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INTERNATIONAL OLYMPIC ACADEMY 7th JOINT - IOA

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origin of the winners were formed to promote the participation in the<br />

games and to justify the winners as models in people’s conscience 39 .<br />

We can see how serious it was for the polis to form perfect<br />

citizens in the political ideas about “the perfect politeia”, which were<br />

particularly developed in 4 th century B.C. by the philosophers Plato<br />

and Aristotle. Both consider that it is the legislator’s duty to take care<br />

of the citizens, so that they become good and nice through practice in<br />

virtue. This depends on physical and mental well being and is attained<br />

through the participation in peaceful contests of free people. Thus,<br />

physical bravery and mental harmony are joined in the high model of<br />

virtue, which is an expression of completeness and perfection. In this<br />

sense, the athletic games also serve a conscious social function, since<br />

the victory elevates the athlete in his fellow-citizens’ conscience and<br />

matches his exploit with old heroes and athletes, tying him with his<br />

descent and traditions. Thus, it makes him almost a semi-god and<br />

heightens the polis itself, the gods, and the political institutions.<br />

We should not, nevertheless, forget that the Games in Olympia,<br />

Isthmia, Delphi, and Nemea, were explicitly associated with religion,<br />

although it has also been suggested that they came from the ritual<br />

contests in honour of dead warriors 40 . The mythical model of gods‘<br />

and heroes’ contests can prove the religious character of the games.<br />

This can also be conveyed by the choice of ritual sites for the<br />

establishment of athletic activities and by the heroic cult of the<br />

winners. Besides, most contests in ancient Greece were placed in a<br />

religious context, just like the dramatic competitions. Thus, the virtue<br />

that is pursued by athletes is dressed in a deeply religious gown, as the<br />

victory graces the winner with divinity and so he becomes a votive<br />

offering to the god 41 .<br />

The Roman times indicate a serious change in the character of the<br />

games, which are now universal 42 . The Roman populus preferred<br />

chariot races and gladiatorial fights, the Roman ludi. The Games<br />

become professional and the prize money is now the rule 43 . In 2 nd - 3 rd<br />

centuries AD more than 500 games are known from inscriptions,<br />

literary texts and coins. Many of these games were imitating the big<br />

Greek games 44 . Another factor for this numerical increase was the cult<br />

of the rulers – gods that created new festivals and contests. Names like<br />

Augusteia, Sebasteia, Hadrianeia, Commodeia show the close<br />

relationship between the Emperor and the games 45 .<br />

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