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W. C a r e w H a z l i t t Coinage of the European Continent

W. C a r e w H a z l i t t Coinage of the European Continent

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Descriptive Outline <strong>of</strong> <strong>the</strong> <strong>Coinage</strong>s <strong>of</strong> Europe 471<br />

<strong>the</strong> aspect<br />

is<br />

uninviting, and <strong>the</strong> particulars are barely<br />

intelligible even to French experts and a second and more<br />

;<br />

select category is precluded from crossing <strong>the</strong> frontier by its<br />

rarity and price. French coins <strong>of</strong> a particular stamp are<br />

like French books in French bindings ; and it is, perhaps, a<br />

clue to <strong>the</strong> smallness <strong>of</strong> <strong>the</strong> original output, that certain<br />

pieces in <strong>the</strong> collection at <strong>the</strong> Biblio<strong>the</strong>que are unknown<br />

elsewhere. In general <strong>the</strong> entire range from Louis II. to<br />

Louis VIII. (877-1226), confined to <strong>the</strong> more strictly French<br />

series, becomes a difficult problem in <strong>the</strong> experience <strong>of</strong> <strong>the</strong><br />

foreign amateur, more especially certain reigns, where we<br />

meet concurrently with coins <strong>of</strong> German or Italian origin <strong>of</strong><br />

superior fabric and workmanship, and <strong>of</strong> more or less common<br />

occurrence.<br />

Regarding <strong>the</strong> state <strong>of</strong> preservation in which <strong>the</strong> ancient<br />

French money has reached us, we discover that <strong>the</strong> phenomenon<br />

is less connected with its chronological sequence than<br />

with <strong>the</strong> metal <strong>of</strong> which it was composed and <strong>the</strong> degree <strong>of</strong><br />

care employed by <strong>the</strong> mint-master and his A staff. grave<br />

difficulty and drawback in this series arose from <strong>the</strong> evident<br />

want <strong>of</strong> skill or patience in preparing <strong>the</strong> metal and flans<br />

even for <strong>the</strong> silver currency and this characteristic, which is<br />

;<br />

absent from <strong>the</strong> earlier coins, is very conspicuous in those<br />

both <strong>of</strong> billon and finer quality from <strong>the</strong> fourteenth century<br />

to <strong>the</strong> Revolution. Hardly one piece in fifty is round, and<br />

<strong>the</strong>re is not that slender proportion <strong>of</strong> entirely satisfactory<br />

specimens. The most degraded epoch was probably that<br />

between 1380 and 1610, comprising <strong>the</strong> reigns <strong>of</strong> eleven<br />

monarchs ;<br />

and although greater attention was paid to<br />

<strong>the</strong> gold, <strong>the</strong> flan was <strong>of</strong>ten too small for <strong>the</strong> die, and in<br />

o<strong>the</strong>r cases <strong>the</strong> pressure was insufficient to render <strong>the</strong> type.<br />

A comparison <strong>of</strong> <strong>the</strong> Franco-Italian series is quite sufficient<br />

to establish <strong>the</strong> great inferiority <strong>of</strong> <strong>the</strong> French one : a coin<br />

<strong>of</strong> Louis XII. or Francis I. from an Italian hand powerfully<br />

contrasts with one produced at home and when we<br />

;<br />

perceive<br />

that <strong>the</strong> services <strong>of</strong> such men as Briot and G<strong>of</strong>fin were<br />

secured even by its baronial subjects, and rejected by <strong>the</strong><br />

Crown, and contemplate <strong>the</strong> mournful gold coinage <strong>of</strong> Louis

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