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Kochba, which ran for quite some time. Its success<br />

was beyond our expectations, and its influence<br />

was felt for a long time. Everyone was<br />

impressed by the strong and beautiful voice of the<br />

actress, Feyge Pomerantz, the daughter of Sholem<br />

Yitshe, the town water-carrier. She played the<br />

role of Dina, Bar Kochba's sweetheart. Her songs<br />

continued to be sung by everybody in town for<br />

many years to come.<br />

This, too, was a brave deed of Hershl<br />

Chasid'sencouraging a poor girl, a seamstress<br />

by trade, by teaching her to act, preparing her for<br />

a leading part that she filled so successfully.<br />

Hershl played Bar Kochba himself; he wore a<br />

black cape, a sort of pelerine from the Napoleonic<br />

era, and a wide-brimmed toreador's hat, making<br />

a tremendous impression on the public.<br />

The townspeople waited impatiently for the<br />

big day when the curtain would rise on the<br />

I Ni<br />

...la EL,<br />

L<br />

-<br />

THE EARLY DAYS 81<br />

- .<br />

r<br />

charming play, the content of which and the cast<br />

names they knew long beforehandfrom those<br />

lucky enough to attend rehearsals (held mostly<br />

on Saturdays). The putting on of plays involved<br />

great effort not only for the actors, who had to<br />

overcome the opposition of their parents, memorize<br />

their parts, prepare the appropriate costumes,<br />

etc., but also for the devoted helpers, the "technical<br />

corps," who had difficult tasks: to get censorship<br />

permits from officials, which required traveling<br />

to the big city (Lublin or Warsaw); finding<br />

somebody to use his "pull" to get that permit; to<br />

prepare the hall and stage; to bring in benches<br />

from the synagogue (mostly by stealing) and chairs<br />

from private homes; finding large lamps to light<br />

the hall (also taken from the synagogue); borrowing<br />

stage props, such as furniture; bringing a<br />

make-up specialist from the big city; engaging<br />

musicians (klezmer) to play before and during<br />

- - 44.11<br />

Members of Tarbut committee with author Rachel Feigenberg, 1929. Sitting, right to left: Y. Garmi (Grimatlicht),<br />

N. Veyner (Blau), the author Feigenberg (Emory), Y. Samet, M. Volvushes. Standing, right to left: Kahn, M.<br />

Varshniter (Henech), Doy Ivri (Volvushes), M. Grimatlicht.

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