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Some Black folks was trippin’! Why did <strong>the</strong>y cast a Black British<br />
woman? Some argued that it would have been more appropriate to choose a<br />
Black American because, I suppose, <strong>the</strong>y would be able to act <strong>the</strong> part<br />
better? Is it because <strong>of</strong> <strong>the</strong>ir post-traumatic slave syndrome? I don’t know<br />
about Erivo’s history, but something tells me her ancestors didn’t come on<br />
Christopher Columbus’s boats.<br />
The o<strong>the</strong>r reason Black American folks didn’t want her to play <strong>the</strong> part<br />
was because <strong>of</strong> some tweets she put out in <strong>the</strong>se Twitter streets years ago. In<br />
<strong>the</strong>m, she allegedly disrespected Black English. I find any disrespect <strong>of</strong><br />
Black English <strong>of</strong>fensive. Black Americans have had a strained relationship<br />
to Ebonics, too, however. In 1996, when activists and educators from <strong>the</strong><br />
Oakland Unified School District tried to educate teachers about Ebonics,<br />
and make it a part <strong>of</strong> <strong>the</strong> curriculum as a way for Black students to more<br />
effectively learn so-called standard American English, people—African<br />
Americans—across <strong>the</strong> country were mad. Even civil rights icon Jesse<br />
Jackson and <strong>the</strong> late, literary ancestor-genius Maya <strong>An</strong>gelou stated publicly<br />
that <strong>the</strong> idea <strong>of</strong> Black English being a separate language was absurd. 13 My<br />
major concern, though, is not actually with Black English.<br />
In Harriet, we see Black and <strong>Indigenous</strong> worlds collide; we see <strong>the</strong><br />
history <strong>of</strong> African enslavement and freedom, and a Native person impeding<br />
that freedom. The enslaver <strong>of</strong> Harriet pays a notorious slave catcher money<br />
to assemble a team to track and hunt down Tubman. In <strong>the</strong> scene where <strong>the</strong><br />
slave catchers receive <strong>the</strong>ir orders, <strong>the</strong>re is a Native person who emerges on<br />
<strong>the</strong> screen. In an interview, Focus Features asked Howard, “Are all <strong>the</strong><br />
characters in Harriet written from history?” He responded that most <strong>of</strong> <strong>the</strong><br />
characters are ei<strong>the</strong>r based on real-life people or composites <strong>of</strong> several<br />
people. He fur<strong>the</strong>r commented, “People don’t pay for historical accuracy;<br />
<strong>the</strong>y pay for a good story.” 14 I wonder how and why Howard, and I assume<br />
Lemmons, chose to cast a tribally unidentified Native slave catcher? Where<br />
did <strong>the</strong>y find that history, and how does it improve upon a good story about<br />
Tubman’s role as a conductor on <strong>the</strong> Underground Railroad to freedom?<br />
Some Native people in tribes enslaved Africans; <strong>the</strong>y were slave owners<br />
and slave catchers. Some treaties, like <strong>the</strong> 1823 treaty between <strong>the</strong> Florida<br />
Native nations and <strong>the</strong> US government, explicitly mention that tribes that<br />
capture Africans who escaped <strong>the</strong>ir captivity would be compensated. In<br />
1860, enslaved Africans made up 15 percent <strong>of</strong> <strong>the</strong> Cherokee Nation’s total<br />
population; in <strong>the</strong> Chickasaw Nation, that number was 18 percent; <strong>the</strong>