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W. C a r e w H a z l i t t Coinage of the European Continent

W. C a r e w H a z l i t t Coinage of the European Continent

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Descriptive Outline <strong>of</strong> <strong>the</strong> <strong>Coinage</strong>s <strong>of</strong> Europe 443<br />

his later currency instead <strong>of</strong> <strong>the</strong> very preferable horseman in<br />

<strong>the</strong> Greek taste on <strong>the</strong> piece shown herewith.<br />

The dukedom <strong>of</strong> Ferrara merged in that <strong>of</strong> Modena and<br />

Reggio under Alfonso III. in 1628, and <strong>the</strong>re is a coinage <strong>of</strong><br />

<strong>the</strong> latter united honours down to 1796. The<br />

e"a and more ancient denominations employed here were<br />

Re<br />

io<br />

<strong>the</strong> grosso, soldo, grossetto, quattrino, bolognino,<br />

and 4 bolognini^testone, with <strong>the</strong> ^ and ^, <strong>the</strong> scudo di oro, its<br />

moiety and multiples, and <strong>the</strong> ungaro} The later princes<br />

<strong>of</strong> this house, who assembled at Modena an extensive and<br />

valuable collection <strong>of</strong> works <strong>of</strong> art, are styled on <strong>the</strong>ir money<br />

Dukes <strong>of</strong> Modena, Reggio, Mirandola, etc. The old connection<br />

with Ferrara is recollected on a piece <strong>of</strong> 80 sesini <strong>of</strong><br />

Raynaldo I., 1728, where on <strong>the</strong> reverse we meet with <strong>the</strong><br />

figure <strong>of</strong> St. Contardus and Contardvs CEstensis Protector<br />

while on a similar coin<br />

,<br />

<strong>of</strong> 1727 occurs Mvtin Prot<br />

Perhaps <strong>the</strong> former was current in <strong>the</strong> Ferrarese.<br />

The numismatic series opens with billon quattrini <strong>of</strong> a republican<br />

or autonomous type, assignable to <strong>the</strong> fourteenth and<br />

fifteenth centuries, with 6\ Passid. Mirandvl, and<br />

Mirandola.<br />

.<br />

on reverse Vestali Pi. and <strong>the</strong> sacred fire. Between<br />

this epoch and <strong>the</strong> next vestige <strong>of</strong> a local currency <strong>the</strong>re is a<br />

long and obscure interval and it is evident that we have<br />

;<br />

still to learn much touching <strong>the</strong> Mirandolese coinage <strong>of</strong> <strong>the</strong><br />

second moiety <strong>of</strong> <strong>the</strong> fifteenth century. Gian Francesco I.<br />

Pico, Signore <strong>of</strong> Mirandola, 1499-1533,<br />

<strong>of</strong> whose life and<br />

literary remains Sir Thomas More was <strong>the</strong> writer and editor,<br />

is <strong>the</strong> first with whom are associable any coins <strong>of</strong> a seigniorial<br />

cast ;<br />

and <strong>the</strong> earliest extant concession belongs to this reign<br />

(1515), although <strong>the</strong> character <strong>of</strong> his money might have<br />

encouraged us to conclude that his predecessors enjoyed a<br />

similar right. Of this eminent man we know<br />

1. A double zecchino with I.F. Picvs Mirand. D.C.C. and portrait<br />

with berretta to left. Reverse, Amoris Miracvlvm.<br />

2. A testone in silver.<br />

3. A billon quattrino, reading on obverse lo. Fr. Pi. Miran. D Co.,<br />

with portrait to left, and on reverse Om-ni-no in three lines<br />

in <strong>the</strong> field.<br />

1<br />

See Catalogue <strong>of</strong> Mints, v. "Modena."

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