12.12.2012 Views

Who Needs Emotions? The Brain Meets the Robot

Who Needs Emotions? The Brain Meets the Robot

Who Needs Emotions? The Brain Meets the Robot

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

154 brains<br />

processing of invariant aspects of faces (e.g., Kanwisher, McDermott, &<br />

Chun, 1997). By contrast, <strong>the</strong> superior temporal sulcus might be more involved<br />

in processing variable aspects of faces, those that carry emotional<br />

expressions (Hoffman & Haxby, 2000).<br />

Empathy Revisited<br />

<strong>The</strong> ability to recognize biologically significant actions and expressions and<br />

to exploit this information for communication between individuals can<br />

operate at different levels. At <strong>the</strong> beginning of this chapter, arguments were<br />

presented for <strong>the</strong> choice of focusing our attention on recognition of o<strong>the</strong>r<br />

selves at <strong>the</strong> level of embodied selves, as opposed to narrative selves. Yet,<br />

within this limitation, <strong>the</strong>re are still several possibilities for thinking of<br />

o<strong>the</strong>rs’ minds. Following Goldie (1999), we will describe two of those, contagion<br />

and empathy, which can both be interpreted in terms of <strong>the</strong> simulation<br />

of mental states but with different contents.<br />

Actions and emotions are contagious; <strong>the</strong>y can be caught like colds.<br />

Suffering from a contagious emotion transmitted by ano<strong>the</strong>r individual,<br />

however, is not a sufficient condition for understanding this individual’s<br />

mental states: it provides <strong>the</strong> information that <strong>the</strong> person one sees is enacting<br />

a certain type of behavior or experiencing a certain type of emotion, but<br />

it does not tell what <strong>the</strong> action is or what <strong>the</strong> emotion is about. In <strong>the</strong> realm<br />

of action recognition, a concept developed during <strong>the</strong> 19th century, ideomotor<br />

action (Lotze, 1852), seems close to <strong>the</strong> concept of contagion of<br />

emotions. Ideomotor action accounts for <strong>the</strong> familiar observation that people<br />

tend to perform <strong>the</strong> movements <strong>the</strong>y see. This phenomenon is particularly<br />

observed in situations with an emotional content, where <strong>the</strong> observer feels<br />

strongly involved (e.g., watching sports actions). It has been argued that<br />

ideomotor action is a direct mapping of perceived movements onto <strong>the</strong> corresponding<br />

motor output. This possibility may sound familiar to those who<br />

adhere to <strong>the</strong> so-called direct perception–action transformation heralded by<br />

<strong>the</strong> Gibsonian school (see Jeannerod, 1993, for review). It has been used to<br />

explain not only interactions with <strong>the</strong> visual environment (e.g., steering<br />

locomotion, avoiding obstacles, maintaining posture) but also relationships<br />

between selves (Neisser, 1993). In this conception, ideomotor phenomena<br />

could represent a form of compulsive imitation where <strong>the</strong> subject cannot<br />

refrain from reproducing <strong>the</strong> perceived performance. Examples of this sort<br />

are contagious yawning or laughing. This could also be <strong>the</strong> case for resonant<br />

behavior observed in o<strong>the</strong>r species (e.g., wing flapping in bird flocks). True<br />

imitation, by contrast, would have <strong>the</strong> additional property of not being bound

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!