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Witti-Buch2 2001.qxd - Austrian Ludwig Wittgenstein Society

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Thomas Meyer<br />

is at least some reason to suppose this project deserves a new exploration working<br />

differently through the stretch of territory whose view Cavell commands. Much seems<br />

to be at stake in the precise manner in which we resolve the issues surrounding this<br />

topic of rightness without rules, at stake not only for Kant and <strong>Wittgenstein</strong>, but for the<br />

ongoing debates in philosophy that connect in some way with the work of these figures<br />

on this topic. At one point in his writing on this analogy and the distinctive philosophical<br />

problematic it highlights, Cavell asks openly just what this problematic, this territory, this<br />

<strong>Wittgenstein</strong>ian and at moments at least Kantian predicament is after all. Is it, together<br />

with the issues it contains, a philosophical practice of "psychology", or "logic", is it the<br />

explicitation of "grammar" or the churning of "phenomenology"? "I cannot," Cavell<br />

confesses, "describe to anyone's satisfaction what it is" (Cavell 93). This practice for<br />

which Cavell sought a name is one characterized by what I call and describe as<br />

indeterminacy. The way this talk of indeterminacy comes to meet or mute the issues<br />

with which it shall be faced is what shall set it apart from the competing discourses that<br />

have laid themselves over the landscape of <strong>Wittgenstein</strong>'s therapeutic projects.<br />

Against the background of this view of Cavell's conception of the aesthetic character<br />

of <strong>Wittgenstein</strong>'s disputes, the therapeutic reading of <strong>Wittgenstein</strong> propounded in The<br />

New <strong>Wittgenstein</strong> appears unexpectedly silent concerning its allegedly aesthetic core.<br />

In fact, the aesthetic character of <strong>Wittgenstein</strong>'s remarks goes largely uncontemplated.<br />

Indeed, the issue of judgment in the absence of rules, or indeterminate judgment,<br />

remains surprisingly unconsidered. Instead, discussions such as that of Martin Stone on<br />

the relationship of <strong>Wittgenstein</strong> and deconstruction focus on judgments in the presence<br />

of rules (Crary 96-97). The "indeterminate" appears here as the vestigial quality of<br />

meaning possessed by an uninterpreted sign (Crary 101). Rather, the indeterminate,<br />

the lack of determinacy, pervades <strong>Wittgenstein</strong>'s texts on language, beginning with the<br />

discussion of "games" in section 54. And to embrace indeterminacy is to abandon the<br />

necessity of something determining the meaning of our words, a necessity that cries out<br />

for the philosophical therapy <strong>Wittgenstein</strong> undertakes in his Investigations. So if we<br />

particularly need therapy when imagining an external perspective on our uses of<br />

language which "determines their correctness" (Crary 3), then that therapy is, if Cavell<br />

is right, significantly aesthetic in character, and in the end may benefit from this reminder<br />

from what remains a salient and timely meditation.<br />

Literature<br />

76

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