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Evolution__3rd_Edition

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18 PART 1 / Introduction<br />

. . . and biological classification ...<br />

. . . and research on fossils<br />

The modern synthesis was<br />

established by the 1940s<br />

make of variation between individuals within a species. Species, in the typological conception,<br />

had been defined as a set of more or less similar-looking organisms, where<br />

similarity was measured relative to a standard (or “type”) form for the species. A<br />

species then contains some individuals of the standard type, and other individuals who<br />

deviate from that type. The type individuals are conceptually privileged, whereas the<br />

deviants show some sort of error.<br />

However, the concept of a species as type plus deviants was inappropriate in the<br />

theory of population genetics. The changes in gene frequencies analyzed by population<br />

geneticists take place within a “gene pool” a that is, a group of interbreeding<br />

organisms, who exchange genes when they reproduce. The crucial unit is now the set of<br />

interbreeding forms, regardless of how similar looking they are to each other. The idea<br />

of a “type” for a species is meaningless in a gene pool containing many genotypes. One<br />

genotype is no more of a standard form for the species than any other genotype. A gene<br />

pool does not contain one, or a few, “type” genotypes that are the standard forms for a<br />

species, with other genotypes being deviants from that “type.” No type form exists that<br />

could be used as a reference point for defining the species. Population geneticists therefore<br />

came to define the members of a species by the ability to interbreed rather than<br />

by their morphological similarity to a type form. The modern synthesis had spread to<br />

systematics.<br />

A similar treatment was given to paleontology by George Gaylord Simpson (Figure<br />

1.11) in Tempo and Mode in <strong>Evolution</strong> (1944). Many paleontologists in the 1930s<br />

still persisted in explaining evolution in fossils by what are called orthogenetic<br />

processes a that is, some inherent (and unexplained) tendency of a species to evolve<br />

in a certain direction. Orthogenesis is an idea related to the pre-Mendelian concept<br />

of directed mutation, and the more mystical internal forces we saw in the work<br />

of Lamarck. Simpson argued that no observations in the fossil record required these<br />

processes. All the evidence was perfectly compatible with the population genetic<br />

mechanisms discussed by Fisher, Haldane, and Wright. He also showed how such<br />

topics as rates of evolution and the origin of major new groups could be analyzed by<br />

techniques derived from the assumptions of the modern synthesis (Chapters 18–23).<br />

By the mid-1940s, therefore, the modern synthesis had penetrated all areas of biology.<br />

The 30 members of a “committee on common problems of genetics, systematics, and<br />

paleontology” who met (with some other experts) at Princeton in 1947 represented all<br />

areas of biology. But they shared a common viewpoint, the viewpoint of Mendelism and<br />

neo-Darwinism. A similar unanimity of 30 leading figures in genetics, morphology,<br />

systematics, and paleontology would have been difficult to achieve before that date.<br />

The Princeton symposium was published as Genetics, Paleontology, and <strong>Evolution</strong><br />

(Jepsen et al. 1949) and is now as good a symbol as any for the point at which the<br />

synthesis had spread throughout biology. Of course, there remained controversy<br />

within the synthesis, and a counterculture outside. In 1959, two eminent evolutionary<br />

biologists a the geneticist Muller and the paleontologist Simpson a could still both<br />

celebrate the centenary of The Origin of Species with essays bearing (almost) the same<br />

memorable title: “One hundred years without Darwinism are enough” (Muller 1959;<br />

Simpson 1961a).<br />

In this book, we shall look in detail at the main ideas of the modern synthesis, and see<br />

how they are developing in recent research.<br />

..

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