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W. C a r e w H a z l i t t Coinage of the European Continent

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Introduction<br />

2 I<br />

autonomous coins <strong>of</strong> <strong>the</strong> republics and states gradually<br />

formed within those limits ; 3, <strong>the</strong> money <strong>of</strong> <strong>the</strong> French,<br />

Spanish, and Austrian occupiers ;<br />

and 4, that <strong>of</strong> <strong>the</strong> two<br />

kingdoms as constituted in 1804 and 1860, <strong>of</strong> which <strong>the</strong><br />

latter at all events removed <strong>the</strong> stigma conveyed in <strong>the</strong><br />

epigram describing Italy as " a geographical expression."<br />

The foundations <strong>of</strong> <strong>the</strong> monetary systems <strong>of</strong> Nor<strong>the</strong>rn<br />

Italy were almost undoubtedly German or Teutonic, and<br />

were far less indebted to classical suggestion and Oriental<br />

feeling than <strong>the</strong> sou<strong>the</strong>rn portion, or than <strong>the</strong> region within<br />

which <strong>the</strong> Merovingian family <strong>of</strong> gold tricntes circulated.<br />

Ages elapsed before <strong>the</strong> Venetians resorted to Byzantine<br />

models ;<br />

<strong>the</strong> latest researches have identified twenty - four<br />

varieties <strong>of</strong> <strong>the</strong> denier or danaro produced under imperial<br />

control from <strong>the</strong> ninth to <strong>the</strong> twelfth century and <strong>the</strong><br />

;<br />

o<strong>the</strong>r portions <strong>of</strong> this division <strong>of</strong> <strong>the</strong> Peninsula conducted<br />

<strong>the</strong>ir transactions where specie was demanded with descriptions<br />

<strong>of</strong> money on which <strong>the</strong>re is no distinct trace <strong>of</strong> Greek,<br />

Roman, or Oriental taste. At <strong>the</strong> period <strong>of</strong> <strong>the</strong> Renaissance,<br />

<strong>the</strong> autonomous currency <strong>of</strong> some <strong>of</strong> <strong>the</strong> states exhibited<br />

pro<strong>of</strong>s <strong>of</strong> <strong>the</strong> study and appreciation <strong>of</strong> ancient numismatic<br />

art, modified by contemporary requirements but <strong>the</strong> noble<br />

;<br />

examples <strong>of</strong> medallic work, produced by such men as<br />

Leonardo da Vinci, Pisanello, Francia, and Cellini, under<br />

<strong>the</strong> auspices <strong>of</strong> generous patrons, were virtually as original<br />

as any <strong>of</strong> <strong>the</strong> o<strong>the</strong>r cinquecento masterpieces in oil, marble,<br />

or bronze. These great artists, instead <strong>of</strong> servilely and<br />

unskilfully copying <strong>the</strong> coins <strong>of</strong> <strong>the</strong> ancients, as <strong>the</strong> British,<br />

Gaulish, and Merovingian moneyers had severally done,<br />

sought to shew <strong>the</strong> world that <strong>the</strong>y could equal<br />

if not<br />

surpass <strong>the</strong>m.<br />

With <strong>the</strong> South, including Sicily, <strong>the</strong> case stood somewhat<br />

differently, owing to <strong>the</strong> Lombard settlement in <strong>the</strong><br />

sixth century at Beneventum and <strong>the</strong> adoption <strong>of</strong> Merovingian<br />

patterns, and to <strong>the</strong> successive conquests <strong>of</strong> Sicily and<br />

Apulia by <strong>the</strong> Arabs, <strong>the</strong> Normans, <strong>the</strong> French, <strong>the</strong> Spaniards,<br />

as well as by <strong>the</strong> Germans. These great and frequent<br />

political changes could not be unattended by striking numis-

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