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Witti-Buch2 2001.qxd - Austrian Ludwig Wittgenstein Society

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<strong>Wittgenstein</strong> And Freud<br />

Roberto Rojo<br />

It is not my purpose to analyse <strong>Wittgenstein</strong>'s view and critique of psychoanalysis, but<br />

to show that some of the fundamental ideas of the first and second stages of<br />

<strong>Wittgenstein</strong>'s philosophy are in some way inspired, or, in my opinion, influenced by<br />

significant reflexions about dream found in Die Traumdeutung. I consider this<br />

hypotheses better founded than defending a mere coincidence, for two reasons: a)<br />

<strong>Wittgenstein</strong> knew Freud's book well and b) exactly like Freud, he set up as a model<br />

Galton's photographies, a scientist better known for other achievements.<br />

The fundamental points of contact or freudian influence over <strong>Wittgenstein</strong>'s thought<br />

are, according to my judgement, the following: 1) the idea that constant or logical<br />

relationships do not represent, 2) a critique of isomorphism, 3) a distinction between<br />

latent and manifest content which opens the possibility for the distinction between<br />

surface and deep grammar and 4) the air or family resemblance suggested by Galton's<br />

photographies.<br />

1) The logical relations.<br />

<strong>Wittgenstein</strong> says in his Tractatus Logico-philosophicus, " My fundamental idea is that<br />

the "`logical constants´" are not representatives; that there can be no representatives of<br />

the logical facts" (4.0312). A similar idea is developed amply by Bertrand Russell (An<br />

Inquiry into Meaning and Truth) in reference to "either/or" which has no other<br />

psychological meaning than the feeling of hesitancy, related in practical life to some form<br />

of election. There are no alternative acts, there is no situation in the world expressed by<br />

that disjunction.<br />

In Die Traumdentung, Freud expresses an exactly coincident idea in reference to<br />

dream, because oniric activity cannot express logical relations like "no", or a disjunction<br />

like either/or, nor a contradiction. "Dreams cannot in general express the alternative `or´<br />

(id. VI Die Traumarbeit, 315) It is the subject which introduces in the dream the<br />

alternative meant, using a roundabout way with determinate images or contents in order<br />

to make the relation plastic.<br />

The behaviour of dreams in relation to opposition and to contradiction is also<br />

particularly striking to Freud, because 'no' does not appear to exist in oniric activity.<br />

243

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