download document - Mostra internazionale del nuovo cinema
download document - Mostra internazionale del nuovo cinema
download document - Mostra internazionale del nuovo cinema
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
KOREAN DIGITAL<br />
Kim So-young<br />
HWANGHOLKYONG<br />
I’ll Be Seeing Her: Images of<br />
Women in Korean Cinema<br />
(t.l.: La vedrò: immagini <strong>del</strong>le<br />
donne nel <strong>cinema</strong> coreano)<br />
Il <strong>document</strong>ario incrocia e giustappone liberamente generi<br />
e scene differenti dei film, presentando le immagini <strong>del</strong>le<br />
donne nel <strong>cinema</strong> Sud Coreano e discostandosi <strong>del</strong>iberatamente<br />
dallo stile <strong>document</strong>aristico ortodosso. I’ll Be<br />
seeing Her, perciò, fonde la maniera fantastica e quella realistica.<br />
The <strong>document</strong>ary intertwines and freely juxtaposes genres and<br />
scenes from various films to present images of women in South<br />
Korean <strong>cinema</strong>. By <strong>del</strong>iberately not employing an orthodox <strong>document</strong>ary<br />
approach, I’ll Be Seeing Her blends fantastic and<br />
realistic styles.<br />
“Il titolo originale di questo <strong>document</strong>ario Hwangholkyong<br />
evoca stati di estasi, fantasia, fantasmagoria. E’ una celebrazione<br />
ironica degli eccessi dei sentimenti che le spettatrici<br />
hanno esperito e ottenuto dai film notoriamente misogeni<br />
prodotti in Corea <strong>del</strong> Sud nelle passati decadi.”<br />
Kim So-young<br />
“The original Korean title of this <strong>document</strong>ary, Hwangholkyong,<br />
evokes states of ecstasy, fantasy, and phantasmagoria. It is<br />
an ironic celebration of the excesses of feeling that female spectators<br />
have experienced and attained from the notoriously misogynistic<br />
films of South Korea over the past decades.”<br />
Kim So-young<br />
Biografia<br />
Laureata all’Accademia <strong>del</strong>le Arti, è docente di <strong>cinema</strong><br />
presso l’Università Nazionale Coreana di Seoul. Ha scritto<br />
numerosi libri e diretto tre <strong>document</strong>ari indangando il<br />
ruolo <strong>del</strong>la donna coreana nelle arti. Ha lavorato per il<br />
Women’s Film Festival di Seoul e il Jeonju International<br />
Film Festival (JIFF).<br />
Biography<br />
Kim So-young graduated from the Academy of Art and teaches<br />
<strong>cinema</strong> at the Korean National University in Seoul. She has<br />
written numerous books and has directed three <strong>document</strong>aries<br />
investigating the role of Korean women in the arts. She worked<br />
for the Women’s Film Festival in Seoul and the Jeonju International<br />
Film Festival (JIFF).<br />
sceneggiatura/screenplay: Fanta Sisters<br />
fotografia/photography (dv cam, colore, b/n): Kim Jeongwook,<br />
Kim Young-nam<br />
montaggio/editing: Kim Su-jin<br />
scenografia/art direction: Lee Aerim<br />
produzione/production: Lee B-Won, Lee JungA<br />
durata/running time: 50’<br />
origine/country: Corea <strong>del</strong> Sud 2003<br />
Filmografia<br />
Winter Illusion (1984, Cm), Black Requiem (1985, Cm), Little Time maker (1986, Cm), Even Little Glass has its name (1989, Mm),<br />
Winter Illusion (2000, Cm, doc), Koryu (2000, doc), I’ll Be Seeing Her: Women in Korean Cinema (2002, Mm, doc), A Runner’s<br />
High (2003, Cm), New Women: Her first Song (2004, Mm, doc)<br />
41 a <strong>Mostra</strong> Internazionale <strong>del</strong> Nuovo Cinema 63
Change language