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catalogue 2007 en .pdf - Festival international du documentaire de ...

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DIE LEERE MITTETHE EMPTY CENTREréalisé par / directeb by HITO STEYERLFILMER, DIT-ELLEHito Steyerl est tout à la fois théorici<strong>en</strong>ne, <strong>en</strong>seignante, artiste, critique etvidéaste. Elle a réalisé un nombre conséqu<strong>en</strong>t d’essais cinématographiquesqui trait<strong>en</strong>t <strong>du</strong> féminisme, <strong>de</strong> la globalisation et <strong>de</strong>s questions <strong>du</strong> postcolonialisme.Le C<strong>en</strong>tre Vi<strong>de</strong> se conc<strong>en</strong>tre sur les modifications urbanistiqueset politiques <strong>du</strong> c<strong>en</strong>tre <strong>de</strong> Potsdam après la réunification <strong>de</strong>s <strong>de</strong>uxAllemagnes et <strong>de</strong> son passage <strong>du</strong> socialisme à une économie capitaliste.S’interrogeant sur ces frontières <strong>en</strong> mouvem<strong>en</strong>t, le film t<strong>en</strong>te égalem<strong>en</strong>t <strong>de</strong>r<strong>en</strong>dre compte <strong>de</strong> ceux qui <strong>en</strong> font les frais : exclus, minorités, immigrants,et autour <strong>de</strong>squels se cré<strong>en</strong>t <strong>de</strong> nouvelles frontières. Par le biais <strong>de</strong>surimpressions au ral<strong>en</strong>ti, qui font état <strong>de</strong>s modifications <strong>de</strong> l’espace surneuf années, il s’agit <strong>de</strong> r<strong>en</strong>dre visible ceux dont l’image est bannie <strong>de</strong>sreprés<strong>en</strong>tations dominantes.ALLEMAGNE1998CouleurBeta SP62’V.O.AllemandS.T.AnglaisHito Steyerl is a theorist, teacher, artist, critic and vi<strong>de</strong>o artist all rolled intoone. She has directed a substantial number of cinematic essays that <strong>de</strong>alwith feminism, globalisation and questions concerning post-colonialism. TheEmpty C<strong>en</strong>tre conc<strong>en</strong>trates on the urban and political modifications of thec<strong>en</strong>tre of Potsdam, following the reunification of the two Germanys, and it’spassage from socialism to a capitalist economy. Questioning these movingfrontiers, the film also attempts to take into account those who have paidthe cost, including social outcasts, minorities and immigrants around whomnew frontiers are created. Those whose image is usually banished fromdominant repres<strong>en</strong>tations are r<strong>en</strong><strong>de</strong>red visible by using slowed-downsuperimposed images that show the modifications to the space over a periodof nine years.176

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