09.06.2022 Views

An Afro-Indigenous History of the United States

by Kyle T. Mays

by Kyle T. Mays

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Some Black folks was trippin’! Why did <strong>the</strong>y cast a Black British<br />

woman? Some argued that it would have been more appropriate to choose a<br />

Black American because, I suppose, <strong>the</strong>y would be able to act <strong>the</strong> part<br />

better? Is it because <strong>of</strong> <strong>the</strong>ir post-traumatic slave syndrome? I don’t know<br />

about Erivo’s history, but something tells me her ancestors didn’t come on<br />

Christopher Columbus’s boats.<br />

The o<strong>the</strong>r reason Black American folks didn’t want her to play <strong>the</strong> part<br />

was because <strong>of</strong> some tweets she put out in <strong>the</strong>se Twitter streets years ago. In<br />

<strong>the</strong>m, she allegedly disrespected Black English. I find any disrespect <strong>of</strong><br />

Black English <strong>of</strong>fensive. Black Americans have had a strained relationship<br />

to Ebonics, too, however. In 1996, when activists and educators from <strong>the</strong><br />

Oakland Unified School District tried to educate teachers about Ebonics,<br />

and make it a part <strong>of</strong> <strong>the</strong> curriculum as a way for Black students to more<br />

effectively learn so-called standard American English, people—African<br />

Americans—across <strong>the</strong> country were mad. Even civil rights icon Jesse<br />

Jackson and <strong>the</strong> late, literary ancestor-genius Maya <strong>An</strong>gelou stated publicly<br />

that <strong>the</strong> idea <strong>of</strong> Black English being a separate language was absurd. 13 My<br />

major concern, though, is not actually with Black English.<br />

In Harriet, we see Black and <strong>Indigenous</strong> worlds collide; we see <strong>the</strong><br />

history <strong>of</strong> African enslavement and freedom, and a Native person impeding<br />

that freedom. The enslaver <strong>of</strong> Harriet pays a notorious slave catcher money<br />

to assemble a team to track and hunt down Tubman. In <strong>the</strong> scene where <strong>the</strong><br />

slave catchers receive <strong>the</strong>ir orders, <strong>the</strong>re is a Native person who emerges on<br />

<strong>the</strong> screen. In an interview, Focus Features asked Howard, “Are all <strong>the</strong><br />

characters in Harriet written from history?” He responded that most <strong>of</strong> <strong>the</strong><br />

characters are ei<strong>the</strong>r based on real-life people or composites <strong>of</strong> several<br />

people. He fur<strong>the</strong>r commented, “People don’t pay for historical accuracy;<br />

<strong>the</strong>y pay for a good story.” 14 I wonder how and why Howard, and I assume<br />

Lemmons, chose to cast a tribally unidentified Native slave catcher? Where<br />

did <strong>the</strong>y find that history, and how does it improve upon a good story about<br />

Tubman’s role as a conductor on <strong>the</strong> Underground Railroad to freedom?<br />

Some Native people in tribes enslaved Africans; <strong>the</strong>y were slave owners<br />

and slave catchers. Some treaties, like <strong>the</strong> 1823 treaty between <strong>the</strong> Florida<br />

Native nations and <strong>the</strong> US government, explicitly mention that tribes that<br />

capture Africans who escaped <strong>the</strong>ir captivity would be compensated. In<br />

1860, enslaved Africans made up 15 percent <strong>of</strong> <strong>the</strong> Cherokee Nation’s total<br />

population; in <strong>the</strong> Chickasaw Nation, that number was 18 percent; <strong>the</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!