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GE - Billy Blue Communication Design

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e<br />

Supporting Typography<br />

Signature Typography<br />

Featured<br />

Typography<br />

Supporting Typography<br />

Use a compact signature at the top of each<br />

printed panel.<br />

•Size the capital height (CH) of the signature<br />

typography to equal 1 ⁄4, 1 ⁄3, 1 ⁄2, or 3 ⁄4 the diameter<br />

(D) of the signature Monogram.<br />

For more information on the compact<br />

signature, see document 131, Graphic Signatures,<br />

pages 13 and 14.<br />

For guidelines on the use and specification of<br />

signature typography, see document 131, Graphic<br />

Signatures, pages 31 to 35.<br />

• Other graphic signatures may be used:<br />

- primary signature<br />

- vertical signature<br />

- special signatures (only if required)<br />

Use Univers 68 and 48* for most typography.<br />

• Use Univers 68 for signature typography, except<br />

- when a graphic signature contains both a secondary<br />

word mark and generic product name, use Univers 48<br />

for the generic product name<br />

- as an option, a generic product name or<br />

secondary word mark may be typeset in ITC New<br />

Baskerville Italic or Univers 48<br />

• Use Univers 68 and Univers 48 for featured<br />

typography and supporting typography.<br />

• Use Univers 47 for warranties and instructions.<br />

•Avoid the ITC New Baskerville series unless<br />

high-quality reproduction is used.<br />

•Limit the number of type sizes on a case or carton<br />

and select ones that are distinctly different<br />

from each other. Generally, use no more than<br />

three sizes.<br />

For more information on the use and specification<br />

of the Univers series, see document 133,<br />

Typography, pages 02 and 03.<br />

Shipping Cases & Cartons<br />

Guidelines, continued<br />

<strong>GE</strong> Identity Program 230, Shipping Cases & Cartons <strong>GE</strong> Identity Website: www.ge.com/identity<br />

230.03<br />

Use a layout with a clear left margin determined<br />

by the position of the signature typography.<br />

• Position signature typography to the right of the<br />

signature Monogram, separated by a space equal<br />

to at least 1 ⁄4 the diameter of the signature Monogram.<br />

When space is extremely limited, signature<br />

typography may align with the right edge of the<br />

signature Monogram.<br />

• Align all featured typography, supporting typography,<br />

rules, and bars flush left with the signature<br />

typography. Note: If necessary, illustrations,<br />

bar codes, and bands of color may appear in the<br />

left margin.<br />

• Use a generous left margin to prevent typography<br />

from appearing to be horizontally centered<br />

in the panel.<br />

Use rules outside the graphic signature to<br />

structure and emphasize featured and supporting<br />

typography.<br />

• Use rules either as<br />

- dividers between information<br />

- underlines to emphasize information<br />

• For all rules on the case or carton, use a weight<br />

(thickness) that is either<br />

- the same as the Laser Line in the graphic signature<br />

- distinctly heavier (thicker) than the Laser Line<br />

• Use the space between the signature typography<br />

and the Laser Line as the amount of space<br />

between featured or supporting typography and<br />

rules that function as underlines.<br />

Use bars to structure, differentiate, and emphasize<br />

featured and supporting typography.<br />

• Size bars to be significantly heavier, or thicker,<br />

than rules—at least half the diameter of the<br />

Monogram in depth.<br />

• Begin bars flush at the left margin and bleed at<br />

the right edge and either the top or bottom edge<br />

of a panel. Generally, when a bar is used at the<br />

top of a panel, keep the bottom of the bar above<br />

the top of the signature Monogram.<br />

continued<br />

*In computer typesetting, other names may be used, such as<br />

• for Univers 68, Univers (67) Condensed Bold Oblique<br />

• for Univers 48, Univers (47) Condensed Light Oblique

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