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Who Needs Emotions? The Brain Meets the Robot

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298 robots<br />

pitch, f<br />

o<br />

(kHz)<br />

pitch, f<br />

o<br />

(kHz)<br />

Approval<br />

That’s a good bo-o-y! No no baby.<br />

time (ms)<br />

Attention<br />

Can you<br />

get it?<br />

time (ms)<br />

Can you<br />

get it?<br />

pitch, f<br />

o<br />

(kHz)<br />

pitch, f<br />

o<br />

(kHz)<br />

Prohibition<br />

time (ms)<br />

Comfort<br />

MMMM Oh, honey.<br />

time (ms)<br />

Figure 10.5. Fernald’s prototypical contours for approval, prohibition,<br />

attention, and soothing, which are matched to saliency measures hardwired<br />

into an infant’s auditory processing system (Fernald, 1989). F o, pitch.<br />

Soothing &<br />

Low-Intensity<br />

Neutral<br />

vs.<br />

Everything Else<br />

Soothing<br />

vs.<br />

Low-Intensity Neutral<br />

Approval & Attention<br />

vs.<br />

Prohibition<br />

vs.<br />

High-Intensity Neutral<br />

Soothing<br />

Neutral<br />

Approval<br />

vs.<br />

Attention<br />

Prohibition<br />

Neutral<br />

Approval<br />

Attention<br />

Figure 10.6. <strong>The</strong> spoken affective intent recognizer. Each stage is a miniclassifier<br />

that uses acoustic features identified by Fernald (1989) to recognize<br />

each of <strong>the</strong> four affective intents.

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