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Who Needs Emotions? The Brain Meets the Robot

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motivation/emotion in behavior-based robots 259<br />

a b<br />

c d<br />

Figure 9.5. Three-minute runs of exploration behavior with <strong>the</strong> attachment<br />

object of attachment located at <strong>the</strong> center of <strong>the</strong> circle that defines <strong>the</strong><br />

comfort zone. (a) No attachment behavior. (b) Attachment behavior with<br />

comfort level set at 1.0 (maximum comfort). (c) Comfort level set at 0.0<br />

(neutral comfort). (d) Comfort level set at –1.0 (maximum discomfort).<br />

generating natural behaviors as well as maintaining motivational/emotional<br />

states within <strong>the</strong> robot. Studies of <strong>the</strong> manifestation of emotions in humans<br />

and <strong>the</strong>ir similar occurrence as motivational behavior in animals can provide<br />

support for effective interactivity between a robot and a human (Breazeal,<br />

2002; Dautenhahn & Billard, 1999; Fujita et al., 2001; see also Chapter 10,<br />

Breazeal). By incorporating aspects of emotional and motivational behavior<br />

into a robotic architecture, we and o<strong>the</strong>rs (e.g., Breazeal and Scassellati, 1999)<br />

contend that a greater ability to relate to <strong>the</strong> end-user is provided.<br />

<strong>The</strong> primary robotic system used for this work is Sony’s AIBO, a highly<br />

successful commercial product (Fig. 9.7). A broad range of behaviors is available,<br />

organized into multiple subsystems (Arkin, Fujita, Takagi, & Hasegawa,<br />

2001). <strong>The</strong>ir selection is related to <strong>the</strong> motivational state of <strong>the</strong> robot, maintained<br />

in what is referred to as <strong>the</strong> instinct/emotion (I/E) model. <strong>The</strong> model<br />

of Ekman and Davidson (1994) has been influential in this work and consists<br />

of six basic emotional states: happiness, anger, sadness, fear, surprise,<br />

and disgust (cf. Chapter 5 and Ekman’s dimension as illustrated by Kismet

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