> response to forces <strong>of</strong><br />
oppression. Its purposes do not easily reduce to resisting racism.<br />
Although black cultural creativity and agency are pr<strong>of</strong>oundly