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INTERNATIONAL OLYMPIC ACADEMY 7th JOINT - IOA

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who were also deified as constellations 29 , it is known that they had<br />

exceptional athletic competence, the one – Pollux – as a boxer 30 and<br />

the other – Castor - as a horseman. They are often represented with<br />

their horses, whereas they won in several contests 31 . The two<br />

Homeric heroes, Ajax and Achilles, were eminent for their war virtue<br />

in the battlefield. Ajax was invincible in single combat 32 , whereas<br />

Achilles was running fast and, thus, became an unrivalled model for<br />

runners 33 .<br />

It could be suggested that Aristotle, who composed lists of the<br />

Pythian- and the Olympic-winners 34 , also seeks to deify Hermias like<br />

an athlete who deserves any distinction for the victory he brought to<br />

his state. Presenting virtue as a desired fruit of a laborious contest,<br />

with such competent competitors from the mythological past shows in<br />

other words that virtue was a prize for Hermias who threw himself<br />

into a difficult fight. In this way Aristotle is comparing him with an<br />

athlete that deserves to be honoured with the laureate posthumous<br />

fame and glory.<br />

Still, not only gods and heroes are famous for their athletic records<br />

but also the winners of the games are worshipped like heroes 35 . The<br />

victorious hymns - epinicians 36 of Pindar, Bacchylides, and Simonides<br />

for the winners of the Pythian, Nemean, Isthmian, and Olympic<br />

games, and also the pieces of art by Lysippus, Polycleitos and Myron,<br />

are the ways that the state chooses, in order to express the virtue of the<br />

winners and to glorify them in public 37 . We should not, therefore,<br />

forget that the distinction may be achieved on an individual level 38 ,<br />

but the victory belongs not only to the athlete himself but to his state<br />

as well, which is responsible as a corporate authority to confer the<br />

suitable honours. In ancient coins we often find the representation of<br />

the Winged Victory (Nike) ready to crown the winner. Besides, picture<br />

of athletic victories on coins was a means of propaganda of the polis<br />

or the leader.<br />

Moreover, the moral award for the victory is a share in the divine<br />

superiority and the unrivalled fame of the mythical heroes. This is<br />

how the legends about the heroic or divine genealogy of many<br />

athletes, who won at the Olympic games, were created, like<br />

Theagenes, who was worshipped in Thasos as a therapist god and son<br />

of Hercules. It seems that the traditions about the divine or heroic<br />

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