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Witti-Buch2 2001.qxd - Austrian Ludwig Wittgenstein Society

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The Aesthetic Turn: <strong>Wittgenstein</strong>, Cavell and “Therapy"<br />

laughter can seem a precarious basis for asserting a position on some topic which I take<br />

to be right not only for me but for everyone, which I hold as universally valid, which I<br />

pronounce with a universal voice. In the dynamic Cavell articulates, I take myself to be<br />

right and I demand your agreement ("we would say p" and "you must see"), and yet I<br />

accept a distressing feature of my position, namely, that it is not decisively settled by<br />

rules; you grit your teeth and I stare back powerless to sooth the source of your<br />

aggravation: this is the predicament of <strong>Wittgenstein</strong>ian philosophy Cavell has found<br />

recurring through its practice, the predicament of speaking with a universal voice. We<br />

can find if we search a precedent for <strong>Wittgenstein</strong>ian philosophy in the work of Kant, or<br />

at least so it seems.<br />

The game of <strong>Wittgenstein</strong>ian philosophy is far from being everywhere bounded by<br />

rules to guide its reasoning. "I take it to be a phenomenological fact about philosophizing<br />

from everyday language that one feels empirical evidence about one's language to be<br />

irrelevant to one's claims. ...[I]f we find we disagree about what we should say, it would<br />

make no obvious sense to attempt to confirm or disconfirm one or other of our responses<br />

by collecting data to show which of us is in fact right.<br />

...The philosopher appealing to everyday language turns to the reader not to<br />

convince him without proof but to get him to prove something, test something, against<br />

himself. He is saying: Look and find out whether you can see what I see, wish to say<br />

what I wish to say" (Cavell 94-96). Though he does not develop this defense with the<br />

degree of detail for which we might have hoped, Cavell reminds us of the lack of a<br />

decisive role for evidence or judgments about what speakers did and do say in our<br />

assessment of the correctness of our first-person plural confessions about language. I<br />

judge that we would say p, but audio tapes of your having said not-p yesterday, even<br />

boxes of such tapes, do not decide the correctness of my judgment--at least, says<br />

Cavell, we do not "feel" them to do so. I offer my judgment without proof, but I do not<br />

try to force your agreement all the while hiding from you the paucity of argument<br />

available in my defense; rather I offer my judgment and demand from you an agreement<br />

which I nevertheless cannot "to use Kant's word, 'postulate'" (Cavell 96) for you any<br />

more than I can postulate it for myself. I lack rules, to be sure, but so do you, and still<br />

we dispute with one another like we do not over what is merely agreeable. This is the<br />

dynamic into which we ascend or fall when <strong>Wittgenstein</strong>ian philosophizing begins, the<br />

dynamic of universal voice without objective validity.<br />

Cavell's treatment of this analogy between Kant and <strong>Wittgenstein</strong> sets for us rather<br />

a large project if we were to wish to assess its accuracy, let alone its significance for<br />

philosophy more generally. In some ways Cavell's later work takes up elements of this<br />

project as they connect with the issues of skepticism and perfectionism. Even so, there<br />

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