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A Still-Life Shtetl<br />

Rebuilding the Life and Times of Luboml, One Faded Photo at a Time<br />

By Toby Axelrod<br />

Sept. 1, 1995<br />

It is a silent reunion. In shades of brown and ivory<br />

they sit, stiff and proper, before romantic painted<br />

backdrops. Others lounge on the grass with friends<br />

gathered around. Formally, a couple stands with<br />

two young children, staring straight at me.<br />

I look at them one by oneand hundreds<br />

more like them: family photos in folders, filling<br />

two drawers in the tiny office of the Luboml Exhibition<br />

Project in Midtown Manhattan. It's the<br />

largest gathering of Luboml's souls since the<br />

shtetlmy father's birthplacewas destroyed 53<br />

years ago.<br />

For several months the photos have been arriving<br />

from Canada, Israel, Arizona, Argentina,<br />

and Brooklyn in response to notices in the Jewish<br />

Week and elsewhere. A few of the many envelopes<br />

came to my desk, and I would open each<br />

with reverence, as if entrusted with something<br />

holy. I understood afresh the superstitions some<br />

have against being caught on film. The photos<br />

are all that remains. And those eyes, those expressive<br />

hands touched a world I knew only<br />

through the stories of my grandfather, Rabbi<br />

Yakov Axelrod.<br />

"I'll never forget it," was how he usually began.<br />

I can hear his voice any time because I recorded<br />

hours and hours of his storytelling and<br />

have spent years transcribing the tapes.<br />

But I never thought my personal obsession<br />

would converge with the dreams of so many<br />

other people, to create a museum exhibit about<br />

Jewish life in that obscure little Polish-Ukrainian<br />

town. The photos, documents, and objects gathered<br />

in that midtown office today are waiting to<br />

be seen, and they will be seen, thanks to the<br />

413<br />

sponsorship of Aaron Ziegelman, who left<br />

Luboml as a boy in 1938.<br />

It's hard to believe I will set foot in that town<br />

myselfthe goal is to find more material for our<br />

collection. But first, I will put down the last corrections<br />

on our toughest project: the translation<br />

of our entire Yizkor Buch from Yiddish into English.<br />

Hundreds of such books about the life and<br />

demise of European Jewish towns were written<br />

after the war by survivors, but most of these rich<br />

volumes are gathering dust on bookshelves, inaccessible<br />

to all but those who can read Yiddish.<br />

Two have been translated into English.<br />

Several years ago I volunteered to help edit<br />

Luboml's tome, for selfish reasonsI wanted to<br />

read more about the town I knew through my<br />

grandfather's stories. Now, as I check the spelling<br />

of names of those killed by the Nazis, a list<br />

that closes the 400-page book, I marvel that a<br />

window is to open for others on a world lost forever.<br />

The book translation was begun years ago by<br />

members of the Libovner Voliner Benevolent Society,<br />

with survivor Nathan Sobel and his wife,<br />

Eleanor, at the helm.<br />

Recently, Aaron Ziegelman started the exhibition<br />

project. For him, the journey began several<br />

years ago as an effort to unerase his past. He<br />

managed to find relatives around the world, reconstructing<br />

a family tree and orchestrating a<br />

reunion.<br />

Eventually, he decided to sponsor the creation<br />

of an exhibition chronicling life in the<br />

shtetl. Since last summer, hundreds of photos<br />

and items have been gathered for display at museums<br />

in New York, Israel and other venues.

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