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W. C a r e w H a z l i t t Coinage of the European Continent

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506 The Coins <strong>of</strong> Eiirope<br />

<strong>of</strong> that strange Mohammedan political era which had its<br />

precedent and parallel in <strong>the</strong> Arabian domination in Sicily.<br />

But in <strong>the</strong> Iberian Peninsula <strong>the</strong> influence proved far more<br />

powerful and prolonged, and even when <strong>the</strong> actual authority<br />

<strong>of</strong> <strong>the</strong> Moorish Kings <strong>of</strong> Granada was extinguished some<br />

years after <strong>the</strong> union <strong>of</strong> Castile and Arragon under Ferdinand<br />

and Isabella, <strong>the</strong> former masters <strong>of</strong> <strong>the</strong> country left <strong>the</strong>ir<br />

enduring impress on its people, its language, and its architecture.<br />

The Moors or Mauritanians were <strong>the</strong> makers <strong>of</strong><br />

Spain. Of <strong>the</strong>ir predecessors <strong>the</strong>re are no numismatic or<br />

o<strong>the</strong>r monuments <strong>of</strong> any importance. The Suevic and Visigothic<br />

coinages are probably <strong>the</strong> most barbarous in point <strong>of</strong><br />

style ever produced within <strong>the</strong> confines <strong>of</strong> Europe, and do<br />

not seem to have undergone any improvement during <strong>the</strong><br />

period <strong>of</strong> that rule over parts <strong>of</strong> Spain. They exhibit <strong>the</strong><br />

principles <strong>of</strong> medallic art reduced to <strong>the</strong>ir rudiments, and<br />

form a powerful contrast to that <strong>of</strong> <strong>the</strong> Ostrogoths, <strong>of</strong> which<br />

some <strong>of</strong> <strong>the</strong> later examples, after <strong>the</strong> renunciation <strong>of</strong> imperial<br />

names and busts, are highly creditable and interesting, and<br />

indicate <strong>the</strong> employment <strong>of</strong> skilful engravers, more likely to<br />

have been Greeks than Italians. We shall perhaps never<br />

arrive at an exact knowledge <strong>of</strong> <strong>the</strong> reasons or circumstances<br />

which exercised on bodies <strong>of</strong> settlers <strong>of</strong> cognate origin such<br />

divergent effects ;<br />

but it is<br />

presumable that, while in Spain<br />

<strong>the</strong> influence and traditions <strong>of</strong> <strong>the</strong> old Hellenic culture had<br />

completely expired, <strong>the</strong> Gothic conquerors <strong>of</strong> Italy enjoyed<br />

<strong>the</strong> advantage <strong>of</strong> <strong>the</strong> Indo-Greek civilisation, <strong>of</strong> which we<br />

discover such early traces at Venice, and <strong>of</strong> which <strong>the</strong><br />

Byzantine jurisdiction over Ravenna and Naples, concurrently<br />

with that <strong>of</strong> foreign invaders elsewhere, favoured <strong>the</strong> growth<br />

and establishment.<br />

The Visigothic series, chiefly confined to gold trientes,<br />

at first <strong>of</strong> imperial, and subsequently <strong>of</strong> independent, types,<br />

extends from <strong>the</strong> sixth to <strong>the</strong> eighth century. The mints<br />

are Barcelona, Toulouse, Narbonne, Emerita, and Toledo.<br />

There also exist <strong>of</strong> <strong>the</strong> later rulers small silver coins, probably<br />

<strong>the</strong> tenth <strong>of</strong> <strong>the</strong> triens, <strong>of</strong> inferior workmanship to <strong>the</strong><br />

latter, but <strong>of</strong> similar type. The moneyers engaged evidently

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