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INTERNATIONAL OLYMPIC ACADEMY 7th JOINT - IOA

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the Competition of the Los Angeles Games in 1932 reached a record<br />

of international competitors.<br />

� Antwerp 1920, (successful international Art Competition)<br />

� Paris (1924), (commissioned works in dance, opera and music)<br />

� Amsterdam 1928, (expansion of the Art works)<br />

� Los Angeles 1932, (1.100 works of Art from 31 Nations)<br />

� Berlin 1936, (Unprecedented in scale and nature “Olympia” by<br />

Leni Riefenstahl)<br />

� London 1948, (Art Competition mounted despite World War<br />

II)<br />

� Helsinki 1952, (Photo type large scale Arts Exhibition)<br />

3rd Phase:<br />

This is a completely new phase, where the cultural programmes of<br />

the Olympic Games are based on National and Traditional Art<br />

Thus, the Games in Rome (1960), in Tokyo (1964) in Montreal<br />

(1976) and in Moscow (1980) presented programmes with events<br />

from all art forms. These events had a national and traditional theme.<br />

� Rome 1960, (Historical relationship between Arts and Sports)<br />

� Tokyo 1964, (Traditional Japanese Art)<br />

� Montreal 1976, (Canadian Culture)<br />

� Moscow 1980, (National and Classical Arts)<br />

On the other hand, Large - scale International Arts Festivals with<br />

different length, approach, objectives and themes were presented in<br />

Melbourne (1956), in Mexico (1968) in Munich (1972) and in Seoul<br />

(1988).<br />

� Melbourne 1956, (Fine Art sub-committee -1953-, Festival<br />

sub-committee -1955-)<br />

� Mexico 1968, (Department of Artistic and Cultural Events -1<br />

year-)<br />

� Munich 1952, (International Visual and Performing Arts)<br />

� Seoul 1988, (International approach “ Harmony and Progress”)<br />

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